BWW Review: Aimee Mann at City Winery
It's Good Friday, and I am attending Aimee Mann's opening night at City Winery. It's the first of four shows she will be playing over the weekend in New York City, which is the first stop on her US tour to promote her new album, Queens of the Summer Hotel. Read our critic's review. ...
BWW Review: NYGASP Returns With A Delightful Production of PIRATES OF PENZANCE
Pirates of Penzance is a charming, lightly funny musical of inconsequential plot. The New York Gilbert & Sullivan Players (NYGASP) put on a splendid production at Hunter College's Kaye Playhouse....
BWW Review: PRETTY WOMAN at the Ohio Theatre - Powerful Vocals Despite Dated Material
An illustrious creative team is at the helm of PRETTY WOMAN: THE MUSICAL, with direction and choreography by two-time Tony Award®-winner Jerry Mitchell, music and lyrics by Grammy®-winner Bryan Adams and Jim Vallance, and book by the movie's legendary director Garry Marshall and screenwriter J. F....
BWW Review: BROADWAY SINGS Gives Simple Tribute to a Giant With BROADWAY SINGS: SONDHEIM At The Green Room 42
Each song was a highlight not only from the career of Broadway’s Titan of words and music but from a group of young performers all singing and acting at the top of their games....
BWW Review: COME FROM AWAY Lands at the Ohio Theatre - Celebrating the Power of Humanity
Nominated for seven Tony awards in 2017 and winning Best Direction in a Musical under Christopher Ashley’s extraordinary direction, COME FROM AWAY landed in Columbus at the Ohio Theatre on Tuesday night to a welcoming and lively audience. ...
BWW Review: AN EVENING WITH MARLOW & MOSS 3: LOST IN NEW YORK - Boom Goes The Dynamite at Feinstein's/54 Below
Each song performed by the company of Marlow, Moss, Rachel Webb, Zak Ghazi-Torbati & Joe Beighton (Piano & Vocals) had at its core exactly what it needs to tell a story - dramatic tension....
BWW Review: MAJOR ATTAWAY: THE GENIE'S JUKEBOX - Aladdin's Longest Running Genie Didn't Just Go There, He Went Attaway at Feinstein's 54/Below
Major’s show became about paying an hour-long tribute to his former Disney employers. Explaining how his early consciousness was informed by The Mouse’s Movie Musicals, Attaway went thataway with his setlist, giving forth fab numbers from their copious catalog, leaning (surprisingly) on the more...
BWW Review: LEOLA'S LADY LAND LOUNGE! Welcomes NYC's Talent For A Chat-N-Chew And A Song Or Two At The Green Room 42
For this edition, Leola had as her guests, Analise Scarpaci - one of Broadway’s foremost precocious stage brats who is leaving childhood behind and blossoming into a fine adult actress, Lindsay Nicole Chambers - late of Legally Blonde, Lysistrata Jones and pretty much all the L shows of Broadway, ...
BWW Review: CONTEMPORARY DANCE FESTIVAL 2022: JAPAN + EAST ASIA at Japan Society
Four groups from Japan, Korea & Taiwan presented two epic evenings at Japan Society on January 14 & 15. From freestyle moves in the lobby to cinematic butoh, and from the use of humor & technology to make monotonous choreography thrilling to combining dance and physics through the journey of an elec...
BWW Review: Actress Kathleen Turner Makes A Surprise Transformation Into Kathleen Turner The Singer In FINDING MY VOICE At Town Hall
... to be clear, Ms. Turner has approximately 5 really good notes, but the rest of them she sings with great distinction....
BWW Review: From His Own Stage, Michael Wishes Judy A Happy 100 In GET HAPPY: MICHAEL FEINSTEIN CELEBRATES THE JUDY GARLAND CENTENNIAL At Feinstein's/54 Below
A divine historian, curator, and musicologist there really is no one who knows more about Esther Blodgett than Michael Feinstein, and there isn’t a history professor alive today with the charm, charisma, or pipes to turn history into HER-STORY...
BWW Review: These Well-Strung Boys Whip Out Their Pizzicatos Right On Stage For A WELL-STRUNG CHRISTMAS At Feinstein's/54 Below
From the great American Song Book (SLEIGH RIDE) to country (SANTA WENT DOWN TO GEORGIA) ... you basically wind up with something for everyone...
