Review: GODS & MONSTERS at New Conservatory Theatre Center
What did our critic think of GODS & MONSTERS at New Conservatory Theatre Center?
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What did our critic think of GODS & MONSTERS at New Conservatory Theatre Center?
What did our critic think of SONGS FOR A NEW WORLD at Hillbarn Theatre?
TheatreWorks and director Jeffrey Lo must have been licking their chops with the chance to produce the regional premiere of Eboni Booth’s Pulitzer Prize winning Primary Trust.
For every lover of Ibsen, Arthur Miller and Stephen Sondheim, there’s a lover of The Three Stooges, Abbott & Costello and of course, Monty Python.
There’s a giant dynamo inside the petite frame of Marilyn Maye that propels her constantly forward, now approaching her 98th birthday, and eighth decade of performances.
The late AIDS activist Larry Kramer meets Pete Buttigieg in John Fisher’s wild political fantasia Left Field, now occupying the full stage at Theatre Rhino.
Arthur Miller needed after his disastrous Broadway debut with the four-performance The Man Who Had All the Luck, and an article in an Ohio newspaper would provide the basis for All My Sons which would on to win two Tony awards for Best Author and Direction of a Play.
The Paranormal Activity franchise (seven films from 2007 -21), while critically panned, proved people love to be scared, then laugh at their foolishness.
What did our critic think of THE NOTEBOOK at Orpheum Theatre?
What did our critic think of M.
IMPROBABLE FICTION at Masquers Playhouse is a tale of two parts.
Change is hard, we all know that.
Heidi Schreck’s award-winning 2019 homage to the US Constitution couldn’t be timelier than at this moment of political crisis in America.
Opening Night of The Wiz at Broadway San Jose was dazzling, the kind of evening that reminds you why musical theater, at its best, feels communal, electric, and alive.
San Francisco Ballet is kicking off its 2026 repertory season with the massively ambitious world premiere of Yuri Possokhov’s Eugene Onegin.
Trey Parker and Matt Stone are on a high recently, with their long- running animated series South Park skewering the present administration in their inimitable profane and darkly surreal style.
Dog Man: The Musical fetches laughs, heart, and legit Broadway-level craft in a show that never talks down to its audience.
What did our critic think of THE NEIL DIAMOND MUSICAL A BEAUTIFUL NOISE at Broadway San Jose?
What did our critic think of MOULIN ROUGE! THE MUSICAL at Orpheum Theatre? The appeal, based on the audience, is the acknowledgment of the song snippets – an “I know that song” reward.
Mix one part All About Eve, one part Gypsy, and a healthy shot of The Bad Seed in a blender and you’ve got the recipe for Ruthless!, a delightfully dark comedy alternative to the typical holiday fare.
What did our critic think of CINDERELLA at Hillbarn Theatre?
Over two hundred and fifty years after fighting the British for independence, we’re absolutely gaga over Lauren Gunderson and Margot Melcon’s delightful Christmas at Pemberley series and its spot on depictions of Regency England.
What did our critic think of SPENCER DAY: SONMGS FOR A WINTER'S NIGHT at Feinstein's At The Nikko?
What did our critic think of KINKY BOOTS at Broadway San Jose?
CABARET at Oakland Theater Project is not just a show that sticks with you, it haunts you.
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