Review: Slave Play at the Noël Coward Theatre, London
6 / 10
The overall acting is a bit hammed, rich in strong, exaggerated movements and fighting scenes choreographed by Jade Hackett. In contrast, Harington’s acting exemplifies some self-containment and restraint. In the second act where the discursive part of the therapy begins, Jim writes a letter to his “queen” Kaneisha, illustrating a typical white, straight, heterosexual male ego who only talks but does not listen. Harington’s crystal-like begging tone with his slightly awkward southern accent adds a layer of fragile sincerity, feeling more complex and multilayered.
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