Rachel Weinberg - Page 11

Chicago audiences will be able to experience the 2016 Tony Award-winning revival of THE COLOR PURPLE for the first time next week. But Carrie Compere, who plays the role of Sofia, is no stranger to the production. Compere first took on the role as an understudy and then a replacement during the production's Broadway run. In advance of the show's arrival in the Windy City, Compere reflected on what it means to return to the production and her life on tour.

Chicago Shakespeare Theater's summer family musical PETER PAN is chock full of dazzling moments that will delight children and adults alike. With music and lyrics by George Stiles and Anthony Drewe with a new book by Elliot Davis (based upon the book by Willis Hall), this production captures all the magic of the classic story of the boy who refuses to grow up in just 75 minutes. Adult audience members who are fans of J.M. Barrie's original novel or the iconic Disney animated film will find this PETER PAN a refreshing mix of the familiar and the new. And of course, young audiences seeing the story of PETER PAN for the first time will be altogether surprised and amazed by this telling.

Ellen Fairey's SUPPORT GROUP FOR MEN, now in a world premiere at Goodman Theatre, finds that sweet spot between hilarious and gently critical of modern society. As might be presumed from the title, Fairey's play concerns a gathering of four Chicago men who come together on Thursday nights in an apartment that borders on the edge of Wrigleyville and Boystown. Fairey's exploration of gender roles and the increasing need to become more open and embracing of those outside the binary means that the play's locale is particularly central to its narrative. And while some of the characters in SUPPORT GROUP seem rather set in their ways, Fairey is careful to never point fingers in a mean-spirited way. The play succeeds in large part because Fairey displays such a great deal of empathy for each of her characters.

Jen Silverman's THE ROOMMATE, now playing in Steppenwolf's Downstairs Theatre, offers audiences a veritable master class in acting via Sandra Marquez and Ora Jones. Under the direction of Phylicia Rashad, Marquez and Jones have a touching and natural onstage rapport. The material of Silverman's play itself, however, does not exactly match the high bar of the performers. In fact, THE ROOMMATE feels rather uneven; the play dangles loose threads in front of the audience, introducing some major themes but never quite bringing any of them to fruition.

Whether you have seen AVENUE Q before and can mouth the lyrics to all the songs or if you have never experienced it, Mercury Theater's production is worth a visit. AVENUE Q will provide uproarious and NSFW laughs for days, but it also will touch your heart and provide a much-needed dose of theatrical sunshine.

The pre-Broadway engagement of THE CHER SHOW has made its way to Chicago in a blaze of colorful, over-the-top energy and replete with the artist's chart-topping hits. Three utterly talented women share the title role: Broadway veteran Stephanie J. Block as Star, Teal Wicks as Lady, and newcomer Micaela Diamond as Babe. Together, these actors deliver a powerhouse trio of performances worthy of Cher herself. Diehard Cher fans will be pleased to know that such iconic songs as 'I Got You, Babe,' 'If I Could Turn Back Time,' and, of course, 'Believe' are in more than capable hands.

BroadwayWorld Chicago caught up with local playwright Kristiana Rae Colon, whose latest play TILIKUM opens at Sideshow Theatre Company on Thursday.

Bridget Adams-King is currently taking the stage as Lucy Parsons in Underscore Theatre Company's and The Den Theatre's HAYMARKET. She took some time to reflect on her Chicago theater experiences with 10 On Tuesday.

I recently caught up with Erin Burniston, who plays the role of Elvis's girlfriend in HEARTBREAK HOTEL. Envisioned as the prequel to the long-running Chicago hit MILLION DOLLAR QUARTET, HEARTBREAK HOTEL charts Elvis's rise to fame. Burniston chatted about the development process for this new musical and the experience of performing the legendary singer's music onstage.

Actor Jeremy Morse discussed what it's been like to perform Sara Bareille's songs for the past three years in WAITRESS from its pre-Broadway engagement to the current tour, highlights of tour life, and of course, pie.

