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Hard Times 2000

Opened: June 6, 2000
Closing: August 26, 2000

Hard Times - 2000 West End History , Info & More

Theatre Royal Haymarket
18 Suffolk Street London SW1Y 4HT, London
Three principal players from the celebrated Salem Repertory Theatre, Ted deChatelet, David Janoviak and Tim Manion, reunite as the co-producing team for this unique performance. A small group of actors embody a variety of Dicken’s most intriguing characters in the adaptation the New York Times says has “heart, humor and twists that keep the audience engaged until the final resolution.”

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MEETCH, TLUXX & Carly Lind Release THUNDER on Pulse Theory
by Rachel Stone - Oct 23, 2026


Producers MEETCH and TLUXX released the progressive house single THUNDER featuring vocalist Carly Lind via Pulse Theory. The track blends warm melodic elements with rising percussion.

Review: THE CARPENTERS SONGBOOK: A LIVE CELEBRATION at National Theatre DC
by Brian Bochicchio - Oct 20, 2026


A modest set--a piano in the foreground, and a backup band positioned along the edges, above which was suspended an array of hanging lights. 

ON THE RECORDS Book Gathers 80 Musicians' Essays on Hidden Gem Albums
by Rachel Stone - Oct 5, 2026


A new book by Brian Beck and Piotr Orlov features essays from 80 celebrated musicians, including Dolly Parton, Erykah Badu, Chris Stapleton, and Jamie xx, highlighting overlooked and beloved albums.

The Cell Unveils 27 Resident Artists for 2027-28 Season
by Chloe Rabinowitz - Sep 28, 2026


the cell in Chelsea will present 22 new projects from over 27 resident playwrights, composers, designers, and interdisciplinary artists developing new work through readings, workshops, and staged productions.

Islandia Music Records Releases IT'S ABOUT TIME by Steven Schick
by Rachel Stone - Sep 21, 2026


Islandia Music Records released the third volume in the WEATHER SYSTEMS series from percussionist Steven Schick. The album features compositions exploring themes of time and temporal experience.

Lillias White and Reeve Carney Will Reunite to Lead TEXAS IN PARIS Off-Broadway
by Stephi Wild - Sep 14, 2026


Lillias White and Reeve Carney reunite for an off-Broadway production of the musical TEXAS IN PARIS at Signature Theatre's Alice Griffin Jewel Box Theatre. Directed by Akin Babatundé, the limited engagement explores race relations through spirituals and cowboy songs.

Photo Review: Craig Morgan
by Brian Hilbrand - Sep 13, 2026


Some people know innately who they are and what they stand for. Within minutes of any interaction with Craig Morgan, it’s clear God, family, and country are his foundation. The veteran hitmaker continues to celebrate those pillars on his new EP, American Soundtrack. “I try to celebrate God, family, and country in my music and in everything I do,” the Tennessee native says. “That’s what I have always done, and I’ve come to realize it’s my platform. I don’t stress about things as much as I used to. I just try to write, sing, produce, and play the best music that we can and go where I think God wants me to be.”

Review: LES MISÉRABLES Storms the Barricade at City Springs Theatre Company
by Caroline Powell - Sep 13, 2026


City Springs Theatre Company opens its ninth season with a powerful LES MISÉRABLES, led by standout turns from Jacob Keith Watson and Jonathan Christopher. Onstage at Byers Theatre through September 27.

Interview: Peter Fernandes of ONE FOR THE POT AND SLEUTH at Shaw Festival
by Elizabeth Armstrong - Sep 13, 2026


BroadwayWorld spoke with Fernandes to discuss both projects, early theatrical memories, portraying several characters in a fast-paced farce, playing games with audiences, and his experience as a first-time director with the Shaw Festival. 

Cortland Repertory Theatre's Producing Artistic Director Kerby Thompson Steps Down
by Marissa Faith Curley - Aug 29, 2026


Cortland Repertory Theatre (“CRT”) has announced that Producing Artistic Director Kerby Thompson will step down from his position, concluding a 26-year tenure with the professional theatre company.

THE WOMEN OF LOCKERBIE to Open The Actors' Gang 2026/2027 Season
by Stephi Wild - Aug 22, 2026


The Actors' Gang in Culver City will present an eight-show season featuring THE WOMEN OF LOCKERBIE, THE EXONERATED, new works, and family-friendly programming.

Review: MAMMA MIA! at Princess Of Wales Theatre
by Elizabeth Armstrong - Aug 6, 2026


Now in performances at Toronto’s Princess of Wales Theatre, Mamma Mia! is a delightfully cheerful and charmingly-quirky musical that had audiences roaring with applause and laughter.

Gerónimo Rauch Takes Us Behind the Barricade at LES MISERABLES: THE ARENA CONCERT SPECTACULAR
by Stephi Wild - Aug 3, 2026


In this edition of Words From The Wings, we catch up with Gerónimo Rauch who is one of the actors playing Jean Valjean in Les Miserables: The Arena Concert Spectacular, to share some of his favorite backstage moments, must-haves, and more!

Review: AC/DC POWER UP TOUR at Ohio Stadium
by Paul Batterson - Jul 17, 2026


Perhaps the biggest change was the audience. In the 1980s, AC/DC was the rebellious band parents warned their children about. Now, the band is the spectacle parents bring their children to experience. It was a little unnerving to hear a mother asking, “Timmy, would you like a cookie?” before the band opened with “If You Want Blood, You’ve Got It.”

