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Review: UNBELIEVABLE, Criterion Theatre

Derren Brown calls his new production, Unbelievable, 'the magic show I've always wanted to see'. It's not only a show without Brown himself, but crucially (with the exception of Simon Lipkin) it is a magic show not performed by professional magicians. In fact, many members of their cast are making their West End debuts.

Review: MLIMA'S TALE, Kiln Theatre

Loosely based on the article The Ivory Highway, Lynn Nottage’s (MJ The Musical) eye-opening drama first made its Off-Broadway premiere in 2018. Now setting its sights in London’s Kiln Theatre, her powerful message on the impact of corruption and greed still remains as urgent as it did five years ago.

Review: VANYA, Duke Of York's Theatre

There are vanity projects, and then there are Vanity Projects. This is a Vanyaty Project of exquisite substance that reconfirms Andrew Scott is one of the finest performers of his generation. A production years in the making, Simon Stephens’s one-man adaptation of Anton Chekhov’s human tragedy Uncle Vanya has landed in the West End in the safe hands of Scott.

Review: THE FATHER AND THE ASSASSIN, National Theatre

First opening in 2022, Anupama Chandrasekhar's (When the Crows Visit) debut play for The National Theatre, The Father and The Assassin . One of India’s most prominent and taboo-busting playwrights, her historical epic returns to the Olivier stage, now with Olivier winner Hiran Abeysekera (Life Of Pi) taking over as the titular assassin.

Review Roundup: What Did the Critics Think of the UK Premiere of NEXT TO NORMAL?

Critically acclaimed Broadway musical Next to Normal has now opened at London's Donmar Warehouse. Caissie Levy stars as Diana, a suburban wife and mother living with bipolar disorder and haunted by her past. Donmar Artistic Director Michael Longhurst directs the long-awaited UK première of this powerful musical about a far from average family.

Review: NEXT TO NORMAL, Donmar Warehouse

It’s a musical of profound emotional intelligence and accuracy. Informed and thought-provoking, it encourages reflection and promotes a healthy dialogue on the matter. It’s a touching, life-size picture of a family who can’t overcome their pain. Too many productions are haphazardly labelled as “a must-see” these days, but this is the real deal.

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