REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On SMASHED: THE NIGHTCAP
SMASHED: THE NIGHTCAP sets the scene for a fabulous 2024 SYDNEY FESTIVAL and proves to be a must-see show.
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REVIEW: Andrew Upton's Adaptation Of Anton Chekov's THE SEAGULL For Contemporary Australia Is Challenged.
Imara Savage (Director) brings Andrew Upton’s fifth Chekov play adaptation to the stage with a new imagining of THE SEAGULL.
REVIEW: THE MASTER & MARGARITA Is A Bonkers And Bizarre But Brilliantly Executed Expression Of The Need To Keep Listening To The Artists And Dreamers Of Society.
Eamon Flack’s adaptation (script and direction) of Mikhail Bulgakov’s THE MASTER & MARGARITA is an intriguing retelling of the Russian writer’s last novel that remained hidden to decades after his death.
REVIEW: The Annual Tradition of THE WHARF REVUE Returns With 2023's offering PRIDE IN PREJUDICE
The marvelous minds behind THE WHARF REVUE: PRIDE IN PREJUDICE have created another clever commentary on Australian and global politics.
REVIEW: OIL Is A Time Travelling Tale Of The History Of Western Civilisation's Relationship With The Energy Source, Providing A Caution For The Future.
Ella Hickson’s OIL takes the audience on a journey through Britain's relationship with petroleum, providing a warning for the future as the environmental impact takes hold and resources dwindle.
REVIEW: The Stage Adaptation of Pip William's THE DICTIONARY OF LOST WORDS Is a Artful Expression Of An Enlightening Fiction Anchored In Truth.
Verity Laughton’s adaptation of Pip William’s debut novel, THE DICTIONARY OF LOST WORDS, is a beautiful interpretation of the historical fiction that seeks to highlight the invisible women and their influence in undocumented language.
REVIEW: Highly Amusing And Deeply Poignant, THE MEMORY OF WATER Contemplates The Enduring Effect A Person Can Have On Their Loved Ones After Death.
Brilliantly funny with relatable moments, THE MEMORY OF WATER combines comedy with scientific theory to challenge how memories are retained and altered over time.
REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On A MIGRANT'S SON
A MIGRANT’S SON is the engaging and passionate story of Michaela Burger’s family history expanding over 100 years.
Review: Kym Vaitiekus Shares His Thoughts on A LITTLE NIGHT MUSIC
Review: Kym Vaitiekus Shares His Thoughts on A LITTLE NIGHT MUSIC.
Guest Reviewer Kym Vaitiekus Shares His Thoughts On BIG DANCE 2.0
Dance Makers Collective celebrate their ten-year anniversary with BIG DANCE 2.
Kym Vaitiekus reports on launch of THE HAYES 2024 SEASON
The 2024 HAYES season will deliver joy, delight, surprises, heartfelt emotions, intriguing ideas, and distinct and remarkable experiences.
Reviewer Kym Vaitiekus Shares His Thoughts on SKANK SINATRA
SKANK SINATRA A thoroughly entertaining night of clever, comic, crude and cheeky cabaret
AUSTRALIAN MUSICAL THEATRE FESTIVAL Is Seeking An Executive Producer
Following on from the successful 2023 AUSTRALIAN MUSICAL THEATRE FESTIVAL, the Festival is expanding and is on the search for an Executive Producer to work alongside Artistic Director Tyran Parke to deliver the 2024 festival and beyond.
REVIEW: v Is Absolutely Hilarious And Touchingly Insightful
Brilliantly funny, William Finn (Music and Lyrics) and Rachel Sheinkin’s (Book) THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE is presented by the new generation of musical theatre stars under Dash Kruck’s insightful direction.
REVIEW: Hilary Bell's SUMMER OF HAROLD Is A Captivating Trio Of Short Plays That Contemplate The Power Of Seemingly Simple Objects
Director Francesca Savige delivers three distinct performances for Hillary Bell’s SUMMER OF HAROLD, ENFANT TERRIBLE, and LOOKOUT, collectively billed under the first work.
Guest Reviewer Hamavand Engineer Shares His Thoughts On BLACKLISTED
Almitra Mavalvala's BLACKLISTED is storytelling at its best and contained enough vulnerability to be able tell a story of such depth, yet enough nostalgia to evoke memories of the past.
Guest Reviewer Hamavand Engineer Shares His Thoughts on THE HEN HOUSE
If an education in cleaning chicken carcasses is what you’re looking for, you’ll find it at The Hen House.
REVIEW: Oscar Wilde's THE IMPORTANCE OF BEING EARNEST Comes Up Short Despite Sydney Theatre Company's Bold Aesthetic
The comedy of Oscar Wilde’s THE IMPORTANCE OF BEING EARNEST loses power with a performance that fails to trust the source material.
REVIEW: Two Decades On, WICKED Remains A Crowd Pleaser As The Story Of The Witches Of Oz Returns To Sydney With A New Australian Cast
Director Lisa Leguillou’s tweeked version of Joe Mantello’s original production of Stephen Schwartz (Music and Lyrics) and Winnie Holzman’s (Book) multi-award winning WICKED arrives in Sydney for the 20th Anniversary of the multi award winning musical’s opening on Broadway.
Guest Reviewer Kym Vaitiekus Shares His Thoughts On PLENTY OF FISH IN THE SEA
PLENTY OF FISH IN THE SEA Conceived and directed by Emily Ayoub and Madeline Bathurst, they perform the show along with Christopher Samuel Carroll.
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Tickets From $71
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