Steppenwolf's production reunites cast members Metwally and Moayed along with director Amy Morton. Together, these three artists collaborated with Joseph for the play's world premiere production at Atlantic Theatre in New York City in 2015. Accordingly, the present production is a unique and deeply emotional experience.

Hockadoo! Porchlight Music Theatre's MEMPHIS bursts onto the stage with joy and earnest energy. Under the direction of Daryl Brooks, this musical sheds light on timely historical issues while milking the show's sweetest, most exuberant moments for all they're worth.

Stephanie Allison Walker's play highlights a moment in Argentina's history, her portrait of the silencing of voices, the torture of loved ones, and the women who rose up against injustice finds complete alignment with the present moment.

PASS OVER was by far one of the best productions to grace a Chicago stage last season, and now anyone with an Amazon account will have the privilege to see this searing, timely, and extraordinarily necessary production come Friday. It is nothing short of remarkable that now so many will have access to this beautiful interpretation of Nwandu's play. This is compulsory viewing for all, and it is an incredible opportunity to see a filmed version of PASS OVER that truly represents the immediacy of live theater.

Boo Killebrew's world premiere play LETTIE is profoundly heartbreaking and brilliantly conceived. Under the direction of Artistic Director Chay Yew, the production devastatingly unfolds the narrative of the titular working class ex-convict Lettie. Both Killebrew's masterful, raw writing and Yew's superlative ensemble-with Caroline Neff in the title role and doing some of the best work so far of her career-bring immense pathos and a swirl of shifting emotions upon the audience.

Firebrand Theatre's production of 9 TO 5 THE MUSICAL makes a good deal of sense for the company to stage, especially as it's the first show directed by Artistic Director Harmony France. This outsized, comical musical focuses on three women navigating office politics in 1979 as they plot revenge against their company's sexist and outlandish CEO. With songs by Dolly Parton and a book by Patricia Resnick, 9 TO 5 is a fun romp of a musical with a bluegrass twinge and tons of laughs.

Today American Theater Company announced that it was shutting its doors after 33 years. Under the direction of late Artistic Director PJ Paparelli, American Theater Company made its name as one of the most groundbreaking and well-regard storefront theaters in Chicago. Among other productions, ATC staged the world premieres of Ayad Akhtar's Pulitzer Prize winner Disgraced and Stephen Karam's The Humans. In ATC's most recent era, Artistic Director Will Davis staged innovative pieces with a clear and unique vision. I have many fond memories of seeing productions at ATC, and below are some of my favorites. Farewell, American Theater Company. Chicago will miss you dearly.

I chatted with local Chicagoan Amaris Sanchez, who plays Little Gloria in the national tour of ON YOUR FEET! in advance of the show's arrival in Chicago.

Under the taut direction of David Schwimmer, Kevin Douglas's new comedy PLANTATION! succeeds in making audiences both laugh out loud and cringe. In PLANTATION!, Douglas explores one wealthy white woman's attempt to make reparations for the benefits her family reaped from slavery. Douglas does so by posing the question: Does making amends actually work? And for whom does making amends actually benefit? The twist in PLANTATION!, however, is that these serious questions are explored almost entirely through the lens of broad, dramatic, zinger-filled satire. The all-female cast succeeds in landing each and every joke in this production, which brings the broadly comic nature of Douglas's writing to the forefront.

With her Pulitzer Prize finalist THE WOLVES, young playwright Sarah DeLappe has beautifully, movingly, and realistically captured the tenuousness that comes with being a teenage girl navigating the thorny terrain of high school. DeLappe has captured so precisely the agony and nuances of high school female friendship. In this 90-minute play about an indoor high school girls' soccer team, DeLappe presents the achingly real challenges of life as a teenage girl in suburban America. While the nine members of the eponymous Wolves are fierce soccer players on the field, these three-dimensional characters have much more to contend with once they step off.