Not Ready For Prime Time is a fictionalized account about the origins of “Saturday Night Live,” the ground-breaking NBC show that launched on October 11, 1975, and revolutionized American political and cultural satire. Audiences are introduced to nine misfit comedians – originally known as the “Not Ready For Prime Time Players” - as they rise to stardom: Dan Aykroyd, John Belushi, Chevy Chase, Jane Curtin, Garrett Morris, Bill Murray, Laraine Newman and Gilda Radner, and a young TV producer and writer, Lorne Michaels. The play follows their turbulent journey as they create comedic television history, producing a show that is still going strong after almost 50 years.
It’s all a bit humdrum, victim to obvious bio-play problems: It's narratively scattered and thematically unfocused, without much of a perspective about any of these people. The first act hits the biggest points in the show’s timeline, but it sells short the feeling of being swept up in any of it. An attempt to do a “show within a show” gimmick fails. The performances are generally competent to enthusiastic, but the actors are routinely trapped between doing impressions vs. individualistic takes. Caitlin Houlahan (as Jane Curtin) and Evan Rubin (as Gilda Radner) are among the few cast members whose own voices shine through their depictions of the real SNL players.
I suspect there’s a really tight 90-minute show buried in here, one with a razor-sharp focus on what modern audiences should take away from SNL‘s origin story. (Personally, I’d watch an entire show about Garrett Morris, especially with Grimes proving such a riveting portrayal of a hyper-talented man who seemed forever just ahead of his time.) In addition to that revealing blow-up doll sketch, I admit that the show did have a second laugh-out-loud scene — but this one was entirely unscripted, when Proctor’s Chase pratfalls into the table where Michaels is sitting during auditions and breaks the tabletop loose from its central stand, forcing Bouillion and Nate Janis (who doubles as NBC exec Dick Ebersol) to prop it up with their knees for the remaining auditions. It’s a reminder of the antic mayhem that exemplifies SNL at its best, a willingness to just roll with it that’s only fitfully captured in Not Ready for Prime Time.
| 2025 | Off-Broadway |
Off-Broadway |
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