Bachelor Nation fans of Chicago can experience all the drama of the popular reality show this March when THE BACHELOR LIVE ON STAGE arrives at Broadway In Chicago's Cadillac Palace Theatre.
orde arrington tuttle's graveyard shift, now making its world-premiere following an initial workshop production during Goodman Theatre's 2018 New Stages Festival, is a haunting and beautiful reflection on police brutality against Black Americans.
While Donna Summer may be 'Hot Stuff' when it comes to iconic songwriting and singing, SUMMER: THE DONNA SUMMER MUSICAL is a lukewarm entry in the genre of biographical jukebox musicals.
Steppenwolf's production of ensemble member Tracy Letts's BUG is positively skin crawling, with magnificent central performances from Carrie Coon and Namir Smallwood that make the play all the more unnerving.
Liliana Padilla's HOW TO DEFEND YOURSELF offers a brilliant examination of collegiate life, and, more specifically, the ways in which rape culture and the entirely real possibility of sexual assault affect university students.
DUKE ELLINGTON'S SOPHISTICATED LADIES is a classic Porchlight show: an ebullient musical revue showcasing both the esteemed song catalog of Duke Ellington and also the formidable talents of some of the city's finest musical theater performers.
Lisa Loomer's ROE offers a timely exploration of the history behind the 1973 Supreme Court case Roe v.
The national tour of Michael Arden's Tony Award-winning revival of ONCE ON THIS ISLAND has arrived in Chicago in a blaze of color and light.
The first national tour of the MEAN GIRLS musical has arrived in Chicago, and it's totally fetch.
The Chicago premiere of Clare Barron's DANCE NATION, now at Steppenwolf with direction and choreography from Lee Sunday Evans (who also helmed the original production at Playwrights Horizons), is alternately wild, messy, and confusinga?"much like the experience of early adolescence for the play's ch
Lyric Opera's special holiday engagement of Adam Guettel's THE LIGHT IN THE PIAZZA, one of the few contemporary musicals written in a style that harkens back to the Golden Age, is beautifully sung with the composer's complicated and melodious score performed by a superb orchestra.
Do you want to see Jonalyn Saxer fit her entire fist into her mouth? Actually, I don't know if the actor can do that, but she is showcasing her talents in the principal role of Karen Smith in the national tour of MEAN GIRLS (Fans of the original 2003 film will recognize that opening line as one of K
The ceaselessly cynical Crumpet the Elf has returned to Goodman Theatre for the second year in a row.
The Q Brothers Collective puts a highly inventive and endlessly delightful twist on Charles Dickens' classic holiday tale with Q BROTHERS CHRISTMAS CAROL.
Although Goodman Theatre is now producing A CHRISTMAS CAROL for the 42nd year, and although I have seen the production four times myself, it still has an immense capacity to tug at the heartstrings.
Firebrand Theatre's ALWAYS.
Steppenwolf's world premiere production of LINDIWE, a collaboration between ensemble member Eric Simonson and acclaimed South African music group Ladysmith Black Mambazo, finds the most success in its musical moments.
There's nothing subtle about Lyric Opera's staging of Jake Heggie and Terrence McNally's contemporary opera DEAD MAN WALKING.
With direction by Michael Weber, Porchlight Music Theatre's production of Andrew Lloyd Weber's SUNSET BOULEVARD provides one wild ride of a musical evening.
THE BROTHERS SIZE is an artful exploration of the obligations put upon its characters.
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