Previews: PAINTING CHURCHES at The Pinebrook Theater
by Sherry Shameer Cohen - Jul 5, 2025
You can see the Falcone Repertory Theatre’s script-in-handing reading of Tina Howe’s Painting Churches at the Pine Brook Theater in Trumbull (the old Group Theater's summer home).
Tales from the Blacklist: The Shadow of McCarthyism On Broadway
by A.A. Cristi - Mar 16, 2025
As Broadway prepares to reckon with the effect of McCarthyism on journalism in the new drama, Good Night and Good Luck, go deeper into the history of the Red Scare and its long-lasting implications for artists on Broadway and beyond.
Critics' Choice: Louise Penn's 2024 Highlights
by Louise Penn - Dec 20, 2024
From the bold new musicals aimed at Gen Z audiences, to classic play revivals and experimental dance productions, London has offered a variety of shows across its stages this year. Louise Penn celebrates her pick of the work of the West End and smaller off-West End spaces.
ORSON'S SHADOW Comes to Theater For the New City
by Stephi Wild - Oct 17, 2024
To share a hit show of its Spring season with the largest possible audience, Theater for the New City (TNC), Crystal Field, Executive Artistic Director, will remount its production of 'Orson's Shadow,' written by Austin Pendleton and directed by Mr. Pendleton and his longtime close friend and colleague David Schweizer.
Review Roundup: HERE IN AMERICA at Orange Tree Theatre
by Chloe Rabinowitz - Sep 27, 2024
See what the critics are saying about Here In America at Orange Tree Theatre. The play is written by David Edgar and directed by James Dacre. See what the critics are saying, and learn more about the production.
Mike Faist Joins EAST OF EDEN Series With Florence Pugh
by Josh Sharpe - Sep 26, 2024
Tony nominee Mike Fast has found his next project. The Challengers star is set to appear in the limited series East of Eden alongside Hoon Lee, Christopher Abbott, and Florence Pugh, who also co-produces.
Review: HERE IN AMERICA, Orange Tree Theatre
by Louise Penn - Sep 24, 2024
David Edgar's new stage play about Elia Kazan and Arthur Miller places us mainly in Connecticut, 1952, but struggles to tease out the personal and political complexities within a creative friendship. There is a strong play within Here In America, but it would benefit from being stripped back to the essentials - less Marilyn Monroe, more Marxism.
See what our critic had to say.