Inspired by the beloved films, the romantic and adventure-filled new musical Anastasia comes to Broadway.
From the Tony Award-winning creators of the Broadway classic Ragtime, this dazzling show transports us from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.
Anastasia features a book by celebrated playwright Terrence McNally and a lush, new score by Stephen Flaherty (music) and Lynn Ahrens (lyrics). Tony Award-winning director Darko Tresnjak directs.
The key selling point of this pretty but anodyne musical, which ends up being more satisfying than the sum of its parts. It's a fairy-tale whose princess chooses her own kind of prince, a destiny foretold in the stirring shared childhood recollection of Dmitry and Anya, 'In a Crowd of Thousands.' It's kitschy, old-fashioned entertainment given a relatively sophisticated presentation, and you have to acknowledge its success when you hear the target demographic swoon on cue.
Alas for imperial Russia and the family of Czar Nicholas II, the 17-year-old Grand Duchess Anastasia Nikolaevna was murdered in 1918 by the Cheka, Vladimir Lenin's secret police. But since princesses have a unique ability to skate above republican sentiment and the harsh realities of forensic science, the legend of a surviving Anastasia has lived on in popular culture, most famously as a 1997 animated musical film, scored by Lynn Ahrens and Stephen Flaherty and wherein Anastasia was voiced by Meg Ryan, she whom no Bolshevik could ever suppress. Now Anastasia has reappeared on Broadway, the centerpiece of a new musical that works quite delightfully when the star is center stage, and struggles mightily when she is off in the wings, where the charming Christy Altomare spends far too long.
2016 | Regional (US) |
Hartford Stage World Premiere Production Regional (US) |
2017 | Broadway |
Original Broadway Production Broadway |
2018 | US Tour |
US Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2017 | Drama Desk Awards | Outstanding Actress in a Musical | Christy Altomare |
2017 | Drama Desk Awards | Outstanding Book of a Musical | Terrence McNally |
2017 | Drama Desk Awards | Outstanding Costume Design for a Musical | Linda Cho |
2017 | Drama Desk Awards | Outstanding Featured Actress in a Musical | Mary Beth Peil |
2017 | Drama Desk Awards | Outstanding Music | Stephen Flaherty |
2017 | Drama Desk Awards | Outstanding Musical | Anastasia |
2017 | Drama Desk Awards | Outstanding Orchestrations | Doug Besterman |
2017 | Drama Desk Awards | Outstanding Projection Design | Aaron Rhyne |
2017 | Drama Desk Awards | Outstanding Sound Design in a Musical | Peter Hylenski |
2017 | Drama League Awards | Distinguished Performance Award | Caroline O'Connor |
2017 | Drama League Awards | Outstanding Production of a Broadway of Off-Broadway Musical | Anastasia |
2017 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Christy Altomare |
2017 | Outer Critics Circle Awards | Outstanding Book of a Musical (Broadway or Off-Broadway) | Terrence McNally |
2017 | Outer Critics Circle Awards | Outstanding Costume Design (Play or Musical) | Linda Cho |
2017 | Outer Critics Circle Awards | Outstanding Director of a Musical | Darko Tresnjak |
2017 | Outer Critics Circle Awards | Outstanding Featured Actor in a Musical | John Bolton |
2017 | Outer Critics Circle Awards | Outstanding Featured Actress in a Musical | Caroline O'Connor |
2017 | Outer Critics Circle Awards | Outstanding Featured Actress in a Musical | Mary Beth Peil |
2017 | Outer Critics Circle Awards | Outstanding Lighting Design (Play or Musical) | Donald Holder |
2017 | Outer Critics Circle Awards | Outstanding New Broadway Musical | Anastasia |
2017 | Outer Critics Circle Awards | Outstanding New Score (Broadway or Off-Broadway) | Stephen Flaherty |
2017 | Outer Critics Circle Awards | Outstanding Orchestrations | Doug Besterman |
2017 | Outer Critics Circle Awards | Outstanding Projection Design (Play or Musical) | Aaron Rhyne |
2017 | Outer Critics Circle Awards | Outstanding Set Design (Play or Musical) | Alexander Dodge |
2017 | Theatre World Awards | Outstanding Broadway or Off-Broadway Debut Performance | Christy Altomare |
2017 | Tony Awards | Best Costume Design of a Musical | Linda Cho |
2017 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Mary Beth Peil |
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