Theatre Journalist Hannah R. Wing has written 137 articles for BroadwayWorld since 2015, covering Washington, DC Theatre.
Hannah Wing has an extensive background in editing and publishing. She has held positions ranging from literary magazine editor to web content manager. She has always had a soft spot for theatre and is thrilled to be writing for BroadwayWorld.com as a Contributing Editor.
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First Show
No Man's Land
Favorite Show
Primary Trust
Favorite Stories
Beetlejuice at National Theatre - It's such as fun show! I'm a fan of the movie, and thought the musical did a fantastic job of being its own thing, but still honoring the original source material.
Theater J’s Chanukah in the Dark, directed by Tyler Herman, is a play with music (by Adam Wernick), and it is a wonderful, family-friendly celebration of Hanukkah.
1st Stage’s production of Birthday Candles, directed by Alex Levy and written by Noah Haidle, is a celebration of life, love, and family with a stellar cast led by Deidra LaWan Starnes.
Cincinnati Ballet’s The Nutcracker, choreographed by Victoria Morgan and conducted by Alyssa Wang, is whimsical and magical, a perfect show for the holiday season.
The competitive world of track and field is the center of 1st Stage’s Fair Play, written by Ella Road and directed by Deidra LaWan Starnes, but there is more to this play than just running.
To Wong Foo the Musical, featuring Quadry Brown, Solomon Parker III, Connor James Reilly, and David Singleton, recently made its American debut as a concert as part of Olney Theatre Center’s Outdoor series.
While the show currently isn’t on Netflix anymore, the beloved Kim family’s story lives on in productions like Olney Theatre’s Kim's Convenience, directed by Aria Velz.
Constellation Theatre Company’s production of Head Over Heels, directed by Allison Arkell Stockman with musical direction by Walter “Bobby” McCoy, is a delightful musical filled with superb acting and energetic musical numbers.
It’s a Motherf**cking Pleasure, directed by Josh Roche, goes rapidly back and forth between a play and commentary (as well as a little bit of audience interaction) that addresses ableism, and this makes the fictional play hard to follow.
What makes NextStop Theatre’s The Shawshank Redemption stand out is the dedication that the cast has to bringing these characters to life on stage without miming the performances from the movie.
Edge of the Universe Theater, in association with Avant Bard Theatre, turns up the family drama in an intimate, edgy production of A Number, directed by Stephen Jarrett, starring a real-life father and son.
Signature Theatre’s production, Where The Mountain Meets the Sea, is a touching narrative that explores the complex dynamics between a father and son, set to the soulful sounds of mountain music.