Guest Blog: 'Women Are Really Changing': Writer Yanina Hope on Female Solo Shows As Political Acts In Her Show THE SOUND OF ABSENCE
I'm sure I'm not the only woman who feels helpless navigating the world right now.
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Guest Blog: 'Art Itself Is Diverse': Indian Baritone Darwin Prakash on Education, Collaboration and Fun in ENO's COSÌ FAN TUTTE
Darwin Prakash burst onto the opera scene in 2019, when he made his professional debut in the chorus at Glyndebourne.
Guest Blog: Writer Olga Braga on Her Debut Play DONBAS at Theatre503
When I write, I talk to myself.
Guest Blog: Writer and Actor Jessica Regan on Starting Over, Rental Issues and Uncertainty in Her One-Woman Show 16 POSTCODES
16 Postcodes had a very long gestation period and a sudden sort of birth.
Guest Blog: Writer Bill Rosenfield on Rediscovering Noël Coward's THE RAT TRAP
What does it mean to ‘reimagine’ Noël Coward's relatively unknown play The Rat Trap? First some context: To live in London with over one hundred theatres in the city is this former Drama Lit Major's dream come true.
Guest Blog: Director Aleksandr Spilevoj on Identity, Language and Understanding in SORRY FOR MY ENGLISH
In the play Sorry for my English, the same question of identity resounds again and again: who am I? We are social beings, so the question 'who am I?' usually becomes relevant when we find ourselves among people, when we introduce ourselves to others.
Guest Blog: James Pearson and Lizzie Ball on Creating RONNIE SCOTT'S CLASSICAL SERIES at The New 'Upstairs at Ronnie’s'
It’s been an interesting process creating the very first weekly classical concert series at Ronnie Scott’s Jazz Club together with James Pearson.
Guest Blog: Actor David Alwyn on Duty and The Feast: Why We Still Do Dickens at THE GREAT CHRISTMAS FEAST
A Christmas Carol is one of the greatest stories ever told.
Interview: Co-Adapter and Director Abigail Pickard Price on DAVID COPPERFIELD At Jermyn St Theatre
Dickens draws the most remarkable characters, there are few writers with whom we remember their characters above all else, but I think he is one of them.
Guest Blog: Bass-Baritone John Savournin on Returning to HMS PINAFORE at the London Coliseum
I find myself once again poised to set sail aboard the peerless HMS Pinafore, with our production of Gilbert & Sullivan’s nautical-themed masterpiece opening at the London Coliseum tonight!
Guest Blog: Actor Duane Gooden on His Journey To Becoming MAMA GOOSE
There is no role in British theatre quite like the Pantomime Dame.
Guest Blog: 'It's A Truly Outrageous Story': Bag of Beard Theatre Director Alexander Knott on THE HIGHGATE VAMPIRE
This whole thing started with James Demaine.
Guest Blog: 'We Want To Elevate And Evolve' : SOPHIE'S SURPRISE PARTY Team on Cabaret, Circus and Audience Satisfaction
Sophie’s Surprise Party, at its core, is a cabaret line up show.
Guest Blog: Writer and Actor Nancy Farino on Producing Her Debut Play, FATHERLAND
My advice would be to don’t stop working on that thing.
Guest Blog: 'We’re On The Cusp Of Losing New Writers': Writer Hannah Doran on Her Papatango Award-Winning Play, THE MEAT KINGS! (INC) OF BROOKLYN HEIGHTS
I’ve been trying to ‘make it’ as a playwright for a decade.
Guest Blog: 'How Do You Accept What You Have Done?': Writer Katherine Moar on Truth and Fiction in Her New Play RAGDOLL
My play Ragdoll takes place across two timelines.
Guest Blog: Writer Eloise Pennycott on Politics, Dystopia and Metatheatre in Her Play BARRIER(S)
As a deaf twenty-year-old whose main aim is to find the happy in every corner of life, I often struggle to engage with politics – especially those concerning disability rights.
Guest Blog: Mohit Mathur on Theatre's Role in Politics and Immigration in His Play DIAL 1 FOR UK
In my play Dial 1 for UK, my character, an undocumented migrant who moves to London for a better life, smiles for a reporter and says: “It’s a dream to be here.
Guest Blog: Performer and Writer Isabel Renner on Imagination, Freedom & Overcoming Shyness in Her Play WYLD WOMAN
For as long as I can remember, I’ve been painfully shy.
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