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Review: PATRIOTS, Noël Coward Theatre

Although set in 1991, Peter Morgan’s Patriots feels urgently current. On the day that the Kakhovka Dam in Ukraine was breached, causing extensive flooding, it is sends more than a slight chill down the spine to watch such a stark portrayal of how a few throwaway decisions led to the rise of Putin and his authoritarian regime.

GROUNDHOG DAY Leads our Top Ten Shows for June!

Summer kicks off in style on London's stage, with the return of Andy Karl in the Old Vic's Groundhog Day, to the West End transfers of Peter Morgan's latest play and the arrival of the Pulitzer Prize and Tony Award-winning big, Black, and queer American musical, A Strange Loop.

Photos: Inside Rehearsal For A STRANGE LOOP in London; Full Cast and Creative Team Revealed!

Final casting and the full creative team has been announced for the London season of the smash-hit musical A Strange Loop. A Strange Loop is transferring from Broadway to London’s Barbican Theatre for a one-time-only 12-week limited season from 17 June, with a producing team including the National Theatre, Jennifer Hudson and Alan Cumming among others.

Review: THE COMEDY OF ERRORS, Shakespeare's Globe

With the swashbuckling zeal of a rowdy tavern brawl and all the brash bravado you can shake a bulging cod piece at, the Sean Holmes helmed The Comedy of Errors crashes onto the Globe stage to start the summer season with a bang.

Review: ONCE ON THIS ISLAND, Regent's Park Open Air Theatre

A modern musical fairytale, Once On This Island is Romeo and Juliet set in the French Antilles with the two lovers on opposite sides of a race and class divide. Regent’s Park Theatre opens its 2023 season with a humdinger of a revival, a real foot-stomper that rings in the ears long after the last song finishes.

Review: RETROGRADE, Kiln Theatre

Ryan Calais Cameron follows up the runaway success of For Black Boys... with a very different play that goes to the weighing of principles and pragmatism in a dysfunctional society

Review: ARMINIO, Royal Opera House

Emphasising monochromatic melancholy with singers who do their best despite swimming in an ocean of drab uniforms.

Review: VILLAGE IDIOT, Theatre Royal Stratford East

Samson Hawkins’s play is great fun, but it’s a complex one. This good-hearted comedy cum moral whose identity is defined by precise British sit-com humour (with all the good and bad that comes with it) is threatened by a sense of inauthentic working class ideals. However, if we give in and welcome the satiric idyll of South Northamptonshire, we’ll find a collection of peculiar characters who keep edging and retreating from political incorrectness written with idiosyncratic flair.

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