Review: SILENCE - THE MUSICAL - Channel Your Inner Lecter, Starling And All Things Lambish, Outlandish & Untamed At The Let Live Theatre
OMG!! Raunchy, Irreverent, full of belly-laughs, snorts, insane giggling and possibly peeing your pants, this Musical stars Jesse Merlin and Amanda Conlon as Hannibal Lecter and Clarice Starling in SILENCE! THE MUSICAL, a satirized tribute, fully choreographed and revisited, to the iconic movie "The Silence of the Lambs." with Music & Lyrics by Jon Kaplan & Al Kaplan, Book by Hunter Bell, originally done Off-Broadway, this newest version compares to The Book of Mormon, in references, "inside" jokes, campy impersonations and an array of talented performers milking it for all it's worth.
A terrific ensemble puts their all into every moment, which is indelibly seared into your memory because of a movie everyone has seen and continues watching to this day.
Before the show even started, a hint of what was to come, was the fantastic Musical Director and pianist/accompanist for the entire show (Edgar Cardoso) greeting the audience coming in, in lamb ears. With the first strains of music, the fun and insanity begins.
So much tongue in cheek is almost dizzying, but there isn't a moment missed, nor scene ignored in this brightly-paced lavish extravaganza. That has a lot to do with the Director, Choreographer and Production Designer, Amanda Conlon. A cuter, more adorable Clarice there never was. Combined with her spot-on impersonation, mannerisms, excellent voice and perfect timing and energy, she moves the show along at just the right tempo and pace.
There is a plethora of talented performers here: Jesse Merlin, as Dr. Hannibal Lecter, is remarkably similar to Anthony Hopkins look and character in the role; Nick Dothee, as Buffalo Bill is appropriately sleazy and deliciously wonderful as Buffalo Bill, the antagonist in this tale, who will both shock and thrill you simultaneously; Julie Ouellette, playing Catherine, oozes fear and chutzpa to the max, as the victim stuck in the well on and off with Precious, Buffalo Bill's neurotic pup; Brian Dyer, portraying the head of the FBI at Quantico who recruits the brand new fledgling Agent Starling to get the job done; Courtney Bruce, as the liason with the FBI assigned to mentor the investigation and delivering a knock-down vocal performance a la Tina Turner; Suzanne Slade, playing Senator Martin with bravado and an absolutely amazing singing voice; Kevin Michael Moran, who is devilishy salacious and energetic as Dr. Chilton; as well as Michael C. Silva (Miggs), and one of the "lambs"; Jesse Gavin (Stone, Rockbrockmanrock), and a "lamb"; Jeff LaGreca (Bimmel) and "lamb"; Tyler Marcum (the Dream Lecter) and one of the "lambs"; and Philip McBride (Papa Starling) also one of the "lambs," who make up the chorus of singing/dancing music-accompanying (by clicking their hooves together to keep the rhythm, and other clever usage of props and costumes) tellers of the storyline, scene propellers and set changers. There is plenty of "quid pro quo" back and forth between characters giving all the actors plenty of physical and verbal business to work with.
The entire cast is delightful, with marvelous harmonic voices, utilizing so many corny but apropos gimmicks to the hilt, it is a sight to behold. Not only that, there is a ton of choreography that they all ably and unmitigatedly perform, catching all the nuances to each "style" that is presented.
The choreography alone gave me great pleasure and enjoyment, as there were recreations of choreography made famous by Bob Fosse, as in Sweet Charity, Pippin and Cabaret, and Michael Bennett, from A Chorus Line. The many songs were clever, inventive and pretty darn funny, always moving the plot along rapidly and with intent. Bravo to Amanda Conlon for such attention to detail and imparting this to the entire cast. It pays off, and is not easily accomplished...
Produced by Peter Flanigan, who is associated with the Stella Adler school in many capacities, and cleverly lit by Lighting Designer Nick Foran, the Bucket List Theatre has a winner of a show in play.
Warning: Foul language and the illusion of obscenity abounds, so it is not a show for children, or young teens, but don't let that stop you from coming to see this hysterical romp of a parody.
Now playing, Thursdays, Fridays and Saturdays at 8pm and running through November 3rd, 2018, at Let Live Theatre (at The Actor's Company, 916 N. Formosa Ave, Los Angeles, CA 90046. https://www.bucketlisttheatre.com/tickets
Photo credit: Peter Flanigan
From This Author - Valerie-Jean Miller
Valerie-Jean Miller has been a dancer since the age of three, inspired by her father who was a dancer in vaudeville. Dance has always been her grand passion in life and now she is pleased to bring ... (read more about this author)

January 20, 2023
Read BroadwayWorld's review of Donna McKechnie in Take Me To The World: The Songs of Stephen Sondheim at Catalina Jazz Club.

November 6, 2022
The World Choreography Awards will be held on November 15, 2022 at the Avalon Hollywood. Being its twelfth year in existence, I spoke with Allen Walls, Creator and Producer of the World Choreography Awards to catch up with this now seasoned Presentation and how it has been evolving through the years. I have reviewed the event in the past and it is a unique evening whose purpose is to present, celebrate and honor the best Choreographed Dance pieces or segments for the year in a now myriad of categories. It has also built upon it's live presentation and quality of live performances, special guests and hosting of the highest caliber.

May 28, 2022
Another lovely early evening of pure dance bliss. Sun still shining on another ideal California spring day; the final performance in the three-part dance series by nine talented and soul-sharing dancers included Shari Washington Rhone, Justin Edmonson, Latrice Postell, Kacy Keys, Chris Smith, Tashara Gavin-Moorehead, Laura Ann Smyth, Alex Rasmussen and Bernard Brown; all a part of JazzAntiqua Dance & Music Ensemble. They performed mainly outside on the grounds surrounding the Library. This was the third and final performance of the Brand Associates Dance series that included Nickerson-Rossi Dance, Tropicaleiza and 4 weekends of workshops. Pat Taylor is a master at her craft. She created and is Artistic Director/Choreographer for the prestigious jazz dance company established in 1993. She not only chooses her music, dancers, production people, etc. to gel with her initial idea for a dance piece; she develops it with input from all the dancers as well, and creates through her emotions, her knowledge, love and history in Dance, and what she draws from each of her full-of-joy/life dancers... and they are into it! The program consists of excerpts from a new work they are now continuing to develop, after a three-year hiatus due to the pandemic, entitled “Songs My Mother Taught Me,” which, Pat Taylor explained, “celebrates music and reflections by renowned African-American women that are jazz artists, activists and engagers. It is a celebration of community, and a soul-stirring shout-out to living, learning and loving.

May 17, 2022
Back in full swing, after Covid interruptions, is the Glendale Brand Library and Associates’ annual spring dance series, always curated with love and care by Jamie Nichols, and organized by Art Librarian Erin Herzog on the grounds and at the beautiful Glendale Brand Library. On an absolutely perfect spring day the first in a series of three dance presentations was performed by the formidable Nickerson–Rossi dance company. The performance was Saturday, May 7, 2022, with a workshop with the Company on Sunday, May 8, 2022. These events are free and open to the public, made possible by the Brand Associates.

May 5, 2022
Forty-four years ago, in 1978, the original Bob Fosse's 'Dancin'' opened on Broadway. It was the quintessential culmination of the collection of Bob Fosse's choreography up to that point in time. He won a Tony award that year for Best Choreography for 'Dancin'.'