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[Broadway, 2009]
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Review: THE MATCHBOX MAGIC FLUTE at Goodman Theatre

Director Mary Zimmerman returns to the Goodman with the whimsical and inventive THE MATCHBOX MAGIC FLUTE. Zimmerman’s adaptation of Mozart’s iconic opera is lively and accessible; this would be a great introduction for those new to the opera.

Photos: First Look at SHORT SHAKESPEARE! ROMEO AND JULIET at Chicago Shakespeare Theater

Chicago Shakespeare Theater is presenting a perfect introduction to Shakespeare’s work for young audiences with a 75-minute abridgement of Romeo and Juliet, adapted and directed by Mikael Burke. See production photos here!

Photos & Video: Get a First Look at THE MATCHBOX MAGIC FLUTE at Goodman Theatre

Get a first look at photos and video of The Matchbox Magic Flute at Goodman Theatre.

Photos: First Look at BILLY ELLIOT at Paramount Theatre

Paramount Theatre is ringing in 2024 with a new production of the coming-of-age tale Billy Elliot: The Musical, set to the music of Elton John, book and lyrics by Lee Hall, directed by Trent Stork. Performances run through March 24, 2024. Check out production photos here!

Review: RICHARD III at Chicago Shakespeare Theater

If new Artistic Director Edward Hall's RICHARD III is any indication of what Chicago audiences can come to expect during his tenure, they would do well to cheer, 'Long live the king.' The darkly comic historical thriller runs through March 3 at CST's Courtyard Theater.

Photos: Chicago Shakespeare Theater Presents William Shakespeare's RICHARD III

Chicago Shakespeare Theater presents William Shakespeare’s Richard III, staged by Artistic Director Edward Hall in the Courtyard Theater, February 2–March 3. Power, greed, ambition. A world where to win is everything. And to win at all costs. This marks the first major US production of Richard III to feature a woman with a disability in the title role.

Review: ILLINOISE at Chicago Shakespeare Theater

ILLINOISE is a journey through our great state of Illinois using movement. Directed and choreographed by Justin Peck and featuring music and lyrics from Sufjan Stevens’s ILLINOIS album, the show uses dance as its primary narrative language. Peck collaborated with playwright Jacke Sibblies Drury on a loose storyline for ILLINOISE, but that story is communicated entirely through dance. Stevens’s lyrics underscore the situations in the show and mirror the emotional shades of the choreography.

Review: HIGHWAY PATROL at Goodman Theatre

HIGHWAY PATROL has refreshing bravery and honesty; it’s an intriguing exploration of online identity and the connections that might be found, or that we seek to find, on our social media profiles and in our DMs.

Review: ANYTHING GOES at Porchlight Music Theatre

It’s delightful, it’s delicious, it’s’s ANYTHING GOES at Porchlight Music Theatre. Artistic Director Michael Weber’s production captures all the joy and laughs in Cole Porter’s 1934 classic musical comedy. Thanks to the new 2022 book by Timothy Crouse and John Weidman, it’s also a tight ship running two hours and fifteen minutes (original book by P.G. Wodehouse, Guy Bolton, Howard LIndsay, and Russel Crouse.)

Photos: Chicago's Porchlight Music Theatre's ANYTHING GOES, Now Playing Through February 25

See first look photos of Porchlight Music Theatre’s 90th Anniversary production of Cole Porter’s crown jewel musical comedy, Anything Goes.

Review: A Sensory Feast of Yuletide Splendor: A CHRISTMAS CAROL at The Goodman Theatre

What did our critic think of A CHIRSTMAS CAROL at The Goodman Theatre?


Few dramatic adaptations of A Christmas Carol manage to convey the magic, the emotional power, and—yes—the terror of Dickens’s original as effectively and impactfully as Manual Cinema’s version, now playing at Writers Theatre in Glencoe through December 24th.

Photos: First Look at CHARLIE AND THE CHOCOLATE FACTORY at Paramount Theatre

Step behind the gates and discover the magic that awaits when Aurora’s Paramount Theatre presents the Professional Regional Premiere of Charlie and the Chocolate Factory, currently running through January 14, 2024. Check out production photos here!

Review: THE LIFESPAN OF A FACT at TimeLine Theatre

These days, truth is elusive — and Timeline Theatre’s THE LIFESPAN OF A FACT plays with that idea. It’s the age of endless fact-checking resources on the internet, but also the age of misinformation spread across TikTok, Reddit, and other social media. Wherein lies the truth? And what is accurate? Sometimes, it’s hard to say. THE LIFESPAN OF A FACT meditates on that theme.

LOOKINGGLASS ALICE Musical to Broadcast on PBS This December

Lookingglass Alice is adapted and directed by founding member of Lookingglass Theatre Company, David Catlin. Lindsey Noel Whiting, a Lookingglass Alice cast member herself, hosts the PBS program, and the cast includes Molly Hernandez as Alice, along with Kareem Bandealy, Samuel Taylor, Michel Rodriguez Cintra and Daniel Johnson.

Photos: Chicago Shakespeare Theater Presents William Shakespeare's TWELFTH NIGHT

Chicago Shakespeare Theater presents William Shakespeare’s romantic comedy Twelfth Night, staged by director Tyrone Phillips in the Courtyard Theater, running now through November 26.

Joy Woods, Ryan Vasquez & More to Star in THE NOTEBOOK on Broadway

Get the latest updates on the Broadway musical adaptation of 'The Notebook.' Discover the cast, including Joy Woods and Ryan Vasquez, and find out the opening date and venue details.

Review: YOUNG FRANKENSTEIN at Mercury Theater Chicago

Mercury’s YOUNG FRANKENSTEIN is a Halloween treat with many classic musical comedy tricks.

Review: THE LEHMAN TRILOGY at TimeLine Theatre Company/Broadway In Chicago

THE LEHMAN TRILOGY is a sweeping play that covers 164 years of history as it weaves together fact and fiction to chart the rise and fall of Lehman Brothers. The play’s title mirrors the ambition of the piece: It has a run-time of over three hours that unfolds in three acts — all performed by only three actors. The trilogy in the title is thus a literal reflection of the play’s structure and the roles, but it’s also suggestive of the piece’s mythical nature. Likewise, playwright Stefano Massani’s script (adapted by Ben Power) has a rhythmic storytelling style; the actors often narrate their own stories and actions in a chamber theater type of presentation. Although the run time is long, the fact that THE LEHMAN TRILOGY covers so much ground means it remains interesting throughout — although I found I was ultimately more intellectually than emotionally stimulated.

Review: THE NACIREMA SOCIETY at Goodman Theatre

It seems fitting that Goodman Theatre opens new Artistic Director Susan V. Booth’s inaugural season with THE NACIREMA SOCIETY, a play that’s about coming out to society. This Chicago premiere marks a continuation of Booth’s long-standing relationship with celebrated Black playwright Pearl Cleage. THE NACIREMA SOCIETY takes the form of an extended farce, following the incredibly wealthy Dunbar family in 1964 Montgomery, Alabama. In this light-hearted (if not always legitimately laugh-out-loud) comedic play, Cleage draws heavily from classic farce conventions. As the centennial event of matriarch Grace Dubose Dunbar’s beloved Nacirema Society, Montgomery’s organization for Black young women, dawns — and she awaits her own granddaughter Grace’s coming out — the antics become more and more heightened as family secrets come to light.

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