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LOS ANGELES THEATER REVIEWS

The latest reviews and critic recommendations from Los Angeles
BWW Review: BARAK BALLET ~ BEAUTIFUL, BRAVE, BOLD AND BOUNTIFUL at THE BROAD STAGE

BWW Review: BARAK BALLET ~ BEAUTIFUL, BRAVE, BOLD AND BOUNTIFUL at THE BROAD STAGE

by Valerie-Jean Miller — July 6, 2018
Barak Ballet is a formidable dance company that was created and fleshed out by Artistic Director Melissa Barak, who is a native Californian, and who has performed with the New York City Ballet and the Los Angeles Ballet Companies before forming her own Company. She trained at the Westside School of...
BWW Review: THE COLLECTIVE MEMORY PROJECT Reminds, Reflects and Rejuvenates at The Fo

BWW Review: THE COLLECTIVE MEMORY PROJECT Reminds, Reflects and Rejuvenates at The Ford Theatre

by Valerie-Jean Miller — July 2, 2018
Memory and Collective are the key words here. The performance is a collaboration, explored and presented from Memories of survival; old, new, brand new, collectively or individually. It is an evening of intertwining, sharing, searching, feeling, expressing and truth. It signifies also, to me, w...
Review: Larry Shue's Comedy THE FOREIGNER Still Relevant as Social Commentary to our

Review: Larry Shue's Comedy THE FOREIGNER Still Relevant as Social Commentary to our Political Scene Today

by Shari Barrett — July 1, 2018
Anyone following today's ever-present and socially-challenging political scene via news outlets will certainly appreciate the humor and biting commentary in Larry Shue's comedy THE FOREIGNER. From its setting in rural Georgia with individuals who appear to be living in a social world hundreds of ye...
Review: YOU IN MIDAIR Shares a Mother's Elegy for her Daughter Lost to Gun Violence

Review: YOU IN MIDAIR Shares a Mother's Elegy for her Daughter Lost to Gun Violence

by Shari Barrett — June 30, 2018
This solo show, written and performed with amazing emotional insight by her mother Danna Schaeffer, begins with stories from her only child's childhood during which she worried if little Rebecca was out of her sight for a few minutes. So imagine how this proud mother, who spoke daily with her daught...
BWW Review: OUR VERY OWN CARLIN McCULLOUGH Looks at Whose Dream a Parent Should be Pu

BWW Review: OUR VERY OWN CARLIN McCULLOUGH Looks at Whose Dream a Parent Should be Pursuing

by Shari Barrett — June 29, 2018
Amanda Peet may be best known as an actress, having appeared in films such as 'The Whole Nine Yards' and 'Syriana' and in TV shows, including the Duplass brothers' family dramedy, 'Togetherness.' But she's also a serious writer, with her second play, OUR VERY OWN CARLIN McCULLOUGH, now making its wo...
Review: WRITE ME A MURDER Engages Audiences from Start to Finish at Theatre Palisades

Review: WRITE ME A MURDER Engages Audiences from Start to Finish at Theatre Palisades

by Shari Barrett — June 27, 2018
English playwright and screenwriter Frederick Knott, though a reluctant writer, is known for his ingeniously complex, crime-related plots even though he only completed three plays in his career. Two have become classics: the London-based stage thriller Dial M for Murder, which was later filmed in Ho...
Review: ALEICHEM SHOLOM! Shares the Wit and Wisdom of his Yiddish Stories with Music

Review: ALEICHEM SHOLOM! Shares the Wit and Wisdom of his Yiddish Stories with Music and Laughter

by Shari Barrett — June 26, 2018
ALEICHEM SHOLOM! The Wit and Wisdom of Sholom Aleichem, a new musical written by the internationally acclaimed team of Chris DeCarlo and Evelyn Rudie with lilting songs by Ben Weisman, is now playing at the Santa Monica Playhouse. It follows the life of the beloved Yiddish story-teller and everyone ...
BWW Review: SCARE PAIR: USHER HOUSE AND THE CANTERVILLE GHOST at The Broad Stage

BWW Review: SCARE PAIR: USHER HOUSE AND THE CANTERVILLE GHOST at The Broad Stage

by Maria Nockin — June 25, 2018
On Sunday June 24, 2018, Los Angeles Opera gave a matinee presentation of two one-act Gordon Getty operas, USHER HOUSE and THE CANTERVILLE GHOST, which LAO calls SCARE PAIR. USHER HOUSE is Getty's 2014 edgy, operatic version of of Edgar Allan Poe's story, THE FALL OF THE HOUSE OF USHER. THE CANTERVI...
BWW Review: THE HUMANS Brings Horror and Recognition to the Ahmanson

