Tracey Paleo
Review: WHO'S AFRAID OF VIRGINIA WOLF? at South Coast Rep
South Coast Repertory’s production of Edward Albee’s dark psychological comedy 100% embodies all the epic frustration and athletic dysfunction which begins and ends with Martha.
Review: AM I ROXIE? at GEFFEN PLAYHOUSE
Roxana Ortega’s, one woman show, AM I ROXIE? is absolute magnificence.
Review: THE RESERVOIR at Geffen Playhouse Gil Cates Theater
What did our critic think of THE RESERVOIR at Geffen Playhouse Gil Cates Theater? “Well, the Geffen sure knows their audience,” remarked my guest at the media preview of, THE RESERVOIR.
Review: School of Night's, HELLAS, Is A Triumph of Stylized Storytelling
What did our critic think of SCHOOL OF NIGHT'S HELLAS IN A TRIUMPH OF STYLIZED STORYTELLING at The Broadwater MainStage?
Review: SLEEPING GIANT at The Road Theatre Company
In SLEEPING GIANT, it was clear I was witnessing more than a metaphor about the continuing evolution of MAGA.
Review: SHPIDER! at THE BRICK HOUSE THEATRE
Before seeing this show, I knew nothing of it besides a quite comedically tantalizing Instagram promo video and a snazzy 60’s referencing sci-fi movie poster.
Review: THE RABBIT QUEEN at The Broadwater MainStage
Did I mention that this all takes place in 1726? No? Well, if it weren’t for the popinjays, you would initially think this is a medieval morality play.
Review: MJ THE MUSICAL Moonwalks Into the Hollywood Pantages
MJ the Musical currently at the Hollywood Pantages may be the most intimate Michael Jackson biopic yet.
Review: THE ENGAGEMENT PARTY at Geffen Playhouse
“How to Ruin a Relationship in One Easy Step,” is a definitive alternate title for, THE ENGAGEMENT PARTY, a smart, little 80-minute, light drama written by Samuel Balm, directed by Darko Tresnjak, currently at the Geffen Playhouse, Gil Cates Theater.
Review: LES MISERABLES at Hollywood Pantages Theatre
While the new changes to this beloved musical are stunning, this iteration of LES MISÉRABLES fails to recognize human pathos.
Review: QUEEN MARGARET'S VERSION OF SHAKESPEARE'S WAR OF THE ROSES at Will Geer Theatricum Botanicum
Ellen Geer’s new compilation of Shakespeare's best-known history plays does nothing to address the misogynistic, xenophobic views that have led to Margaret of Anjou’s historical presentation (or any other woman’s) as a stereotypical villain.
Review: EXORCISTIC: THE ROCK MUSICAL at The Three Clubs On Vine
Ten years after its premiere, EXORCISTIC has made a breathtaking return.
Review: TINA - THE TINA TURNER MUSICAL at Pantages Theatre
Unlike, many of the rock ballads for stage that have been touring out of Broadway, TINA is singular in that it is based and narratively shaped on a real life.
Review: A SOLDIER'S PLAY at AMANSON THEATRE
The production values and cast of the Ahmanson Theatre's, A SOLDIER'S PLAY, are absolutely stellar.
Review: AVAAZ At South Coast Repertory
AVAAZ is incredibly sweet.
Review: PRIVATE LIVES at Independent Shakespeare
When you get right down to it, Amanda and Elyot are two people with the enormous blind side of being drawn to one another yet destined to hurt one another; walking a fine line between love and hate, desire and aversion.
Review: AVA: THE SECRET CONVERSATIONS At The Geffen
Elizabeth McGovern gets downright gritty in a gutsy, full-blown exploration of one of Hollywood’s most meta-femmes fatales in AVA: THE SECRET CONVERSATIONS.
Review: TWELFTH NIGHT At The Broadwater Studio Theater
Notwithstanding that this production falls into many classic Shakespeare traps, Foolish Production Company's 1-hour, high-camp, rendition of TWELFTH NIGHT is very well done.
Review: COME GET MAGGIE at Rogue Machine Theatre At The Matrix
Love may be real and not science fiction.
.jpg?format=auto&width=365)
Tickets From $59
Tickets From $60
Tickets From $95
Tickets From $139