Multi-award winning director with plays like Barnum and 4000 Miles, Gustavo Barchilon (30) exclusively announces for BroadwayWorld his new works for 2023.
Revista Babadeira is a musical by award-winning director Neyde Veneziano, where she updates the Revue Theater genre through diversity and inclusion, with dragqueens.
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Sapiens – A Brief History of Humanity, by professor and philosopher Yuval Noah Harari, was the starting point for the play Ficções.
El musical de Stephen Schwartz regresa a São Paulo el próximo mes de marzo.
Alem do Ar is a musical freely inspired by the life of Santos-Dumont, not only the daring and determined inventor, but also the man who had doubts about his inventions.
A dip in the history of Brazil takes us to the Bahian popular uprising known as Conjuracao Baiana, Revolta dos Alfaiates or Revolta dos Buzios.
Ney Matogrosso - Homem com H explora momentos e canções marcantes na trajetória do cantor sem seguir necessariamente uma ordem cronológica.
Ney Matogrosso – Homem com H explora momentos e canções marcantes na trajetória do cantor sem seguir necessariamente uma ordem cronológica.
Watch this musical wrap up of Post.
The award, which brings together representatives of the digital press and celebrates musical theater in Sao Paulo City, held its 5th edition, the first being presential.
Musical A Christmas Carol, inspired by Charles Dickens' classic, has a Brazilian version and libretto by Daniela Cury, direction by Fernanda Chamma.
Musical A Christmas Carol, inspired by Charles Dickens' classic, has a Brazilian version and libretto by Daniela Cury, direction by Fernanda Chamma.
PRETAGONISMO DAY - I ATO is a true BROADWAY talk show! An act of representation, diversity, inclusion and empowerment that aims to emphasize and value the strength and importance of black protagonism in culture and in all its aspects today.
A theater with echoes and voices from the past that will interpret the past of three characters who were once friends and lovers.
With musical direction by the German conductor Felix Krieger, who commands the Orquestra do Theatro Sao Pedro, and scenic direction by the Argentine Pablo Maritano, the never seen production in Brazil takes the stage at Theatro Sao Pedro on November 18th.
The award, which brings together representatives of the digital press and celebrates musical theater in São Paulo City, presents novelties in 2022, including the sum of eight new categories.
A gothic musical inspired by horror films from the 1960s and 1970s is the plot for the show Bosque dos Sonambulos (Sleepwalkers' Forest), which opens at Teatro Pequeno Ato.
Directed by Fernando Philbert, and starring Suely Franco, Deborah Evelyn e Nathalia Dill the play brings a biting comedy that reflects on the passage of time through the settling of accounts between three generations.
Macabea is a Brazil’s Northeastern migrant whose life is marked by the absence of affection and poetry.
The play comically portrays the encounters and disagreements of the contemporary love life of eight characters through four stories of a woman and a man - not necessarily couples - dealing with their own desires and traumas in search of love and facing loneliness.
CLUBE DA ESQUINA – OS SONHOS Não AVELHECEM (Corner Club – Dreams Don't Grow Old) was presented to the world in 1972, being the first double long play in the country and considered the best Brazilian album of all time.
With 14 original songs played live, the story talks about friendship, love, respect, homophobia and especially, the struggle of an LGBTQIA+ person to conquer their space in society.
Based on the official biography of the singer, it features the actors Juan Alba, who plays Sidney Magal as an adult, and Luis Vasconcelos, who plays the Latin idol in his youth.
![Musical MUSEU NACIONAL [TODAS AS VOZES DO FOGO] Celebrates the Tenth Anniversary of C](https://cloudimages2.broadwayworld.com/columnpiccloud/200200-492ac632e5d629ecd648cc2bbf8fedad.jpg?format=auto&width=220)
Destroyed by a massive fire in September 2018, the year of its bicentennial, the National Museum in Rio de Janeiro lost much of its impressive collection of around 20 million items.
