Steve Martin et al. Play HIghline Ballroom in March

Highline Ballroom, located at 431 West 16th Street between 9th Avenue and 10th Avenue is pleased to announce it's upcoming shows. Tickets may be purchased through Ticketweb, online at ticketweb.com or at the Highline Box Office from noon until doors close at 866-468-7619.

Highline Ballroom is a full-scale restaurant with a full bar with all premier liquors and domestic and international cold beer, and we serve a full menu at all of our concerts. A $10 food and/or beverage minimum is standard for table seating during shows. Unless otherwise noted, all shows are suitable for all ages and offer general admission seating. Seating for all shows is first come, first seated; we do not take advance table reservations, except where noted as a condition of a VIP ticket. We cannot seat incomplete parties. Standing room for all shows is available at our bar.
- For further show information, directions to the venue and for the latest updates visit us on the web at www.highlineballroom.com or call 212-414-4314.

UPCOMING SHOWS - March 7 - March 28

EVERY SATURDAY LATE NIGHT at The Highline Ballroom:
The Rewind Show
with live performances and celebrity DJs
21 or over to enter
Doors at 10:30pm, Show at 11:00pm
$20 at door
RSVP to info@4kent.com

The Rewind Show is a vision we have had for as long as we have been in the business of night clubs and event planning. We are tired of the same concept that every night-club in NYC has been stuck with over the years and think that it's time to change the way to party! As we all know nothing can compare to a live performance and therefore we have created the Rewind Show! We want to bring an experience like no other by combining the live music of the 80's Rock & Roll era along with the best DJ's spinning the present hits. Every Saturday night, the Highline Ballroom will operate as a high-end night club to let people experience the Rewind Show. (http://therewindshow.com/)

Tuesday, March 8
YELAWOLF
CyHi Da Prynce
Doors at 7:00pm, Show at 9:00pm
$15 adv, $17 at doors

Envision a humid world of slow-rolling Monte Carlos and slaughter houses; meth labs and rusting Mossberg's, inked up arms and haircuts that look like they've been chopped by hatchets. Trunk muzik. Southern Pine trees, smoking pine, and pine boxes. Call him Catfish Billy or Yelawolf, just don't go make him go pop the trunk on you.

Enter Yelawolf's Alabama-a backwoods badlands of sinners and salvation. He claims Gadsden, but he's from everywhere. Born Michael Wayne Atha to an absentee father and a bartender mother, he attended over 15 schools while soaking up slang and spiritualism in Baton Rouge, Antioch, Tennessee, and Atlanta. While trying to stay afloat in a turbulent home life addled by drug and alcohol abuse, he discovered rap music in Tennesee and it soon became an obsession, along with the classic rock (Lynard Skynard, Pink Floyd, The Allman Brothers) that he was raised on.

"When I lived in Antioch, they'd bus us down to the projects in Nashville to go to school and everything just started clicking with me with rap music and in life," Yelawolf said. "I felt the connection, these kids had the same problems that I had at home. And the weed, the dope..."

His music is a new strain of soul food, the traditional Southern cuisine that fortified the Dungeon Family, 8ball & MJG, and UGK, but infused by Yela's unique experiences as a cross-country vagabond with no place to call home. And, of course, his unparalleled ability to snap off double-timed staccato raps unlike anything you've ever heard.

His manager bestowed him with the nickname Joe Dirt because his experiences are so unbelievable. There was the stint commercial fishing in Alaska. An attempt to become a professional skateboarder in Berkeley thwarted by various injuries. Time spent in Seattle and New York, and of course, spots all over the South. The cross-country Greyhound tours around the country like a modern-day Jack Kerouac with the rhyme skills of LL Cool J circa the "Jack the Ripper" era.

Finally settling back down in Gadsden, Yelawolf hooked up with Gheto-O-Vision, who helped him land a deal with Columbia in 2007. Suddenly, the last 20 years of life as a vagabond seemed to be at an end. Yet the perpetual state of chaos soon re-emerged, when Rick Rubin took over the label and started cutting artists left and right. Before he had the opportunity to even finish his debut album or prove himself on a large scale, he was unceremoniously dropped.

"It was frustrating. I was just like, 'you don't get it? Alright, that's cool, then I guess I'm extra special," Yelawolf said. "I had to be arrogant because I could have been fed up. I mean, Rick Rubin didn't like me? But that's just not my style. I refuse to quit."

The only solution was to go harder, taking his anger at being slighted and turning it into something undeniable. He dropped a flurry of mixtapes, including "Stereo," which found him riffing on old classic rock cuts from Fleetwood Mac to Pink Floyd to Heart. But while he continued to build a fan base with each release, something was missing.

