One Touch of Venus

She is a singer, actress, host, comedienne and shines on whatever stage she's on, and she's been on some amazing stages - Royal Albert Hall, London Palladium, Carnegie Hall, Jazz at Lincoln Center to name a few. Who is the SHE you ask? None other then the force of nature, one of the foremost performers of our time, Ms. Klea Blackhurst, of course!

BroadwayWorld is sad to report that iconic dancer and performer Sono Osato has passed away. She was 99. 

Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director), an award-winning company presenting Shakespeare alongside other classic and contemporary drama at Polonsky Shakespeare Center, Downtown Brooklyn, is pleased to announce its 2018-19 season-the 39th since its founding in 1979.

BroadwayWorld continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Arlene Yu, New York Public Library for the Performing Arts Dance Collections Manager, on: Sono Osato and the Arrival of the Ballet Girl on Broadway!

Encores! Artistic Director Jack Viertel today announced casting for the Encores! production of The Golden Apple, John Latouche and Jerome Moross' cult classic.

 Celebrated mezzo-soprano Julia Migenes (Diva on the Verge) returns to the Odyssey Theatre with her newest show, once again directed by Academy Award-nominated director Peter Medak. Julia Migenes Sings Kurt Weill opens at the Odyssey tonight, October 9.

 Celebrated mezzo-soprano Julia Migenes (Diva on the Verge) returns to the Odyssey Theatre with her newest show, once again directed by Academy Award-nominated director Peter Medak. Julia Migenes Sings Kurt Weill opens at the Odyssey on October 9.

Tony Award nominee Tony Sheldon (Priscilla Queen of the Desert) has joined the cast of the Encores! Special Event The Band Wagon in the role of Jeffrey Cordova, an egotistical British director. (Roger Rees, previously announced in the role, is no longer available.) The Band Wagon cast stars Tony Award winner Brian Stokes Mitchell, seven-time Emmy Award winner Tracey Ullman, Academy Award nominee Michael McKean, Tony Award nominee Laura Osnes, Tony Award nominee Michael Berresse and Don Stephenson. The Band Wagon will open on Sunday, November 8.

This just in! Previously announced Tony Award winner Brian Stokes Mitchell will be joined by Tony Award winner Roger Rees, seven-time Emmy Award winner Tracey Ullman, Academy Award nominee Michael McKean, Tony Award nominee Laura Osnes, Tony Award nominee Michael Berresse, and Don Stephenson in The Band Wagon, an Encores! Special Event from November 6 - 16, 2014 at City Center. The Band Wagon will open on Sunday, November 8.

Jay Records, with the support of The Kurt Weill Foundation, digitally released the first complete recording of composer Kurt Weill and lyricist Ogden Nash's score to the 1943 musical ONE TOUCH OF VENUS on October 7, 2013, and the sterling recording had its physical CD release on May 13, 2014. Originally announced over ten years ago, fans eagerly anticipated the album for years. Luckily for us listeners, the recording was well worth the wait.

Symphony Space opens its 2013-14 Music season with 'Kurt Weill on Broadway,' tonight, October 7 (8 pm) at the Peter Jay Sharp Theatre. Today marks the 70th anniversary of the Broadway opening of Weill's One Touch of Venus. Ted Chapin hosts a stellar cast featuring Melissa Errico, Brent Barrett, Judy Blazer, and Ron Raines, plus winners of the international Lotte Lenya Competition.

Some of Broadway's best will take the stage at New York's Symphony Space on 7 October 2013 to celebrate the American music of Kurt Weill. Hosted by Ted Chapin, the evening will highlight songs from Venus as well as favorites from other Weill shows, including Street Scene, Lady in the Dark, Love Life, Lost in the Stars, Knickerbocker Holiday, The Threepenny Opera, and Happy End. The starry cast features Melissa Errico, Brent Barrett, Judy Blazer, and Ron Raines alongside Lotte Lenya Competition winners Richard Todd Adams, Douglas Carpenter, Cooper Grodin, Justin Hopkins, Zachary James, Analisa Leaming, Jacob Keith Watson, and Maren Weinberger. Weill specialist James Holmes, who conducted a fully staged production of Venus at England's Opera North in 2004, music directs, and Richard Jay-Alexander directs.