BWW Review: Lisa Howard Brings Power, Pathos & Passion As Her Gifts For Christmas In LISA HOWARD: WHAT CHRISTMAS MEANS TO ME At Feinstein's/54 Below
Highlights of the night were Shaieb’s THE HOUSE WHERE I GREW UP AT CHRISTMAS, Mariah Carey’s ALL I WANT FOR CHRISTMAS IS YOU (a total home run) and her encore, Stephen Schwart’s MEADOWLARK - a theatre opus that she still managed to make sound Christmassy. ...
Ben Moss Brings Friends, Fun & Music With A Touch of Out & Out Hilarity In BEN MOSS & FRIENDS At The Duplex
You see my dear ones, in the end, it’s all in his singing. Moss has one of those rare tonal qualities that can only be described as, “A tear in the voice” and it is this heartfelt vulnerability that draws you into his music as he travels from Hilariousville to Haunting Town and back again....
BWW Review: Jack Bartholet Woos & Wows To Ooos & Ahhs With His UNUSUALLY GRAND IDEAS At Pangea
Bobby defines cabaret as (n) A wilful force of artistic expression, and Jack, for those who have not yet experienced him, is a cabaret force to be reckoned with....
BWW Review: A Gen Z'er Burns & Beheads Her Way Into Your Hearts & History Books As BLOODY MARY Brings Her Daddy Issues To Club Cumming
Miller’s hook is her ability to joust with her audience putting them on the spot thrusting her microphone in their faces and questioning them on their own family angst, life, and relationship tribulations....
BWW Review: Sidney Myer Proves That Those Who Book Can Also Do At Pangea
Sidney’s shows are collections of novelty numbers interspersed with beautiful love songs and heartfelt moments from the theatre, such as Bock & Harnick’s HERE IN EDEN, the opening number to THE APPLE TREE that in Mr. Myer’s eccentric voice, with his subtle acting choices brought tears to the e...
BWW Review: Bianca Marroquín shows WHERE YOU ARE Is A Constant State Of Dance & A Constant State Of Joy At The Green Room 42
One of the constants of Marroquín’s life in the theatre has been Roxie Hart. Having started with the show playing Roxie in 2002, she has moved in and out of the Broadway production consistently since then......
BWW Review: The Dessoff Choirs Premiere CONSIDERING MATTHEW SHEPARD
The famed Dessoff Choirs, conducted by Malcolm J. Merriweather, presented the first New York production of Craig Hella Johnson’s acclaimed choral work...
BWW Review: Ayla Schwartz Learns Her Lesson in EVERYTHING I LEARNED I LEARNED BY GROWING TWO INCHES At The Green Room 42
A real Teen Titan, Miss Schwartz gave her audience a trim 8 number setlist with a fully scripted story that engaged and enlightened on the few stellar ups and many, many downs of being a 'kid' in the biz....
BWW Review: A HALLOWEEKEND WRAP UP at The Green Room 42
This weekend being the Halloweekend in NYC, what else is happening in Cabarets all over Gotham but shows dedicated to witchies, vamps, zombies, and, of course, DISNEY!...
BWW Review: Stephen DeAngelis Presents A BROADWAY FRIGHT NIGHT With Magic & Whimsy & 1 Or 2 Frights At The Green Room 42
Truth be told, everyone from the setlist gave pretty terrific performances in a very plain, straightforward talent showcase. The dimensions of the evening came out of these multidimensional INDIVIDUALS giving their multidimensional performances singing their individual (or duet in 1 case) songs....
BWW Review: This “Beauty” QUEEN Spins Laughs & Holds On To Her Crown In MISS RICHFIELD 1981: 40 YEARS ON THE THRONE at The Triad
The hour and a half show, from which the Minnesota queen took really only 1 short break... left the audience breathless with laughter, and then, the moments where Miss R let the audience have it with her broad baritone voice left everyone breathless in another way......
BWW Review: The Mouse Sprouts Fangs For Halloween In SWINGIN' WITH THE MOUSE: VILLAINS! At The Green Room 42
The SWINGIN' WITH THE MOUSE: VILLAINS lineup on Sunday featured performances by vocalists Rossil, Janaya Mahealani Jones, Garrett Clayton, and BEAUTY’s original Gaston - Richard White, all giving forth some of The Mouse’s most famous tunes from the “dark side” with Pablo’s fresh arrangemen...
BWW Review: Mason Alexander Park's THE PANSY CRAZE Is A Whole Lot Of Pansy & A Little Bit Of Crazy at Chelsea Table + Stage
It’s a very exciting thing when a new cabaret venue is born, though the main thrust of the new venue looks to be more rock, pop, jazz, blues, r&b but with artists like Reeve Carney, Erika Henningsen, and Mason Alexander Park making appearances there, the Broadway crowds will find their way down to...
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