Caroline, or Change - 2003 - Off-Broadway Articles Page 20

For Cleveland Ballet Artistic Director Timour Bourtasenkov’s new production of Cinderella, premiering May 15-17, 2026, at Playhouse Square’s Mimi Ohio Theatre, he incorporated much of that tradition while crafting a ballet uniquely his own. 

Having originated the role of Hercules at the Paper Mill Playhouse in New Jersey in 2023, Bradley Gibson is returning to Disney’s Hercules, this time in London's West End from 29 June! We recently had the chance to speak with Gibson about returning to the role, talking about what originally made him want to be a part of it, what it is like to come back to the role and his favourite songs from the show!

What did our critic think of THE BIRDS AND THE BEES at Ottawa Little Theatre?

Just like a radio host’s shift, the show moves at lightning speed, following the conversations of Barry Champlain who is as enigmatic as he is exhausting to listen to. Nearly 40 years after the play was originally staged, the issues throughout the show still ring true today.

The Atlanta Shakespeare Company at The Shakespeare Tavern Playhouse to present The Hobbit, directed by Adam King & Kevin Roost. Our unlikely hero, Bilbo Baggins, would much rather be sitting in his cozy Hobbit Hole.

Following a successful run in Rio de Janeiro, Diana – A Princesa do Povo arrives in São Paulo on May 15 at Teatro Liberdade. Directed by Tadeu Aguiar and produced by Estamos Aqui Produções, the large-scale musical stars Sara Sarres as Diana, Princess of Wales in a Brazilian non-replica staging that explores the emotional, public, and political dimensions of the beloved royal icon. The production traces Diana’s journey from shy aristocrat to global humanitarian figure, highlighting her compassion, vulnerability, and enduring legacy. The cast also features Claudio Lins as Prince Charles, Simone Centurione as Queen Elizabeth II, and Giselle de Prattes as Camilla Parker Bowles.

“Sister Act” owes its status as a global phenomenon to the iconic Whoopi Goldberg film, but Alan Menken’s stage version of the beloved Hollywood comedy has long since conquered stages all over the world. In its acclaimed West End incarnation, the musical has already been touring German-speaking venues for a third year, presented by production company Showslot, continuing to fill auditoriums all over the country. Both the linguistic adaptation and the technical realization for touring operations across Germany are flawless. The show is nothing short of a gospel of good fun – hallelujah!

Here are a few top picks to consider this week including Beth Malone (FUN HOME) in a night honoring lesbian icons, Broadway star Stephanie Pope bringing her show to 54 Below for the third and final time, plenty of jazz, and more.

HOME, I'M DARLING tells a poignant tale with top-notch performances.

One thing about a Charlie Puth concert is that the music is almost guaranteed to sound great. The real question is whether the live performance can live up to the level of precision people have come to expect from him. At Vancouver’s Doug Mitchell Thunderbird Sports Centre on May 5, Puth answered that question quickly. From the opening moments of the sold-out night, the WHATEVER’S CLEVER! WORLD TOUR felt built around the strengths that have defined his career for over a decade: polished production, strong live vocals, and an understanding of music that goes deeper than catchy hooks alone. 

The Detroit Repertory Theatre closes its 69th season with the world premiere of SPIT IN YOUR FACE, a political comedy by Paul Heller and Alberto Lomnitz, co-directed by Maurizio Dominguez and Leah Smith.

BAM Rose Cinemas will present FILMAFRICA 2026, a showcase of contemporary and classic Pan-African cinema curated by the New York African Film Festival, featuring world, US, and North American premieres from Uganda, Nigeria, Senegal, Kenya, and beyond.

The Japanese revival of GYPSY will retain its original title when it returns to the stage in 2026, reversing an earlier decision to present the production under the name 'Rose.'

he set immediately grabs you when you walk into the theatre: An intricately crafted dining room, set on a stage with a pronounced tilt, in front of which sits one of those little museum gallery cards in a frame: 'Dining Room. American. 20th Century.' It is immediately clear that director and set designer Russ Ekstrom has a vision for the show, and he has worked capably with this local cast to bring it to life.

Mother's Day weekend is here, and if mama can't provide you a Broadway-tastic Mother's Day, then BroadwayWorld sure will! To celebrate the special day, we salute some of this Broadway seasosn's current mothers.

It's not every day that you get to speak with the composer of the musical you're working on. A few weeks ago I sat down with Sarah Taylor Ellis, composer of Emma: No One But Herself, our mainstage musical here at UCLA!

The results of the 2026 Tony races are very much still up in the air, but many of this season's nominated revivals have been Tony-tested before. How did they fare? The past may not always be the best indicator of the future, but accolades of years past provide interesting insight nonetheless. Check out a complete list of who was nominated, in what categories, and most importantly... if they won!

Recently, we had the chance to speak with Drew Gasparini, who wrote the music and lyrics for The Karate Kid. We discussed what his creative process has been like for the show, what it’s like to write for an adaptation versus an original piece of work and even how he didn’t actually want to be a part of the Karate Kid musical in the first place!

Perhaps the most well-known instance of a show changing titles during the development process belongs to the groundbreaking 1943 phenomenon, Oklahoma! The Rodgers and Hammerstein musical that changed the art form in terms of subject matter, integration of elements, and more was originally titled Away We Go! when it went out of town for a New Haven tryout. Oklahoma! is far from the only instance where a musical changed its title along the development road.

Friendship is nearly always a side element in musicals. From the comic sidekick of the leading character to the backup pals who provide background vocals, friends are part of the fabric of many shows—but rarely are they the main event. 

Now we wait until June 7, when the winners will be decided across 26 categories and announced onstage at Radio City Music Hall. Who will win at the 2026 Tony Awards? That question can only be answered by the Tony Voters. We're breaking down how the process works!

The Late Show with Stephen Colbert has been taped at the Ed Sullivan Theatre located on Broadway between 53rd and 54th Streets since it began in 2015. Before the Broadway-loving Colbert took over The Late Show, the host was David Letterman, who ruled late night from 1993 onward via his perch at 1697 Broadway.

On June 7, 2026, viewers will be able to tune in to watch P!nk take the stage at Radio City Music Hall as a first-time host for the 79th annual ceremony. Do you know who has hosted the ceremony the most?