Some of Broadway's best will take the stage at New York's Symphony Space on 7 October 2013 to celebrate the American music of Kurt Weill. Hosted by Ted Chapin, the evening will highlight songs from Venus as well as favorites from other Weill shows, including Street Scene, Lady in the Dark, Love Life, Lost in the Stars,Knickerbocker Holiday, The Threepenny Opera, and Happy End. The starry cast features Melissa Errico, Brent Barrett, Judy Blazer, and Ron Raines alongside Lotte Lenya Competition winners Richard Todd Adams, Douglas Carpenter, Cooper Grodin, Justin Hopkins, Zachary James, Analisa Leaming, Jacob Keith Watson, and Maren Weinberger. Weill specialist James Holmes, who conducted a fully staged production of Venus at England's Opera North in 2004, music directs, and Richard Jay-Alexander directs.

Symphony Space will open its 2013-14 Music season with 'Kurt Weill on Broadway,' Monday, October 7 (8 pm) at the Peter Jay Sharp Theatre. The show takes place on the 70th anniversary of the Broadway opening of Weill's One Touch of Venus. Ted Chapin hosts a stellar cast featuring Melissa Errico, Brent Barrett, Judy Blazer, and Ron Raines, plus winners of the international Lotte Lenya Competition.

The Film Society of Lincoln Center announced today the 35 films that will comprise the main slate of official selections for the 51st New York Film Festival

Beginning this month, the University of Cincinnati College-Conservatory of Music (CCM) will celebrate the iconic work and enduring legacy of composer Kurt Weill with an unprecedented series of events. Opening on Friday, Oct. 19, and running through Tuesday, March 12, CCM's Kurt Weill Festival will incorporate the renowned theatre composer into a broad range of both public performances and classroom exercises.

Everything old is new again, but some classic treasures just sparkle and shine brighter than others. After taking in a performance of Bayou City Concert Musicals' ONE TOUCH OF VENUS, I am surprised that this is its first performance in Houston. The show, which became a starring vehicle for the legendary Mary Martin, originally opened on Broadway on October 7, 1943 ran for 567 performances. Kurt Weill's score is infectious and poppy, and Ogden Nash's lyrics compliment the comedic plot with the right amounts of sap and zing to completely entertain and enthrall. ONE TOUCH OF VENUS is a delightful piece that is truly deserving of Bayou City Concert Musicals' splendid resurrection and concert staging. Houston owes great multitudes of thanks to Paul Hope and Bayou City Concert Musicals for programming this show, giving audiences an opportunity to see something that is old yet new and fresh to us all at the same time.

Bayou City Concert Musicals kicks off its 2012-13 season with a fully-staged concert version of the classic musical, One Touch of Venus, for five performances at the Heinen Theatre, 3517 Austin, tonight, September 6 through September 9, 2012. "It seems strange," says BCCM Artistic Director Paul Hope, "to say a show written in the 1940s can be a Houston premiere, but One Touch of Venus has never before been seen on a Houston stage. That's a sad oversight BCCM will correct in September."

Bayou City Concert Musicals will present the Houston premiere of the classic musical, One Touch of Venus, for five performances at the Heinen Theatre, 3517 Austin, September 6-9, 2012. The Thursday performance (9-6) will begin at 7:30 p.m. with the Friday (9-7) and Saturday (9-8) performances beginning at 8:00 p.m. There will be two performances on Sunday (9-9), a matinee at 2:00 p.m. and an evening performance at 7:30 p.m.

Bayou City Concert Musicals kicks off its 2012-13 season with a fully-staged concert version of the classic musical, One Touch of Venus, for five performances at the Heinen Theatre, 3517 Austin, September 6-9, 2012. "It seems strange," says BCCM Artistic Director Paul Hope, "to say a show written in the 1940s can be a Houston premiere, but One Touch of Venus has never before been seen on a Houston stage. That's a sad oversight BCCM will correct in September."

The Dallas Opera is pleased to announce the sale of one-price, single reserved seats for the world premiere of a new song cycle by composer Jake Heggie and librettist Gene Scheer commissioned for the company's much-anticipated annual Spring Gala, UNVEIL.

The award-winning Musical Theatre Guild, a company of professional performers who present concert-staged readings of seldom seen musicals, will continue its 15th season with Kurt Weill and Ogden Nash's 1943 rare classic ONE TOUCH OF VENUS.

The award-winning Musical Theatre Guild, a company of professional performers who present concert-staged readings of seldom seen musicals, will continue its 15th season with Kurt Weill and Ogden Nash's 1943 rare classic ONE TOUCH OF VENUS.

Musicals Tonight recent announced its 2010-2011 season. The season will feature a number of ambitious works, including One Touch of Venus and the American premiere of Theodore & Co.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'