Review: British Farce THE COTTAGE At Torrance Theater Company
Hilarity ensues as alcohol is consumed, leading to brilliant cat and mouse games during which laughs abound....
Review: HERE LIES LOVE at Mark Taper Forum
With so many delights and leaning heavily into both the political moment that is recounts and what America is experiencing in the here and now, HERE LIES LOVE rocks as aggressively as it rallies....
Review: SPAMALOT Revives A New Quest at OC's Segerstrom Center
Initially billed as a show that was 'lovingly ripped off' from the 1975 cult classic film Monty Python and the Holy Grail, the Tony Award–winning 2005 Broadway musical comedy MONTY PYTHON'S SPAMALOT™ gleefully gallops back onto the stage in a brand new production with its signature coconut-clack...
Review: APPLAUSE at Eli & Edythe Broad Stage
Musical Theatre Guild, the Los Angeles-based company that produces staged readings of long-forgotten, rarely seen musicals, has done it again with a stellar and highly entertaining production of the 1970 musical Applause. ...
Review: THREE COCONUTS World Premiere Comedy at Miles Memorial Playhouse
I really enjoyed the story, acting and staging, along with recognizing the Yiddish comments, behavior and attitudes from my own life being raised by a close-knit Jewish family....
Review: MAN OF LA MANCHA Journeys Back to Musical Theatre West
Directed by James Vásquez with musical direction by Ryan O'Connell and choreography by Shani Talmor, this remarkably solid new production of the 1965 Tony Award winner boasts haunting visuals and superb performances from its assembled ensemble, led by a trio of excellent leads that offer three dist...
Review: AMADEUS at Pasadena Playhouse
Director Darko Tresnjak has crafted a visually-appealing world that unfortunately reduces the action of the play to broad strokes enacted in a toy theatre....
Review: SYLVIA SYLVIA SYLVIA at Geffen Playhouse
SYLVIA SYLVIA SYLVIA is trying to be perhaps too many things at once and not really succeeding at any of them....
Review: POETRY FOR THE PEOPLE at Fountain Theatre
These are words that both sing and challenge. If, like this reviewer, you were not previously acquainted with June Jordan, POETRY FOR THE PEOPLE is a crackling introduction....
Review: South Coast Repertory Presents GOD OF CARNAGE
Wildly surprising and deliciously savage, Yasmina Reza's machete-edged 2006 dark comedy GOD OF CARNAGE—here directed by Marco Barricelli and continues performances at OC's South Coast Repertory through March 21, 2026—has to be one of the most ferocious dissections of modern-day performative civi...
Review: WHO'S AFRAID OF VIRGINIA WOLF? at South Coast Rep
South Coast Repertory’s production of Edward Albee’s dark psychological comedy 100% embodies all the epic frustration and athletic dysfunction which begins and ends with Martha. ...
Review: Will Swenson Leads New SoCal Revival of SWEENEY TODD at La Mirada Theatre
In what is clearly proving to be the must-see stage production of the new year so far here in Southern California, McCoy Rigby Entertainment's stunning new production of the 1979 Tony Award-winning classic SWEENEY TODD: THE DEMON BARBER OF FLEET STREET—now playing a limited engagement at the La Mi...
Review: THE TYPIST at Hudson Guild Theater
Bitterman’s script encompasses so many universal truths about the battle of the sexes in working out relationships that everyone will identify with the ups and downs that challenge even the closest couple to survive and stay together. The dialogue is fast-paced and delivered with the necessary emo...
Review: ONCE at Chance Theatre
Once feels like a revelation, with all the delicate tenderness of a romantic ballad and the foot-stomping joy of a rustic Irish pub on music night....
Review: BROWNSTONE at Open Fist Theatre
The playwright’s story structure is engaging and West’s cast is rich with charisma, with the action fitting comfortably into Munroe’s smartly realized stage at the Atwater Village Theatre complex....
Review: BRANDON MAGGART AND THE GARDENIA at The Gardenia
Brandon Maggart helped close out The Gardenia's 45 years in West Hollywood with stories, songs, and tales of a life well lived. Daughter Maude Maggart joined for a poignant duet finale....
Review: THE NOTEBOOK - THE MUSICAL Floats Into OC's Segerstrom Center
Adapted from Nicholas Sparks' ubiquitous 1996 novel (and its popular 2004 film iteration featuring Rachel McAdams and Ryan Gosling), THE NOTEBOOK - THE MUSICAL re-stages a generational love story into a quietly sweeping, memory-fractured stage romance that subtly promotes emotional accumulation over...
Review: LIFELINE at The Road Theatre
The writing is sharp and smart and in the end Robert Axelrod gives us, if not hope, a sense that, for as bad as things can get, we can power through....
Review: AVENUE Q at The Wisteria Theater
AVENUE Q is back at North Hollywood's Wisteria Theater with a superb cast and standout vocals that bring fresh life—and plenty of laughs—to the beloved, boundary-pushing musical....
Review: Eddie Izzard HAMLET at Ricardo Montalban Theatre
The almost bare bones solo turn – at the Ricardo Montalban Theatre for a quickie six-performance run - is Izzard’s homage to the original performance practices of William Shakespeare, and also to her early years as a street performer....
Review: World Premiere of WHAT OPA DID at Theatre 40 through 2/15
What Opa Did is masterful and brutally honest storytelling at its best, with each actor dedicated to showing each person as a human being, not just either good or bad, while trying to cope with the reality of their lives in Germany in World War II....
Review: KID GLOVES World Premiere Musical Comedy at Skylight Theatre
This world premiere musical comedy is fast-paced, hilarious, and sneakily poignant, skewering the utter depravity of reality TV and how it can corrupt even the most wholesome element of humanity – children!...
Review: New Revival of THE WIZ Lands at OC's Segerstrom Center
If the longevity of a Broadway classic is judged by its ability to reflect both its historical significance and its present existence in popular culture, this new revival of THE WIZ is somehow caught somewhere between reverence and reinvention....
Review: ALL THE DEVILS ARE HERE at Broad Stage
Over a convivial 85 minutes directed by Simon Godwin, the shape-shifting Broadway vet Page holds us captive as he demonstrates why he is perpetually in demand as a classical actor, as an interpreter of Shakespeare, and certainly as an enactor of villains....
Review: AN INSPECTOR CALLS at Greystone Mansion
AN INSPECTOR CALLS is a bit of a soap opera by way of a particularly existential “Twilight Zone” episode while tackling class, entitlement, and status, making it as relevant as it was 60 years ago....
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