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Review: CLEANSED, Almeida

Review: CLEANSED, Almeida

by Alexander Cohen — July 30, 2026

Few plays unite cast and audience in mutual struggle like Sarah Kane's Cleansed.

Review: MUCH ADO ABOUT NOTHING, Shakespeare's Globe

Review: MUCH ADO ABOUT NOTHING, Shakespeare's Globe

by Clementine Scott — June 19, 2026

With its whitewashed walls and actors swanning around in linen suits, inevitably the Globe’s summer staging of Much Ado About Nothing will recall Kenneth Branagh’s Tuscany-set film version from 1993.

Review: DRIFTWOOD, Kiln Theatre

Review: DRIFTWOOD, Kiln Theatre

by Clementine Scott — June 9, 2026

“It’s like vultures circling a carcass,” one character in Driftwood says of the uneasy situation in Trinidad a few years shy of independence.

Review: WE HAD A WORLD, Hampstead Theatre

Review: WE HAD A WORLD, Hampstead Theatre

by Clementine Scott — June 8, 2026

On her deathbed, US playwright Joshua Harmon’s grandmother granted him permission to write a play about their family, on the condition that it be as “brutal and vitriolic” as possible.


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