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Ilana Lucas

Ilana Lucas is an English professor at Toronto’s Centennial College. She holds a BA in English and Theatre from Princeton University, and an MFA in Dramaturgy and Script Development from Columbia University, where she learned countless fascinating theatre stories as lead archivist for the estate of Tony winners Phyllis Newman and Adolph Green. She is Vice President of the Canadian Theatre Critics’ Association. 

Before BroadwayWorld, she worked as Brit+Co’s weekly books columnist, and as a Senior Writer for Mooney on Theatre. In her spare time, she is a freelance dramaturg and playwright, sings in Toronto's Amadeus Choir, and plays nerd-rock handbells with Pavlov's Dogs Handbell ensemble. Her most recent play, “Let’s Talk,” won the 2019 Toronto Fringe Festival’s 24-Hour Playwriting Contest. 

She believes that theatre has a unique ability to foster connection, empathy, and joy, and has a deep love of the playfulness of the written word. 

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Review: DUEL CITIZENS at Second City

Review: DUEL CITIZENS at Second City

May 7, 2025

Second City’s Duel Citizens, in the company’s 90th mainstage review, tells our southern neighbour to get off our collective lawn in its usual sprightly and entertaining fashion.

Review: BENEVOLENCE at Tarragon Theatre

Review: BENEVOLENCE at Tarragon Theatre

May 3, 2025

Touching and funny, earnest yet practical, Wong’s play is a small gem with a flowing, well-crafted narrative and crystal clear characterization.

Review: SHEDDING A SKIN at Buddies In Bad Times

Review: SHEDDING A SKIN at Buddies In Bad Times

May 2, 2025

Within the larger space of Buddies in Bad Times’ Chamber, set designer Jung-Hye Kim’s constrained, small box of a playing space looks like it could be either a present or a trap, a Kinder Egg of theatre housing Vanessa Sears’ luminous solo performance.

Review: MAHABHARATA at Canadian Stage

Review: MAHABHARATA at Canadian Stage

April 16, 2025

The god Krishna (a dryly funny Neil D’Souza) asks this of one side of an all-consuming inter-family war, cousins against cousins, in the second half of Why Not Theatre’s two-part production of MAHABHARATA, the Sanskrit epic of fate, death, and cycles of violence, now presented by Canadian Stage

Review: PERFORMANCE REVIEW at Outside The March

Review: PERFORMANCE REVIEW at Outside The March

March 11, 2025

Rosamund Small’s obsessive refrain as her anxieties take hold provides a jolt as potent as the latte you might be drinking at PERFORMANCE REVIEW, an Outside the March site-specific production at Morning Parade Coffee Bar.

Review: THE WOLF IN THE VOICE at Tarragon Theatre

Review: THE WOLF IN THE VOICE at Tarragon Theatre

February 20, 2025

The extremely snowy night I saw THE WOLF IN THE VOICE, an exploration by three professional singers into the joys and pitfalls of a life spent nursing the soulful but capricious vocal instrument, I had spent all day rehearsing my trusty soprano for a choral performance of my own, a live-scored film

Review: ORACULUM at Buddies In Bad Times

Review: ORACULUM at Buddies In Bad Times

December 7, 2024

Whether ORACULUM effectively navigates the space between drag show and narrative is up for debate, but Drag Race fans will likely enjoy themselves at the cheeky, irreverent show.




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