"Not everybody in hip-hop messes with classic rock. There was no real element of surprise. I'm from Alabama, I'm into classic rock - it was obvious and there was no shock-value to it," Yelawolf said. "After that, I wanted to focus on making sure that people understood that I respected the craft. "Trunk Muzik" was dedicated to the trunk riders, with 808s and hard ass music. It had a dirty Southern sound, and it opened things up.

Which is something of an understatement. "Trunk Muzik" dropped on January 1st, 2010, and within a matter of weeks, he was the toast of every blog. The New York Times raved about a live performance, describing him as "fully ascendant" and "striking and assured." The LA Times declared he was "as safe a bet for stardom as anyone out right now - the rare rapper capable of earning respect from both Kid Rock and Kid Cudi fans." His insanely energetic performances at SXSW were the stuff of instant-legend.

Songs like "I Wish" and "Good to Go" found Yela capable of going toe to toe with lyrical giants Bun B and Raekwon. While "Pop the Trunk" epitomized his 808-heavy trunk rattling sound, full of vivid pictures of rural redneck life and violence lurking around every bend. But Interscope didn't just offer him a deal only to tell stories about the South. There are a million rappers capable of doing just that. But none of them can match Yelawolf's versatility.

Wednesday, March 9

THE BAND PERRY
Doors at 7:00pm, Show at 8:00pm
$20 adv, $25 at doors

"Daddy rocked us to sleep with the Rolling Stones; Mama woke us up with Loretta Lynn. So we get it honest." - Kimberly Perry Inheriting a cross-pollinated love of country and rock & roll from their parents, The Band Perry - siblings Kimberly, Reid, and Neil Perry - say that they bleed the bright red blood of American music. The three have always felt the drive to perform and create music, sweating out the summers in Mobile, Alabama playing in any dusty roadhouse or church that would have them. Kimberly strapped on her first Gibson - and fronted her first high school band - at age 15, employing Reid, then 10, and Neil, only 8, as her roadies. Changing guitar strings and polishing cymbals for their big sister lost its charm after awhile, so the brothers formed their own band, opening for Kimberly's band.

"My bass and I've been attached at the hip since I was 10 years old," says Reid. "While most of my friends were playing little league, I was sitting in my room learning Rolling Stones' and Beatles' bass lines. It's really all I've ever known."
Even as the three worked in different bands, the siblings would spend nights at home playing together: "I remember sitting out on our front porch singing old Hank Williams and Bobbie Gentry songs in three-part harmony, hoping to channel the spirits of old country through musical séance while fighting off the southern Alabama mosquitoes," says Kimberly. "We always knew we'd take the stage together - all we were waiting on was the right moment." That moment came in July of 2005, when - after years of writing together - the siblings decided to join forces as one band. The Band Perry was then invited by the Coca- Cola Bottling Company to open all of the dates on their "New Faces Of Country" Tour that year.

In the summer of 2008, after spending a few years on the road honing their sound, TBP met longtime Garth Brooks manager Bob Doyle. Partnering with Bob and Josh Pegram, The Band Perry spent the fall and winter of 2008 writing in Nashville and collecting songs for their first country recording session.

Thursday, March 10
MAC MILLER
*SOLD OUT*
Doors at 6:00pm, Show at 8:00pm
$13 adv, $15 at doors

Friday, March 11
LOS AMIGOS INVISIBLES
Quantic DJ Set
Doors at 7:00pm, Show at 9:00pm
$22.00 adv, $25 at doors
For Los Amigos Invisibles, it has been over 60 countries visited, 1 Latin Grammy + 2 Latin Grammy nominations, 2 Grammy (NARAS) nominations, 6 studio albums, 1 live DVD+2CD, 1 record label, 19 years in the music business, and with high hopes to continue to do what they love to do.

Friday, March 12
JOE HURLEY's 12th ANNUAL ALL-STAR IRISH ROCK REVUE
Doors at 6:00pm, Show at 7:00pm
$20.00 adv, $25 at doors
Joe Hurley's 12th Annual All-Star Irish Rock Revue, the most celebrated musical event of the St. Patrick's season in NYC, will return to the Highline Ballroom on Sat. March 12th! "NYC's Finest Sing Ireland's Greatest"

Special guests will include R&R HALL-OF-FAMERS being inducted 2 days later in NYC!

