Review: DEATH NOTE, Barbican Theatre
by Mica Blackwell - Aug 12, 2026
Diehard fans will love seeing the world brought to life with its stunning visuals and cast, while newcomers will give themselves over to the thrilling melodrama. If there’s one thing Death Note won’t do this summer, it’s leave you dying of boredom.
Review Roundup: Did Critics Adore HOW THE OTHER HALF LOVES?
by Aliya Al-Hassan - Aug 12, 2026
Alan Ayckbourn’s brilliantly crafted masterpiece juggles time and space to present the lives and loves, passion and panic of three married couples. The action takes place at two dinner parties given on different nights, with situations that lead to a string of misunderstandings and almost farcical events with hilarious consequences. A single set represents two living-dining rooms at once. The play tackles contemporary issues of sex and class in English society… creating true comedy we all can relate to.
What did the critics think?
Review: HOW THE OTHER HALF LOVES, Starring Roger Allam, The Old Vic
by Alexander Cohen - Aug 12, 2026
Flick through any newspaper and at least once a week a columnist will lament the trials and tribulations of modern relationships: ghosting, situationships, adultery, all exacerbated by a drove of dating apps. First performed over fifty years ago, Alan Ayckbourn's bedroom farce bears a striking resemblance to the same complaints, minus the technological garlanding.
Review: A WORLD ELSEWHERE, Shakespeare’s Globe
by Christiana Rose - Jul 31, 2026
Following the Olivier Award nominated success of Rough Magic, Shakespeare’s Globe and Splendid Productions once again demonstrate an extraordinary understanding of family theatre with A World Elsewhere.
Photos: Cole Escola Returns to OH, MARY! in London, With Giles Terera, Michael Urie, and More
by Stephi Wild - Jul 24, 2026
All new photos have been released from the Olivier and Tony Award-winning comedy OH, MARY! in London at the Trafalgar Theatre, featuring Cole Escola, Giles Terera, Michael Urie, and more. Check out the photos here.
Review: OC's Segerstrom Center Welcomes HARRY POTTER AND THE CURSED CHILD
by Michael Quintos - Jul 22, 2026
In the fantastical, visually-enchanting stage play HARRY POTTER AND THE CURSED CHILD—the theatrical continuation of J.K. Rowling's beloved magical saga—the idea of revisiting the past is embraced as its central theme, which in turn shifts the focus away from the mischievous school adventures that made the original franchise a global phenomenon, but, instead, explores the far messier realities of adulthood, parenthood, regret, generational trauma, and the very concept of leaving behind a proud legacy. The resulting stage show is a marvel of theatrical magic, mesmerizing in spectacle and movement, and filled with fantastical elements that will have audiences spellbound—even if the play 'borrows' its machinations from Back to the Future Part II.
Interview: Joshua Sullivan, Tamia Renée Alexandra & Kai Spackman On 10 Years Of HARRY POTTER AND THE CURSED CHILD
by Guest Author - Jul 29, 2026
As Harry Potter and the Cursed Child celebrates its landmark 10th anniversary in the West End this week, the ‘younger’ cast members are proving that the magic of the production extends far beyond its breathtaking stagecraft. Speaking about their roles, Joshua Sullivan who plays Albus Potter, Kai Spackman who plays Scorpius Malfoy and Tamia Renée Alexandra who plays Rose Granger Weasley, reflected on the themes that continue to resonate with audiences a decade after the show's debut, with a particular focus on their friendship, identity, family and belonging.
Review: ARCADIA, Duke Of York’s Theatre
by Christiana Rose - Jul 2, 2026
Returning to the West End in a breath-taking production directed by Carrie Cracknell, this revival confirms that Tom Stoppard created one of the finest works in modern theatre.
Review: SPRINGWOOD, Hampstead Theatre
by Clementine Scott - Jun 29, 2026
At one point, in June 1939, the UK-US ‘Special Relationship’ was defined by the King eating hotdogs on the president’s lawn. King George VI and the future Queen Mother may not have persuaded President Franklin D. Roosevelt to promise Britain his allegiance in the forthcoming war in Europe, but their state visit – the first for a British monarch in the US – provided a model of transatlantic friendship to be mimicked for decades to come.
Review: PRIDE, National Theatre
by Katie Kirkpatrick - Jun 27, 2026
In a Britain more divided than ever, this message of solidarity couldn’t have come at a better time. Pride feels on the brink of being the next big thing – and how glorious that the next big British musical is so proudly and fiercely queer and working class.