Guest Blog: Dan Skinner On BRIAN & ROGER - A HIGHLY OFFENSIVE PLAY
The characters of Brian and Roger were birthed by me and Harry Peacock on a TV set back in 2014.
Guest Author - Page 10
Guest Blog: Playwright Alana Valentine On THE SUGAR HOUSE
My stage play The Sugar House uses the metaphor of gentrification of a former Sydney harbourside sugar refinery to explore the legacy of change for a woman who has come from poverty but now lives a completely transformed middle-class lifestyle
Guest Blog: Actress Kingsley Morton On THE ADDAMS FAMILY UK Tour
From the moment I first performed in an amateur production of The Addams Family musical back in 2014, I fell in love with the show - with all its weird and wonderful (much-loved) characters, heart-warming story and spectacular score.
BWW Interview: Isobel McArthur Talks PRIDE AND PREJUDICE* (SORT OF)
From its first run at Glasgow’s Tron theatre in 2018, and its 2019 UK tour, writer and co-director of Pride and Prejudice* (sort of) Isobel McArthur’s adaptation of Jane Austen’s iconic novel is retold by five young female servants with Georgian petticoats: all wearing marigolds and Doc Mart
Guest Blog: Alan Davey, Controller of BBC Radio 3, On THE SAGA OF BURNT NJAL
The great thing about radio drama is that we can paint complex scenes and invoke whole new worlds through the power of storytelling, using sound alone.
Guest Blog: Director Guy Masterson On THE SHARK IS BROKEN
For me, The Shark is Broken - or The Shark, as we call it - is the realisation of a perennial ambition: to bring theatre work from a Fringe environment to the West End.
Guest Blog: Chris Foxon and George Turvey On Exciting Changes to Papatango
Papatango runs on one simple belief: all you need is a story.
Guest Blog: Reading Rep Artistic Director Paul Stacey On DORIAN
When I told people I was going to start a professional producing theatre in Reading the reaction was often the same: a sort of bemused smirk.
Guest Blog: Playwright Michele Lee on RICE at the Orange Tree Theatre
My observations at the time of writing and developing Rice was that stories about Asian and South Asian people, whether told through stage, screen or books, tended to focus on family narratives and also stories about the particular ethnic community the characters are from.
Guest Blog: Sacha Wares On Two New Immersive Digital Productions
Over my 20-year career as a director for theatre, the world we live in and how we communicate has changed beyond recognition.
Guest Blog: Gareth Machin, Artistic Director of Wiltshire Creative, On Reopening Salisbury Playhouse
In the words of Cosmo Brown, 'Make 'em laugh' - and how life-affirming to hear waves of laughter ripple through Salisbury Playhouse this week.
Guest Blog: Magic Consultant John Bulleid On THE MAGICIAN'S ELEPHANT
Theatre is the purest form of magic.
Guest Blog: Actress Alexandra Silber On INDECENT
On 14 March, 2020, Rebecca Taichman's original production of Paula Vogel's Indecent played its second preview performance at the Menier Chocolate Factory.
Guest Blog: Playwright Cordelia O'Neill On ANYTHING IS POSSIBLE IF YOU THINK ABOUT IT HARD ENOUGH
Imagine, if you can, carrying a baby - or your partner carrying a baby - for nine months, and then one day, without any real reason or explanation, that baby dies.
Guest Blog: Writer Joseph Coelho On THE WISHING TREE
When Little Angel Theatre approached me to write The Wishing Tree it was a literal dream come true.
Guest Blog: Artistic Director Bradley Hemmings On The Greenwich+Docklands International Festival
Greenwich+Docklands International Festival (GDIF) is London's annual festival of outdoor theatre and performing arts, probably best known for staging large-scale spectaculars across Greenwich and East London.
Guest Blog: Adaptor Nick Lane On THE STRANGE CASE OF DR JEKYLL AND MR HYDE
It's my hope - after the year we’ve had - that audiences will get the kind of story that sets pulses racing, gets them thinking, talking, connects them.
Tickets From $73
Tickets From $89
Tickets From $89
Tickets From $65