In mid-lockdown and after the tragic death of George Floyd, writer Ryan Calais Cameron came to me with a clear and simple question - are people born racist? This started a wide-reaching, knotty and brilliant conversation with young people across the country.
Two Billion Beats is a coming-of-age story about two sisters, Asha and Bettina, who come together every day after school and discuss, celebrate, argue and lament about their lives.
It often comes as a surprise to people that A Fight Against… (Una Lucha Contra…) is a world premiere, not only in English, but in any language, including Spanish.
Set in a northern pocket of New Jersey in a world before social media usurped dog as man’s best friend, Jersey Boys can be summed up in one word: Famiglia.
I’m writing this from the back of the MAST studios in Southampton, where we’re currently in technical rehearsals for Fantastically Great Women Who Changed The World.
My stage play The Sugar House uses the metaphor of gentrification of a former Sydney harbourside sugar refinery to explore the legacy of change for a woman who has come from poverty but now lives a completely transformed middle-class lifestyle
From the moment I first performed in an amateur production of The Addams Family musical back in 2014, I fell in love with the show - with all its weird and wonderful (much-loved) characters, heart-warming story and spectacular score.
From its first run at Glasgow’s Tron theatre in 2018, and its 2019 UK tour, writer and co-director of Pride and Prejudice* (sort of) Isobel McArthur’s adaptation of Jane Austen’s iconic novel is retold by five young female servants with Georgian petticoats: all wearing marigolds and Doc Mart