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Caroline, or Change - 2002 Off-Broadway History , Info & More

Caroline, or Change - 2002 - Off-Broadway Articles Page 4

Review: KARAMONK at Masambe At The Baxter
by Judith Herbig - Jul 16, 2026


Karamonk is a delightful, imaginative piece of theatre that showcases Bianca Flanders' exceptional storytelling, beautiful singing voice and remarkable ability to bring an array of colourful characters to life. Clever visual presentation and intimate atmosphere.

Review: SIDE SHOW IN CONCERT at Porthouse Theatre
by Roy Berko - Jul 17, 2026


Another exposure as Cleveland Heights’s Cain Park outstanding production directed by Victoria Bussert the present Director of Oberlin College’s Musical Theater program, which featured Gregg Violand, who will be featured, later this season, in Porthouse’s BRIGADOON.

Bart DeLorenzo's ENEMY OF THE PEOPLE to be Presented at the Odyssey Theatre
by Chloe Rabinowitz - Jul 16, 2026


Director Bart DeLorenzo is bringing Henrik Ibsen’s Enemy of the People into the 21st century with a new adaptation that thrusts the play’s central conflicts into sharp contemporary focus.

BATS Improv to Present Free Community Event JAM-A-THON
by Chloe Rabinowitz - Jul 16, 2026


To celebrate its 40th anniversary, BATS Improv will present the BATS Jam-a-thon, a free, community open house celebration of improvisation, creativity, and connection.

Full Cast Set for LES MISÉRABLES at Hudson Valley Shakespeare
by Chloe Rabinowitz - Jul 16, 2026


Hudson Valley Shakespeare has revealed the full cast for their production of Les Misérables, the final production in HVS’s first season in the Samuel H. Scripps Theater Center.

Review: THIS IS A PLAY ABOUT GOD at District Fringe Festival
by Jackson Malmgren - Jul 16, 2026


While the volleyball court may be the setting for most matchups, THIS IS A PLAY ABOUT GOD is far more concerned with the action behind the scenes when the athletes stop performing. Written by Aimee Dastin and directed by Rachel Johns, this is a world premiere produced as part of the District Fringe Festival.

Photos: First Look at TRAINSPOTTING at London’s Theatre Royal Haymarket
by Chloe Rabinowitz - Jul 16, 2026


The World Premiere of Trainspotting The Musical is making its West End premiere this summer, written by Irvine Welsh (adapted from his best-selling debut novel) and directed and developed by Caroline Jay Ranger.

Exclusive: Aaron Lazar Candidly Opens Up About ALS, Says He Wants to ‘End This F—ing Disease’
by Michael Gioia - Jul 17, 2026


In a candid conversation with BroadwayWorld, beloved actor Aaron Lazar discusses the progression of his ALS diagnosis and says his purpose ‘feels more exciting to me than dying.’

Broadway Sings to Launch Corporate Events Division
by Stephi Wild - Jul 16, 2026


Broadway Sings, the NYC concert series founded in 2012, announced a dedicated corporate events division, offering custom live performances with Broadway talent for galas, benefits, and donor events.

Interview: Mary Zimmerman on Her Off-Broadway Return Directing GIULIA: THE POISON QUEEN OF PALERMO
by Cara Joy David - Jul 18, 2026


It has been over twenty years since Mary Zimmerman directed a show off or on Broadway. In our new interview, she discusses her return off-Broadway, directing Jennifer Nettles’ Giulia: The Poison Queen of Palermo.

MIGHTY DANCES IN A SMALL SPACE to Return to Toronto's Deanne Taylor Theatre
by Stephi Wild - Jul 16, 2026


Peggy Baker and Jera Wolfe will present a double bill of contemporary dance at Toronto's Deanne Taylor Theatre, placing audiences inches from the stage for five intimate performances.

Merola Opera Program Will Conclude 2026 Summer Festival With Merola Grand Finale
by Stephi Wild - Jul 16, 2026


San Francisco's Merola Opera Program, one of the world's most prestigious opera training programs, will close its 2026 Summer Festival with the annual Merola Grand Finale.

Video: Disney's BEAUTY AND THE BEAST National Tour Star Fergie L. Philippe Performs 'If I Can't Love Her'
by A.A. Cristi - Jul 15, 2026


Disney's new North American tour of Beauty and the Beast has released a new performance video featuring Fergie L. Philippe singing 'If I Can't Love Her.' Watch the beloved ballad from the first Disney-produced tour of the musical in more than 25 years.