Mandy Gonzalez, Nobuntu and More Set for Caramoor 2026-27 Season
by Chloe Rabinowitz - Jul 14, 2026


Caramoor Center for Music and the Arts will present its upcoming Rosen House Concert Series, featuring 21 performances spanning classical, jazz, folk, and global music, plus a new Juilliard Extension collaboration.

Talia Suskauer Dives Deep Into Her Latest Role in A WALK ON THE MOON
by Jennifer Ashley Tepper - Jul 5, 2026


Now running at The Laura Pels Theatre at the Harold and Miriam Steinberg Center for Theatre is A Walk on the Moon. Inspired by the acclaimed 1999 film, A Walk on the Moon is directed by Tony Award nominee Sheryl Kaller and features a book and additional lyrics by original screenwriter Pamela Gray, music and lyrics by Tony Award and Grammy Award nominee AnnMarie Milazzo, and choreography by Josh Prince. In this interview, Talia Suskauer, who plays 'Pearl', reflects on the rehearsal process and the journey of the new musical so far.

22 Theater Books for Your Summer 2026 Reading List
by Nicole Rosky - Jul 4, 2026


Summer is here and there is no better time of year to soak up the sun and dive into a new book. You're in luck, because Broadway's best have put pen to paper to turn out theatre page-turners of every kind. From theatre biographies to theatre fiction; theatre books for kids to theatre history; check out our collection of 22 new Broadway books for every theatre lover's Summer 2026 reading list.

Review: BLUE/ORANGE, OSO Arts Centre, Barnes
by Aliya Al-Hassan - May 3, 2026


Joe Penhall's incendiary play, Blue/Orange, was garlanded with awards after its 2000 debut at the National Theatre, winning the Olivier, Critics' Circle and Evening Standard awards for Best New Play in 2001. It has been revived many times and endures as its themes remain both prescient and urgent. Now the tiny OSO Arts Centre in Barnes plays host, and it is as intense and provocative as ever.

The History of THE ROCKY HORROR SHOW Callouts — and What ‘Virgins’ Should Know Before They Go
by Michael Gioia - Apr 23, 2026


BroadwayWorld breaks down how and why The Rocky Horror Show callouts began and explains what you could expect before taking a jump to the left, a step to the right and joining Dr. Frank-N-Furter in Transsexual, Transylvania. 

BWW Q&A: Michael Cyril Creighton Talks THE ADDING MACHINE at The New Group
by Joshua Wright - Apr 1, 2026


Best known to television audiences as the lovably neurotic Howard Morris on Hulu's Only Murders in the Building, Michael Cyril Creighton has built a career on quietly stealing scenes — in Spotlight, American Fiction, and on stages across New York. But his latest role may be his most audacious yet.

CLASSIC ROCK Will Relive The Masters Of Rock at The Drama Factory in April
by Stephi Wild - Mar 30, 2026


THE DRAMA FACTORY will present 'Classic Rock: Relive The Masters of Rock' featuring Duck Chowles and The Retro Rewind Band on 25 April 2026. The show will celebrate iconic rock music from the 60s to the 80s.

16 Theater Books for Your Spring 2026 Reading List
by Nicole Rosky - Apr 26, 2026


Need a great book to spring into the new season? This spring, Broadway's best have put pen to paper to turn out theatre page-turners of every kind. From theatre biographies to theatre fiction; theatre books for kids to theatre history; check out our collection of 16 new Broadway books for every theatre lover's Spring 2026 reading list.

Don’t Dream It, Style It: Reimagining ROCKY HORROR’s Iconic Looks for Broadway
by Nicole Rosky - Apr 6, 2026


The time is nigh! In just a matter of days, all of Broadway will be doing the Time Warp again when The Rocky Horror Show returns at Studio 54. The revival, helmed by Tony winner Sam Pinkleton, marks the first time that the show has been on Broadway in 25 years.

Review Roundup: Wallace Shawn's WHAT WE DID BEFORE OUR MOTH DAYS Opens Off-Broadway
by A.A. Cristi - Mar 5, 2026


The critics are weighing in on Wallace Shawn’s new play, What We Did Before Our Moth Days, directed by André Gregor, running now at the Greenwich House Theater (27 Barrow St). The production stars Hope Davis, Maria Dizzia, John Early, and Josh Hamilton. Read the reviews.

Review: DEEP AZURE, Sam Wanamaker Playhouse
by Cindy Marcolina - Feb 18, 2026


While most people knew Chadwick Boseman for his blockbuster appearances in the Marvel Cinematic Universe as T’Challa/Black Panther, the actor was also a playwright and director. His early career was spent treading the boards in New York, where he became a Drama League Directing Fellow at 24 years old in 2000. His most celebrated play is now premiering in the UK 21 two decades after its American debut. Written in lyrical verse with direct references to the Shakespearean structure, it brings hip-hop to the Sam Wanamaker Playhouse. It’s a treat to see something so modern and pertinent to our times being staged on the cloistered stage, but the piece is frantically overlong and unfocused. There’s lots to love, but it ultimately doesn’t satisfy.


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