What does it mean to ‘reimagine’ Noël Coward's relatively unknown play The Rat Trap? First some context: To live in London with over one hundred theatres in the city is this former Drama Lit Major's dream come true.
In the play Sorry for my English, the same question of identity resounds again and again: who am I? We are social beings, so the question 'who am I?' usually becomes relevant when we find ourselves among people, when we introduce ourselves to others.
It’s been an interesting process creating the very first weekly classical concert series at Ronnie Scott’s Jazz Club together with James Pearson.
A Christmas Carol is one of the greatest stories ever told.
Dickens draws the most remarkable characters, there are few writers with whom we remember their characters above all else, but I think he is one of them.
I find myself once again poised to set sail aboard the peerless HMS Pinafore, with our production of Gilbert & Sullivan’s nautical-themed masterpiece opening at the London Coliseum tonight!
There is no role in British theatre quite like the Pantomime Dame.
This whole thing started with James Demaine.
Sophie’s Surprise Party, at its core, is a cabaret line up show.
My advice would be to don’t stop working on that thing.
I’ve been trying to ‘make it’ as a playwright for a decade.
My play Ragdoll takes place across two timelines.
As a deaf twenty-year-old whose main aim is to find the happy in every corner of life, I often struggle to engage with politics – especially those concerning disability rights.
In my play Dial 1 for UK, my character, an undocumented migrant who moves to London for a better life, smiles for a reporter and says: “It’s a dream to be here.
For as long as I can remember, I’ve been painfully shy.
I’m looking forward to conducting Bizet’s Carmen for English National Opera (ENO) this autumn, alongside fellow conductor, Clelia Cafiero.
It’s been 70 years since the publication of Patricia Highsmith’s celebrated thriller, and the introduction of one of literature’s greatest creations: Tom Ripley.
Konfetti er bestemt et besøg værd.
When I was researching This Little Earth, I stumbled across an essay by social psychologist Serge Moscovici, in which he likens ‘the conspiracy mentality’ (the belief in conspiracy theory) to theatrical performance.
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