ALEJANDRO T. ACIERTO: MODEL HOME to Open at SMoCA, Examining Desert Urban Expansion
by A.A. Cristi - Jul 15, 2026


Scottsdale Museum of Contemporary Art will present ALEJANDRO T. ACIERTO: MODEL HOME, an installation-based exhibition addressing urban development, displacement, and environmental impact in the Phoenix metro area.

DEATH BECOMES HER Will Launch First National Tour at Playhouse Square This September
by A.A. Cristi - Jul 15, 2026


Jackie Burns, Kristen Beth Williams, and Ken Marino will lead the first North American tour of the Tony Award-winning musical comedy DEATH BECOMES HER, kicking off at Playhouse Square in Cleveland.

Works & Process to Name 2026-2027 Curated and Open Call Residency Artists
by A.A. Cristi - Jul 15, 2026


Works & Process announced its fully-funded residency recipients for 2026-2027, supporting artists including Trisha Brown Dance Company, Limón Dance Company, and Princess Lockerooo, with week-long residencies across seven states.

Review: RODGERS & HAMMERSTEIN'S CINDERELLA: YOUTH EDITION at The Royal Theatre
by Theresa Bertram - Jul 15, 2026


What did our critic think of RODGERS & HAMMERSTEIN'S CINDERELLA: YOUTH EDITION at The Royal Theatre?

Review: Festival Napa Valley Perfectly Blends Music, Cuisine, and the Best of Wine Country
by Christina Mancuso - Jul 15, 2026


As Festival Napa Valley celebrates its 20th Anniversary Summer Season, running July 4–19, the opening weekend perfectly illustrated why the festival has become one of the country's most sought-after cultural destinations

Photos: TAMING OF THE SHREW at La MaMa's Newly Renovated Club Space
by Chloe Rabinowitz - Jul 15, 2026


Shakespeare's Taming of the Shrew is now playing at La MaMa's newly renovated Club Space, directed by Karsten Otto, with a cast of twelve performers. Get a first look at production photos.

ICT Repertory Theatre 2026/2027 Season Includes GASLIGHT, FLYIN' WEST & More
by Paula Makar - Jul 15, 2026


ICTRep (Wichita Repertory Theater) is pleased to announce its 2026-27 season!

Exclusive: Jason Moore Talks Bringing Theatricality to the World of ELLE, Returning to AVENUE Q
by Josh Sharpe - Jul 16, 2026


We caught up with stage and screen director Jason Moore, who spoke about working on Prime Video's Elle, his theatrical directing style, and returning to direct Avenue Q decades after the original production.

Review: ¡VOS! at Contemporary American Theater Festival
by Andrew White - Jul 15, 2026


The one-word title of this play isn't just a form of direct address; in Argentina, it's a form of 'You!' that turns its gaze away from the stage and back on all of us in the audience. Playwright Christina Pumariega is determined that we never forget the Disappeared of Argentina, and recognize the emotional chaos that juntas routinely create. Her new play, ¡Vos!, reminds us how important it is to come to terms with our heritage, warts and all. It also is a timely reminder that those who seek refuge here in the USA, overwhelmingly, are fleeing conditions that no human being should have to endure.

Ginger Minj to Star as Edna Turnblad in HAIRSPRAY at Broadway Sacramento
by Chloe Rabinowitz - Jul 15, 2026


Drag legend Ginger Minj will make her Broadway Sacramento debut as Edna Turnblad in Hairspray. A Broadway At Music Circus production, performances take place at the UC Davis Health Pavilion. 

Photos: THE SMOKER, REFUGEE RHAPSODY and More at Contemporary American Theater Festival 2026
by Chloe Rabinowitz - Jul 15, 2026


The Contemporary American Theater Festival launched its 2026 season, featuring five new plays, including four world premieres by Lisa D'Amour, Yussef El Guindi, Beth Kander, and Aurin Squire. See photos!

Interview: Aerial Roots Theatre Company of A NICE INDIAN BOY at Asia Society Texas Center
by Brett Cullum - Jul 15, 2026


We felt very much at the end of the last run that we were not done telling the story. For one, we had rehearsed this for so long, and to just do the 5 shows over 3-4 days. It was not enough for the cast and the creative team, and it was not enough for audiences either, because many people shared how deeply this touched them and how much more they wanted to see.

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