BWW Review: THE HUMANS Brings Horror and Recognition to the Ahmanson

by Don Grigware — June 25, 2018
Humans fear monsters, and monsters we are told are even more scared of humans. Monsters are not real but horror really does lie in the human experience. Ask the Blakes. Losing one's job, facing illness, the worst being dementia, is a part of their lives and many others in the decaying/disappearing A...
BWW Review: Reprise 2.0 Inaugurates its Return with SWEET CHARITY at UCLA's Freud Pla

BWW Review: Reprise 2.0 Inaugurates its Return with SWEET CHARITY at UCLA's Freud Playhouse

by Shari Barrett — June 22, 2018
Directed and choreographed by musical theatre whiz Kathleen Marshall with Musical Direction by Gerald Sternbach who brilliantly directs a full orchestra seen onstage as part of the staircase set designed by Stephen Gillford, SWEET CHARITY stars Laura Bell Bundy who brings the joy and wonder of Chari...
BWW Review: Pinter Plus Shakespeare Equals AN EVENING OF BETRAYAL

BWW Review: Pinter Plus Shakespeare Equals AN EVENING OF BETRAYAL

by Ellen Dostal — June 19, 2018
As its inaugural production, new classical theatre company The 6th Act, led by co-artistic directors Matthew Leavitt and Liza Seneca, presents two playwrights united by a common theme in AN EVENING OF BETRAYAL. Act One is Harold Pinter's BETRAYAL, which tells its story of marital infidelity from end...
BWW Review: It's No Rumor… Neil Simon's RUMORS Is A Rollicking Good Time

BWW Review: It's No Rumor… Neil Simon's RUMORS Is A Rollicking Good Time

by Ilana Lifshitz — June 18, 2018
North Hollywood's Lonny Chapman Theatre was packed Friday night for the opening of Neil Simon's RUMORS. This classic farce followed five couples that had all been invited to a dinner party to celebrate a sixth couple's 10th anniversary. However, everything changed when the couples discover the host ...
BWW Review: DIANA ROSS - The Diva Delivers A Spectacular Hollywood Bowl Opening!

BWW Review: DIANA ROSS - The Diva Delivers A Spectacular Hollywood Bowl Opening!

by Gil Kaan — June 18, 2018
Motown legend Diana Ross kiiiiiicked off the Hollywood Bowl's 2018 summer season with polish, pizzazz, and professionalism. Performing for approximately an hour post-intermission, Ms. Ross had the Hollywood Bowl audience in her very capable hands; and, more frequently than not, dancing in their seat...
Review: SKELETON CREW Asks When is Doing Just Enough Really Good Enough?

Review: SKELETON CREW Asks When is Doing Just Enough Really Good Enough?

by Shari Barrett — June 15, 2018
Directed by Patricia McGregor at the Geffen Playhouse, this emotionally-charged play looks deep into the hearts and souls of its four characters, with all four actors brilliantly commanding the stage from start to finish. Caroline Stefanie Clay portrays Faye, the factor's UAW union rep who finds her...
BWW Review: LULA WASHINGTON DANCE THEATRE is an Entity All its Own at The Ford Theatr

BWW Review: LULA WASHINGTON DANCE THEATRE is an Entity All its Own at The Ford Theatre

by Valerie-Jean Miller — June 14, 2018
Lula Washington, an L. A. native from Watts, along with her husband Erwin Washington and daughter Tamica Washington Miller, have been the incumbent founders, creators, directors and choreographers of the LULA WASHINGTON DANCE THEATRE since 1980. They began with the goal to motivate, educate, inspire...
BWW Review: LONG DAY'S JOURNEY INTO NIGHT - The Tragedy of a Family's Downward Spiral

BWW Review: LONG DAY'S JOURNEY INTO NIGHT - The Tragedy of a Family's Downward Spiral

by Ellen Dostal — June 12, 2018
Halfway through Act I of Eugene O'Neill's LONG DAY'S JOURNEY INTO NIGHT at the Wallis, I was looking at Rob Howell's see-through set design when it dawned on me. People who live in glass houses shouldn't throw stones. If only the Tyrones had gotten the memo....
BWW Review: EARTH & FIRE WALKING & ELOQUENTLY TANGOED at The Broadwater

