
Rachel Weinberg
Theatre Critic Rachel Weinberg has written 412 articles for BroadwayWorld since 2014, covering Chicago Theatre.
Rachel Weinberg (she/her) is the Co-Lead Editor and Theater Critic for BroadwayWorld Chicago. She joined the team in 2014. Rachel is a B2B tech marketing professional specialized in content strategy, writing, and editing. She holds her Master’s degree in Integrated Marketing Communications from the Medill School of Journalism at Northwestern University and earned her undergraduate degree in Communication from the University of Pennsylvania. Rachel has worked previously in digital marketing for Goodman Theatre and as a marketing apprentice for Roundabout Theatre Company in New York City. When she’s not at the theater, you can catch her riding up a storm on her Peloton bike, getting lost in a good novel, or sampling desserts at bakeries across the city. You can find her online at RachelWeinbergReviews.com.
About Rachel Weinberg
- First Show
- Legally Blonde: the Musical (2007) — First Broadway show!
- Favorite Show
- Cabaret at Roundabout Theatre Company (2014)
Favorite Stories
- Review: Six U.S. Premiere at Chicago Shakespeare Theater (2019) - By my estimation, I've now seen Six 6 (hah!) times and reviewed it 3x. This original and fun musical captured my heart from the start. I'll always bow down to the Queendom. Seeing this kind of new, original musical theater is what makes me excited and delighted to be a theater critic.
- Review: ICEBOY! at Goodman Theatre (2026) - Such a fun treat to review the world premiere of this genuinely hilarious musical comedy at Goodman Theatre.
- Review: RENT at Porchlight Music Theatre (2023) - Rent was one of my "gateway" musicals, and I love supporting the local musicals produced at Porchlight. Experiencing Rent at Porchlight? A no brainer!
- Interview with Peloton London Cycling Instructor Sam Yo (2022) - An absolute honor and joy to bring together my two favorite hobbies — musical theater and Peloton cycling — with my favorite Peloton instructor. Sam Yo is a true treasure and one of the kindest people I've ever met.
- Review: KING JAMES at Steppenwolf Theatre Company (2022) - Steppenwolf is one of my favorite Chicago theaters; the work is consistently excellent, the ensemble is killer, and I appreciate their commitment to producing a mix of cutting edge new works and hard-hitting revivals. King James was one of my favorites from the past few years — a play about a bromance when 2 Cleveland residents bond over their love of basketball.
Most Popular Articles


Review: CATCH AS CATCH CAN at Steppenwolf Theatre Company
June 15, 2026

Review: MR. WOLF at Steppenwolf Theatre Company
September 22, 2025
Latest Articles

Review: SUNDAY IN THE PARK WITH GEORGE at Kokandy Productions
August 31, 2026
It was a bold choice for Kokandy’s artistic director Derek Van Barham to stage such a huge musical in the tiny cabaret space at the Chopin Theater.

Review: THE OUTSIDERS National Tour Presented by Broadway In Chicago
August 8, 2026
The Outsiders remains an exhilarating and inventive musical adaptation of S.

Review: & JULIET Presented by Broadway In Chicago
July 23, 2026
On its second Chicago engagement, & Juliet remains a glittering, joyous confection of a jukebox musical — and this time it features iconic boy band member Joey Fatone

Review: Raven Theatre's OCTET at Goodman Theatre
July 17, 2026
I loved Dave Molloy’s inventive and captivating a cappella musical Octet at Raven Theatre so much that here I am, reviewing it a second time in short succession now that it’s moved to the Goodman’s Owen Theatre.

Review: SUFFS Musical Tour at Broadway In Chicago
July 9, 2026
All in all, Suffs musical nails the intent and the tremendous hard work of the women involved in the suffrage movement, but it mainly lacks emotion.

Review: REALITY DETOX: THE IMPROV EXPERIENCE at The Second City e.t.c.
July 5, 2026
The Second City e.

Review: WATER FOR ELEPHANTS Tour at Broadway In Chicago
June 25, 2026
The Water for Elephants tour transports audiences to the circus — and has some dazzling aerial tricks up its sleeve.

Review: UNTITLED VAMPIRE PLAY at Lookingglass Theatre Company
June 17, 2026
Untitled Vampire Play — a world premiere from Lookingglass ensemble member Kevin Douglas — is a fun, wacky romp.

Review: CATCH AS CATCH CAN at Steppenwolf Theatre Company
June 15, 2026
I left Catch as Catch Can at Steppenwolf Theatre Company on Sunday night wondering exactly what I had just seen, and what, if anything, I was meant to take from it.

Review: LEOPOLDSTADT at Writers Theatre
June 14, 2026
Tom Stoppard’s Leopoldstadt follows multiple generations of an Austrian Jewish family from prosperity to despair — spanning over 50 years from 1899 to 1955.

Interview: Sarah Stiles Talks World-Premiere Musical ICEBOY! at Goodman Theatre
June 12, 2026
Two-time Tony award nominee Sarah Stiles shares a preview of what’s to come in Goodman Theatre’s new summer musical Iceboy!, or The Completely Untrue Story of How Eugene O’Neill Came to Write “The Iceman Cometh.

Review: BROKEBACK MOUNTAIN at Chicago Shakespeare Theater
June 5, 2026
Rugged masculinity meets forbidden queer romance in Brokeback Mountain.

Review: MONTY PYTHON’S SPAMALOT Presented by Broadway In Chicago
May 21, 2026
Monty Python’s Spamalot is a jubilant and genuinely hilarious touring rendition of the 2023 Broadway revival.

Review: COVENANT at Goodman Theatre
May 12, 2026
What happens when you make a deal with the devil? Covenant asks its characters to find out.

Review: OCTET at Raven Theatre
May 8, 2026
Though it’s a musical about a support group for internet addicts, Dave Molloy’s Octet is delightfully analog.

Review: FAULT at Chicago Shakespeare Theater
April 26, 2026
The blame game’s the thing in this world premiere play from Scooter Pietsch.

Review: THE GREAT GATSBY National Tour Presented by Broadway In Chicago
April 23, 2026
While THE GREAT GATSBY has glimpses of effective songs and character development, the musical doesn’t ultimately live up to the glitz, glamor, and legacy of its source material.

Review: WINDFALL at Steppenwolf Theatre Company
April 20, 2026
Tarrell Alvin McCraney’s world-premiere play WINDFALL is part somber, part whimsy — which is true to his unique playwriting style.

Review: MA RAINEY’S BLACK BOTTOM at Goodman Theatre
April 7, 2026
MA RAINEY’S BLACK BOTTOM is a well-acted, slow-burn character study.
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