The first show of the new Broadway season is the first-ever revival of a modern American classic. And as Time Out New York hails, “Welcome back, Home. You’ve been missed!”
This powerfully uplifting adventure by the late Samm-Art Williams and staged by Kenny Leon (“Broadway’s most essential director,” says The Chicago Tribune), is “beautiful, moving, and very funny (The Daily Beast).
Three actors “deliver astronomical performances” (Amsterdam News), portraying over 40 characters and capturing Broadway’s heart and soul, as they take you on a 90-minute journey with a North Carolina farmer who travels to the city and back, holding true to his faith, his spirit, and his long-lost love. “Home’s return is nothing short of a cause for celebration,” says the New York Sun.
"Welcome Back, HOME. You've been missed." -Time Out New York
“A lovely and richly poetic play. Home is emblematic of what so many of us seek from time at the theater” Chicago Tribune
“A top-notch production that serves as a fitting and heartfelt tribute to the author.” - Deadline
“Home” is opening at a chaotic time of year, filled with Tony Award parties and costly competitions for attention. I hope this unpretentiously and gently staged story of Cephus’ quest doesn’t get lost in the noise; it’s emblematic of what so many of us seek from time at the theater.
The single flaw to Roundabout’s nice revival is some questionable pacing by Kenny Leon, the director, whose recent Broadway staging of Purlie Victorious was marred by its headlong speed. Here, the lyrical opening passages of Home intended to evoke the long ago rural South are nearly lost in the breakneck speed they are spoken. Other poetic sections tend to rush by, too, suggesting that Leon doesn’t trust the audience to appreciate their beauty. Leon otherwise gives his well-acted production sufficient atmosphere. A longtime collaborator with Leon, the great Allen Lee Hughes expertly designs sunlight and moonlight and passages of time. Simple, painterly settings designed by Arnulfo Maldonado always keep a patch of those homeland fields in view even when Cephus strays far away. Perhaps just as crucial to the production’s impact is how the designer uses simple fabric borders to reduce the expansive size of the proscenium frame of the Todd Haimes Theatre so the actors can commune more closely with the audience.
| 1970 | Broadway |
Broadway |
| 2024 | Broadway |
Original Broadway Production Broadway |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2025 | Drama League Awards | DISTINGUISHED PERFORMANCE | Stori Ayers |
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