BWW Review: EARTH & FIRE WALKING & ELOQUENTLY TANGOED at The Broadwater

by Valerie-Jean Miller — June 12, 2018
??As part of the Hollywood FRINGE Festival, this tango treat, with a minimum of props and scenery, not one word spoken and a whole lot of passion and technique, Tomas Galvan and Gimena Herrera, from Argentina, tango their way into your hearts. Both Creators and the Choreographers of this piece, they...
BWW Review: An Irresistible Tom Hanks Goes for the Gusto as Falstaff in HENRY IV

BWW Review: An Irresistible Tom Hanks Goes for the Gusto as Falstaff in HENRY IV

by Ellen Dostal — June 11, 2018
Director Daniel Sullivan's adaptation of HENRY IV, Parts 1 & 2 may only be playing in the Japanese Garden on the VA campus for another three weeks but it is bound to rank as one of the summer's most talked-about events. Why? Shakespeare Center of Los Angeles has saved up a secret weapon for the prod...
BWW Review: Brenda Strong Stands Tall in LYSISTRATA UNBOUND

BWW Review: Brenda Strong Stands Tall in LYSISTRATA UNBOUND

by Ellen Dostal — June 11, 2018
John Farmanesh-Bocca directs the world premiere of a bracing new version of Eduardo Machado's LYSISTRATA UNBOUND, starring Brenda Strong (Supergirl, 13 Reasons Why) as Lysistrata, in a collaboration between Odyssey Theatre Ensemble and Not Man Apart - Physical Theatre Ensemble. First presented at th...
BWW Review: Politics and Power Clash in Theatricum Botanicum's CORIOLANUS

BWW Review: Politics and Power Clash in Theatricum Botanicum's CORIOLANUS

by Ellen Dostal — June 7, 2018
Theatricum Botanicum takes on Shakespeare's stinging drama CORIOLANUS this summer on its outdoor stage in Topanga Canyon and offers an intriguing look at the cynicism of politics and power. The work includes a massive cast of 45. Some are seasoned veterans and many are young actors in the early stag...
BWW Review: A Well-Produced AS WE BABBLE ON Deserves A 'Heart' Emoji & Many 'Thumbs U

BWW Review: A Well-Produced AS WE BABBLE ON Deserves A 'Heart' Emoji & Many 'Thumbs Up' Emojis

by Gil Kaan — June 7, 2018
East West Players, in association with the Los Angeles LGBT Center, has another entertaining hit on their hands with the world premiere of playwright Nathan Ramos' AS WE BABBLE ON. Ramos' very clever, contemporary script (lots of screen grabs of texting and emojis) weaves a sometimes funny, sometime...
BWW Review: Lively New Production of NEWSIES Carries the Banner in La Mirada

BWW Review: Lively New Production of NEWSIES Carries the Banner in La Mirada

by Michael Quintos — June 5, 2018
Admirably directed and choreographed by Richard J. Hinds, La Mirada Theatre's NEWSIES aims to be an amiable hybrid between the popularly-received original show and a new iteration that feels fresh for us Fansies forever obsessed with the earlier Disney-backed production that played Broadway and went...
BWW Review: Erin Sullivan's Strong Vocals Bolster WITH LOVE, MARILYN

BWW Review: Erin Sullivan's Strong Vocals Bolster WITH LOVE, MARILYN

by Gil Kaan — June 5, 2018
Erin Sullivan has created (with help from co-writer Stephanie Rosenberg and co-conceiver Robin Milling) WITH LOVE, MARILYN, her one-woman homage to Marilyn Monroe. Sullivan nails Monroe's breathy line deliveries and body language, especially in recreating Monroe songs 'My Heart Belongs to Daddy' and...
Review: Totally Immersive ONE FLEW OVER THE CUCKOO'S NEST Draws You Realistically int

Review: Totally Immersive ONE FLEW OVER THE CUCKOO'S NEST Draws You Realistically into the Psych Ward Experience

by Shari Barrett — June 5, 2018
After our intake interview with the Asylum's Dr. Spivey (Trent Mills), we were invited through the loading dock door into the showers where two asylum staff members required us to don our patient wear. Once we learned the rules for the evening's entertainment, double doors opened to reveal the Psych...
BWW Review: BODY TRAFFIC - an Arresting, Full-Speed Ahead Performance at The Wallis

BWW Review: BODY TRAFFIC - an Arresting, Full-Speed Ahead Performance at The Wallis

by Valerie-Jean Miller — June 4, 2018
BODY TRAFFIC is a well-established multi-themed contemporary dance company, made up of eight incredibly strong, amazingly agile dancers. They are known world-wide, but call Los Angeles their home. Their 3-night appearance at The Wallis Annenberg marks the conclusion of their 10th successful internat...
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