Ibsen spin-off with Ewan McGregor is ill-constructed
4 / 10
The language constantly strives for the poetic but becomes impossibly stilted, leaving the actors making speeches at each other rather than interacting. McGregor in particular, making his return to the London stage after 17 years, seems desperately uncomfortable. Massively charismatic and in the past so fluent, here he is reduced to barking lines like orders, while Debicki has very little to do except gaze winsomely at him.