The Irish Rock Revue is "The biggest and best St. Pat's Party in NY" (IRISH ECHO), drawing widespread acclaim from New York Magazine, the New Yorker, Daily News, New York Times,Irish Echo, Village Voice, New York Post, TimeOut, Flavorpill, as well as TV & Radio features. Sponsored by GIBSON Guitars, The Irish Rock Revue is a true NYC institution.

Monday, March 14
Steve Martin
Performing with The Steep Canyon Rangers
An Evening of Bluegrass & Banjo
*SOLD OUT*
Doors at 6:00pm, Show at 8:00pm
$35.00

Steve Martin, one of the most diversified performers in the motion picture industry today-actor, comedian, author, playwright, producer, musician - has been successful as a writer of and performer in some of the most popular movies of recent film history.

Martin will release his second full length bluegrass album Rare Bird Alert on Rounder Records on March 15, 2011. He will be joined by the Steep Canyon Rangers, who toured extensively with Martin over the last year. Rare Bird Alert features 13 new Martin-penned tracks, including a live version of "King Tut," and was produced by Tony Trishka. Martin co-wrote two of the CD's songs with the Steep Canyon Rangers.

Since becoming involved in the modern bluegrass scene, Martin has been impressed with the overall level of musicianship that exists in the world of the professional and semi-professional player. As such, in 2010, Martin established The Steve Martin Prize for Excellence in Banjo and Bluegrass, an annual award which brings recognition to an individual or group for outstanding accomplishment in the field of five-string banjo or bluegrass music. In its inaugural year, the award was presented to Noam Pikelny.

Martin published his second children's book on September 8th 2010. Narrated with wit and charm getting to school has never been quite this difficult--or hilarious. Steve Martin and illustrator C. F. Payne teamed up to tell a story of the adventure, danger, and laughs of the journey to school. Enclosed with the book is a CD of Martin on banjo and vocals, singing the book's story with a bluegrass twist.

For his adult audience, Martin's latest novel "An Object of Beauty" was released on November 23rd 2010. Sharing his knowledge of the 1990's New York arts scene, Martin tells the story of Lacey Yeager, a captivating, and ambitious young woman who takes the NYC art world by storm.

Earlier this year, Martin completed production on "The Big Year" directed by David Frankel and costarring Owen Wilson and Jack Black. The comedy is set to be released by 20th Century Fox in October 2011, and sees Martin as a member of a group of avid bird watchers competing to spot the rarest birds in North America at an annual esteemed event.

In March of 2010, Martin, along with Alec Baldwin, co-hosted the 82nd Annual Academy Awards - his third time serving as host of the prestigious award show. He received an Emmy nomination in the category of Outstanding Writing for a Variety, Music or Comedy Special for his participation.

On January 31st, 2010, Steve Martin's banjo album, The Crow / New Songs For The Five-String Banjo, won a Grammy for Best Bluegrass Album.

Christmas 2009 saw Martin share the screen with Meryl Streep and Alec Baldwin in Universal's "It's Complicated." The comedy, directed by Nancy Meyers, tells the story of a divorced couple (Streep and Baldwin) who discover that their feelings for one another might not have completely disappeared. Martin plays Adam, the soft-spoken and sweet architect who also vies for Street's characters' affection.

In 2008, Martin had two books published: In October, Doubleday released a children's book titled The Alphabet from A to Y with Bonus Letter Z!, co-written with The New Yorker illustrator Roz Chast. In December, Martin's autobiography, Born Standing Up, was published by Scribner.

Additionally, in December of 2007, Martin was the recipient of the prestigious Kennedy Center Honor.

In February 2006, Martin was seen in "The Pink Panther" playing the role of Inspector Clouseau, originally made famous by Peter Sellers. The film, which reunites Martin with director Shawn Levy, costarred Beyonce Knowles and Kevin Kline. In 2009, MR. Martin revived his role of Inspector Clouseau in "The Pink Panther 2."

In 2005, Martin received critical praise for the Touchstone Pictures film "Shopgirl," costarring Claire Danes and Jason Schwartzman. The screenplay was written by Martin and adapted from his best-selling novella of the same name. "Shopgirl" follows the complexities of a romance between a young girl, who works at a Los Angeles Saks Fifth Avenue glove counter while nurturing dreams of being an artist, and a wealthy older man, who is still learning about the consequences that come with any romantic relationship.

Christmas 2003, Martin starred in the highest grossing film of his career, "Cheaper by the Dozen," directed by Shawn Levy for 20th Century Fox. The family comedy, co-starring Bonnie Hunt and Hillary Duff, has grossed over $135 million domestically. Christmas 2005 saw the much anticipated sequel "Cheaper by the Dozen 2" staring the original cast and adding in a rival family, headed by Eugene Levy. In February of 2003, Martin starred with Queen Latifah in the blockbuster comedy, "Bringing Down the House" for Touchstone Pictures which gross $132.7 million.

