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Ilana Lucas - Page 4

Ilana Lucas

Ilana Lucas is an English professor at Toronto’s Centennial College. She holds a BA in English and Theatre from Princeton University, and an MFA in Dramaturgy and Script Development from Columbia University, where she learned countless fascinating theatre stories as lead archivist for the estate of Tony winners Phyllis Newman and Adolph Green. She is Vice President of the Canadian Theatre Critics’ Association. 

Before BroadwayWorld, she worked as Brit+Co’s weekly books columnist, and as a Senior Writer for Mooney on Theatre. In her spare time, she is a freelance dramaturg and playwright, sings in Toronto's Amadeus Choir, and plays nerd-rock handbells with Pavlov's Dogs Handbell ensemble. Her most recent play, “Let’s Talk,” won the 2019 Toronto Fringe Festival’s 24-Hour Playwriting Contest. 

She believes that theatre has a unique ability to foster connection, empathy, and joy, and has a deep love of the playfulness of the written word. 

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Latest Articles

Review: ORACULUM at Buddies In Bad Times

Review: ORACULUM at Buddies In Bad Times

December 7, 2024

Whether ORACULUM effectively navigates the space between drag show and narrative is up for debate, but Drag Race fans will likely enjoy themselves at the cheeky, irreverent show.

Review: BIG STUFF at Streetcar Crowsnest

Review: BIG STUFF at Streetcar Crowsnest

November 17, 2024

Matt Baram and Naomi Snieckus, a Second City comedy duo who are also married in real life, present a funny and meaningful meditation about what our things mean to us in BIG STUFF, using anecdotes and gentle audience participation to commune over the items we just can’t bring ourselves to toss.

Review: MAMMA MIA! at Ed Mirvish Theatre

Review: MAMMA MIA! at Ed Mirvish Theatre

October 14, 2024

The 1999 ABBA jukebox juggernaut is back again at the Ed Mirvish Theatre, full of cheery, dance-heavy numbers, a simple, wacky plot, and plenty of shiny spandex outfits.

Review: 1939 at Canadian Stage

Review: 1939 at Canadian Stage

October 1, 2024

As the characters erase and rewrite the messages that both literally and figuratively surround them, shaping the story with little other than chalk and resolve, Lauzon and Riordan’s complex, beautiful play surprises in its ability to create joy in the midst of heartbreak.

Review: ROSMERSHOLM at Streetcar Crowsnest

Review: ROSMERSHOLM at Streetcar Crowsnest

September 20, 2024

It couldn’t be clearer why Chris Abraham decided now was the time to stage this play about the challenge that a former pastor and the former caregiver to his late wife pose to a sitting conservative governor’s platform on the eve of a pivotal vote.




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