Caroline, or Change - 2002 Off-Broadway History , Info & More
Caroline, or Change - 2002 - Off-Broadway Articles Page 4
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by Judith Herbig - Jul 16, 2026
Karamonk is a delightful, imaginative piece of theatre that showcases Bianca Flanders' exceptional storytelling, beautiful singing voice and remarkable ability to bring an array of colourful characters to life. Clever visual presentation and intimate atmosphere.
by Roy Berko - Jul 17, 2026
Another exposure as Cleveland Heights’s Cain Park outstanding production directed by Victoria Bussert the present Director of Oberlin College’s Musical Theater program, which featured Gregg Violand, who will be featured, later this season, in Porthouse’s BRIGADOON.
by Chloe Rabinowitz - Jul 16, 2026
Director Bart DeLorenzo is bringing Henrik Ibsen’s Enemy of the People into the 21st century with a new adaptation that thrusts the play’s central conflicts into sharp contemporary focus.
by Chloe Rabinowitz - Jul 16, 2026
To celebrate its 40th anniversary, BATS Improv will present the BATS Jam-a-thon, a free, community open house celebration of improvisation, creativity, and connection.
by Chloe Rabinowitz - Jul 16, 2026
Hudson Valley Shakespeare has revealed the full cast for their production of Les Misérables, the final production in HVS’s first season in the Samuel H. Scripps Theater Center.
by Jackson Malmgren - Jul 16, 2026
While the volleyball court may be the setting for most matchups, THIS IS A PLAY ABOUT GOD is far more concerned with the action behind the scenes when the athletes stop performing. Written by Aimee Dastin and directed by Rachel Johns, this is a world premiere produced as part of the District Fringe Festival.
by Chloe Rabinowitz - Jul 16, 2026
The World Premiere of Trainspotting The Musical is making its West End premiere this summer, written by Irvine Welsh (adapted from his best-selling debut novel) and directed and developed by Caroline Jay Ranger.
by Michael Gioia - Jul 17, 2026
In a candid conversation with BroadwayWorld, beloved actor Aaron Lazar discusses the progression of his ALS diagnosis and says his purpose ‘feels more exciting to me than dying.’
by Stephi Wild - Jul 16, 2026
Broadway Sings, the NYC concert series founded in 2012, announced a dedicated corporate events division, offering custom live performances with Broadway talent for galas, benefits, and donor events.
by Cara Joy David - Jul 18, 2026
It has been over twenty years since Mary Zimmerman directed a show off or on Broadway. In our new interview, she discusses her return off-Broadway, directing Jennifer Nettles’ Giulia: The Poison Queen of Palermo.
by Stephi Wild - Jul 16, 2026
Peggy Baker and Jera Wolfe will present a double bill of contemporary dance at Toronto's Deanne Taylor Theatre, placing audiences inches from the stage for five intimate performances.
by Stephi Wild - Jul 16, 2026
San Francisco's Merola Opera Program, one of the world's most prestigious opera training programs, will close its 2026 Summer Festival with the annual Merola Grand Finale.
by A.A. Cristi - Jul 15, 2026
Disney's new North American tour of Beauty and the Beast has released a new performance video featuring Fergie L. Philippe singing 'If I Can't Love Her.' Watch the beloved ballad from the first Disney-produced tour of the musical in more than 25 years.
by A.A. Cristi - Jul 15, 2026
Scottsdale Museum of Contemporary Art will present ALEJANDRO T. ACIERTO: MODEL HOME, an installation-based exhibition addressing urban development, displacement, and environmental impact in the Phoenix metro area.
by A.A. Cristi - Jul 15, 2026
Jackie Burns, Kristen Beth Williams, and Ken Marino will lead the first North American tour of the Tony Award-winning musical comedy DEATH BECOMES HER, kicking off at Playhouse Square in Cleveland.
by A.A. Cristi - Jul 15, 2026
Works & Process announced its fully-funded residency recipients for 2026-2027, supporting artists including Trisha Brown Dance Company, Limón Dance Company, and Princess Lockerooo, with week-long residencies across seven states.
by Theresa Bertram - Jul 15, 2026
What did our critic think of RODGERS & HAMMERSTEIN'S CINDERELLA: YOUTH EDITION at The Royal Theatre?
by Christina Mancuso - Jul 15, 2026
As Festival Napa Valley celebrates its 20th Anniversary Summer Season, running July 4–19, the opening weekend perfectly illustrated why the festival has become one of the country's most sought-after cultural destinations
by Chloe Rabinowitz - Jul 15, 2026
Shakespeare's Taming of the Shrew is now playing at La MaMa's newly renovated Club Space, directed by Karsten Otto, with a cast of twelve performers. Get a first look at production photos.
by Paula Makar - Jul 15, 2026
ICTRep (Wichita Repertory Theater) is pleased to announce its 2026-27 season!
by Josh Sharpe - Jul 16, 2026
We caught up with stage and screen director Jason Moore, who spoke about working on Prime Video's Elle, his theatrical directing style, and returning to direct Avenue Q decades after the original production.
by Andrew White - Jul 15, 2026
The one-word title of this play isn't just a form of direct address; in Argentina, it's a form of 'You!' that turns its gaze away from the stage and back on all of us in the audience. Playwright Christina Pumariega is determined that we never forget the Disappeared of Argentina, and recognize the emotional chaos that juntas routinely create. Her new play, ¡Vos!, reminds us how important it is to come to terms with our heritage, warts and all. It also is a timely reminder that those who seek refuge here in the USA, overwhelmingly, are fleeing conditions that no human being should have to endure.
by Chloe Rabinowitz - Jul 15, 2026
Drag legend Ginger Minj will make her Broadway Sacramento debut as Edna Turnblad in Hairspray. A Broadway At Music Circus production, performances take place at the UC Davis Health Pavilion.
by Chloe Rabinowitz - Jul 15, 2026
The Contemporary American Theater Festival launched its 2026 season, featuring five new plays, including four world premieres by Lisa D'Amour, Yussef El Guindi, Beth Kander, and Aurin Squire. See photos!
by Brett Cullum - Jul 15, 2026
We felt very much at the end of the last run that we were not done telling the story. For one, we had rehearsed this for so long, and to just do the 5 shows over 3-4 days. It was not enough for the cast and the creative team, and it was not enough for audiences either, because many people shared how deeply this touched them and how much more they wanted to see.
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