MR. Martin hosted the 75th Annual Academy Awards in 2003, his second time handling those duties, the first being the 73rd Oscars. The 75th Annual Academy Awards was nominated for seven Emmy Awards, including a nomination for "Outstanding Individual Performance in a Variety or Music Program."

Born in Waco, Texas and raised in Southern California, MR. Martin became a television writer in the late 1960's, winning an Emmy Award for his work on the hit series "The Smothers Brothers Comedy Hour." By the end of the decade he was performing his own material in clubs and on television.

Launched by frequent appearances on Johnny Carson's "Tonight Show," MR. Martin went on to host several shows in the innovative "Saturday Night Live" series and to star in and co-write four highly rated television specials. When performing on national concert tours, he drew standing-room-only audiences in some of the largest venues in the country. He won Grammy Awards for his two comedy albums, "Let's Get Small" and "A Wild and Crazy Guy," and had a gold record with his single "King Tut." In 2003, Martin also won a Grammy® Award for Best country instrumentalist for playing on Earl Scruggs 75th Anniversary album.

MR. Martin's first film project, "The Absent-Minded Waiter," a short he wrote and starred in, was nominated for a 1977 Academy Award. In 1979, he moved into feature films, co-writing and starring in "The Jerk," directed by Carl Reiner. In 1981, he starred opposite Bernadette Peters in Herbert Ross' bittersweet musical comedy, "Pennies From Heaven."

The actor then co-wrote and starred in the 1982 send-up of detective thrillers, "Dead Men Don't Wear Plaid" and the science fiction comedy "The Man With Two Brains," both directed by Carl Reiner. In 1984, MR. Martin received a Best Actor Award from both the New York Film Critics Association and the National Board of Review for his performance opposite Lily Tomlin in "All of Me," his forth collaboration with writer/director Carl Reiner.

In 1987, his motion picture hit, "Roxanne," a modern adaptation of the Cyrano de Bergerac legend, garnerEd Martin not only warm audience response, but also a Best Actor Award from the Los Angeles Film Critics Association and Best Screenplay Award from the Writer Guild of America. MR. Martin was also the executive producer on the film.

In 1988, he costarred with Michael Caine in the hit comedy film "Dirty Rotten Scoundrels," his second feature collaboration with director Frank Oz (the first being "Little Shop of Horrors"). In 1989, he starred with Mary Steenburgen and Diane Wiest in Ron Howard's affectionate family comedy, "Parenthood" for Universal Pictures.

In 1991, MR. Martin wrote, starred in and co-executive produced the critically acclaimed comedy, "L.A. Story," a motion picture about a love story set in Los Angeles. That same year he made a cameo appearance in Lawrence Kasdan's critically lauded "Grand Canyon" and starred with Diane Keaton in the hit Disney film "Father Of The Bride," receiving the People's Choice Award for Favorite Actor in a Comedy Motion Picture for the latter. In 1992, he starred in the Universal comedy feature "Housesitter," opposite Goldie Hawn, winning the People's Choice Award for Favorite Actor in a Comedy, for the second year in a row.
In 1996, he starred again with Diane Keaton in the hit sequel to "Father of the Bride," and was nominated for a Golden Globe Award. In 1997, he received universal critical acclaim for his riveting performance in director David Mamet's thriller, "The Spanish Prisoner."
MR. Martin wrote and starred in the hilarious 1999 feature comedy, "Bowfinger," opposite Eddie Murphy for Director Frank Oz. The film was showcased at the Deauville International Film Festival.

MR. Martin's other films include classic comedies like Frank Oz's "Little Shop of Horrors," in which he played a demented dentist; John Hughes' "Planes, Trains and Automobiles," co-starring John Candy and the comic Western send-up "The Three Amigos" co-starring Marin Short and Chevy Chase.

In the fall of 1993, MR. Martin's first original play, the comedy-drama "Picasso at the Lapin Agile," was presented by Chicago's prestigious Steppenwolf Theatre. Following rave reviews and an extended run in Chicago, the play was presented successfully in Boston and Los Angeles, and then Off-Broadway in New York at the Promenade Theatre, to nationwide critical and audience acclaim. It has since been, and continues to be, mounted in productions worldwide. "WASP" a one act play that Martin wrote, was first performed at The Public Theatre in NY in 1995. "The Underpants," a dark comedy MR. Martin adapted from the 1911 play by Carl Sterneim, premiered Off-Broadway at the Classic Stage Company on April 4, 2002.

