BWW Interview: Tammy Blanchard Has a Pipe Dream in THE ICEMAN COMETH
In Eugene O'Neill's barroom tragedy, Blanchard gets to play one of her favorite types: 'women who are struggling but really have fight in them.
Naomi Serviss - Page 2
BWW Interview: Renée Taylor's MY LIFE ON A DIET Is a Tasty Delight
'My life has always been about what I ate,' said the veteran comedy writer and actor.
BWW Interview: PARADISE BLUE's Kristolyn Lloyd Yearns for More
Dominique Morisseau's taut play depicting desperation at a 1949 Detroit jazz club in an African-American neighborhood targeted for gentrification recalls August Wilson's Pittsburgh-set series.
BWW Interview: Lucy DeVito Is Expecting an Old-Fashioned Delivery in BUMP
A comedy illustrates the rocky path to motherhood from the colonial days of suffering in solitude to the modern age of message board kvetching.
BWW Interview: Ellen Maddow Trips the Light Fantastic in DANCE NATION
This edgy production about a cutthroat girls dance group isn't a MEAN GIRLS kind of play, but it does tackle the competitive drive that can consume a teen's life.
BWW Interview: THREE TALL WOMEN'S Alison Pill Embraces a Statuesque Role
Playing C, the youngest tall woman, was a once-in-a-lifetime opportunity she couldn't refuse, Pill explains.
BWW Interview: Ben Caplan Sings a Human Tale in OLD STOCK: A Refugee Love Story
The concert-theater hybrid plumbs the dark realities of a young refugee couple's struggles in 1908 Halifax, Nova Scotia.
BWW Interview: Jennifer Kim Gets Existential in THE AMATEURS
A black comedy about plague-infested 14th century Europe, The Amateurs plumbs subjects like the nature of life and the meaning of art while cast members put their backs into an intellectual and physical workout.
BWW Interview: Juliane Godfrey Is a SPONGEBOB SQUAREPANTS Triple Threat
The dance captain of the Technicolor-blasted, live production of the whimsical television cartoon also juggles acting and singing duties.
BWW Interview: Susan Brown and Her Bevy of Characters in ANGELS IN AMERICA
Brown considers herself a 'a chameleon as an actor.
BWW Interview: THE LION KING's Lindiwe Dlamini Is Still Roaring After 20 Years
Dlamini auditioned for The Lion King ensemble when it was germinating.
BWW Interview: Jackie Hoffman, Live and Kvetching at Lincoln Center
The acclaimed actor and comedian is appearing in the 19th season of Lincoln Center's AMERICAN SONGBOOK series, an eclectic musical buffet of the American spirit through song and story.
BWW Interview: Jeremy Shamos Shines Bright in METEOR SHOWER
A normal, if a little repressed, Californian couple experience out-of-this-world changes in this Steve Martin comedy.
BWW Interview: Celeste Den Conducts Dangerous Liaisons in M. BUTTERFLY
In her Broadway debut, Den is acting in a play that she says 'had a orofound effect on me' from the time she first read it while in high school.
BWW Interview: THE RED SHOES Keep Cordelia Braithwaite on Her Toes
I wouldn't say I'm obsessed with dance,' Braithwaite said, 'but it's all I've done.
BWW Interview: Danaya Esperanza Soothes the Savage Breast in MARY JANE
A poignant drama about a mother, on her own with a very sick child is at once heart-wrenching and hopeful.
BWW Interview: TINY BEAUTIFUL THINGS Redux for Natalie Woolams-Torres
A life-altering book is turned into a hugely popular play and then is restaged.
BWW Interview: Robert LuPone Is the Moral Center of THE VIOLIN
The theater veteran goes back onstage as a morally conflicted tailor in this play, based loosely on the real-life disappearance of a 1710 Stradivarius.
BWW Interview: Karen Pittman Fights the Forces of The PIPELINE
A teacher struggles against the chaos of a tough inner city public school and the system that threatens her son.
BWW Interview: De'Adre Aziza is a Midsummer Night's Dreamer
Aziza, who plays Hippolyta in a Shakespeare in the Park production, says her character is a fierce feminist in this comedy of errors.
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