In 1996, MR. Martin was honored with a retrospective of his work, by the American Film Institute's Third Decade Council at the U.S. Comedy Arts Festival. He was also presented with the Lifetime Achievement Award at the ceremony. In 2004 Martin was honored for his film work by the American Cinematheque.

A selection of paintings from his extensive, private, modern art collection was given a special exhibition at the Bellagio Hotel gallery in Las Vegas in 2000, with catalog notes written for the show my MR. Martin.
After the success of his first novella Shopgirl MR. Martin's second novella, "The Pleasure of My Company," published by Hyperion, once again was ranked on best seller lists around the country including the New York Times. He has written a bestselling collection of comic pieces, Pure Drivel, and his work frequently appears in The New Yorker and the New York Times.

He lives in New York City and Los Angeles.

Wednesday, March 16
A ROCKET TO THE MOON
with Valencia, Ann Arbor, Runner Runner, Go Radio
Doors at 6:00pm, Show at 6:30pm
$13 adv, $15 at doors

Thursday, March 17
Karla Bonoff
Clara Lofaro
Doors at 6:00pm, Show at 8:00pm
$25 adv, $30 at doors

Born and raised in Southern California, Karla Bonoff was a songwriter by the age of fifteen. She and her sister Lisa were writing songs and playing as a duo titled "The Daughters of Chester P" named after their father, Dr. Chester Paul Bonoff. She had already fallen in love with the guitar and studied with Frank Hamilton of the famous folk group, The Weavers. By 16, Karla and her sister Lisa auditioned for Elektra Records. An 11-song demo [recorded by Doors' engineer Bruce Botnick] was recorded but no deal came of this first effort.

Karla's sister became a teacher of history and religion, but Karla's passion was always music. She became friends with other singer-songwriters and musicians [in the '60s] who were creating their own unique sound. She talks about lining up at the legendary Troubadour at noon on Mondays to get a slot in the famous Monday night Troubadour "hoot," which was a breaking ground for many artists who went on to great success. She says, "It was an amazing time. Jackson Browne, James Taylor and Elton John were around the Troubadour in those days." There were some other writer-singers who became friends of Karla's, and eventually, they decided to put a band together. They were Kenny Edwards, (who had started the Stone Poneys with Linda Ronstadt and Bobby Kimmel), Wendy Waldman, and Andrew Gold. Something powerful in their combined sound drew them together. Thus the band Bryndle was born - one of the early songwriter groups, even before the Eagles. The band made an album for A&M, but it was never released. They were, unfortunately, a bit ahead of their time.

"I always had somebody mad at me because I wasn't making records, keeping up the pace," revealed Ms. Bonoff, who writes about four songs a year. "I'm really not that prolific - I think I've spent so much time trying to fit a round peg into a square hole that I just sort of worked my way out of wanting to write anymore. And I got a bad taste in my mouth about not being able to just be myself. I think in the time I've taken off, I've watched music change to the point where I really see songwriters - and women in particular - being able to write about what they want to. So it encourages me to just go, 'You know what? I'm just going to write whatever I want, and I'm just going to make the record I want.'" When it comes, a new collection of songs from Karla Bonoff will be
exactly her vision of what it should sound like, and well worth the wait.

Karla continues to perform all over America, with her longtime friend, producer and band mate, Kenny Edwards accompanying her onstage [on vocals, guitar, mandolin and bass] - and at most shows, he performs as her opening act. Often after her concerts, Karla talks with fans and signs CDs and well-worn LP covers people bring to her shows. Japan has also been very supportive of Karla's music and she's toured there twice in recent years. An expanded version of her "Best Of" CD collection as well as Bryndle's "House of Silence" were released in Japan in 2002.

In 2007, Karla finally released a live double CD, a project she had talked about for years. "I think many of these songs have improved with age and and I have never really documented what we do." Karla recorded all but one song of it at a small club in Santa Barbara with her long time touring band, Kenny Edwards and Nina Gerber, plus Scott Babcock on percussion.

Karla's legacy as a performer and writer was summed up in a review of her "All My Life" recording in Billboard Magazine: "Long before Alanis and Jewel, there was a breed of singer/songwriters whose earthly anthems of soul-searching, heartache and joy touched souls in a way few can muster today."

Friday, March 18
PUi
The August Infinity, What Remains, Ghosts of Eden
Doors at 7:00pm, Show at 7:30pm
$12 adv, $15 at doors