Guest Blog: 'It's Such An Iconic Opera': Conductor Olivia Clarke on Taking on ENO's CARMEN
I’m looking forward to conducting Bizet’s Carmen for English National Opera (ENO) this autumn, alongside fellow conductor, Clelia Cafiero.
Guest Author - Page 3
Guest Blog: 'It’s Almost Shakespearean': Director Mark Leipacher on THE TALENTED MR RIPLEY
It’s been 70 years since the publication of Patricia Highsmith’s celebrated thriller, and the introduction of one of literature’s greatest creations: Tom Ripley.
Review: KONFETTI at Wallmans
Konfetti er bestemt et besøg værd.
Guest Blog: 'Theatre and Conspiracy Theory Have Much in Common': Writer Jessica Norman on Her Debut Play, THIS LITTLE EARTH
When I was researching This Little Earth, I stumbled across an essay by social psychologist Serge Moscovici, in which he likens ‘the conspiracy mentality’ (the belief in conspiracy theory) to theatrical performance.
Guest Blog: Tempering Tragedy with Comedy- Ken Ludwig on Adapting Agatha Christie’s DEATH ON THE NILE
As a playwright who has spent a lifetime crafting optimistic, muscular comedies like Lend Me a Tenor and Moon Over Buffalo, I now find myself in the company of Agatha Christie’s most beloved crime-solver, Hercule Poirot.
Guest Blog: Writer Kerry Wright On Her Debut Play, KAILEY
When we talk about representation in the arts, one experience that remains almost invisible in mainstream storytelling is what it’s like to have a parent in prison.
Guest Blog: Francesca Bolam on Writing and Producing Two Shows in Two Different Countries
This summer I found myself producing and writing two shows at the same time, in two different countries.
Guest Blog: Director Richard Beecham on Politics, Sisterhood and Antisemitism in Bringing The Mitfords to Life in THE PARTY GIRLS
Few families have captured the English imagination quite like the Mitfords.
Review: NOISES OFF at Searcy Summer Dinner Theatre
I’ve always been told how beautiful the Ulrey Performing Arts Center on the Harding University campus was, but I finally saw it for myself when I attended Searcy Summer Dinner Theatre’s production of Noises Off, which has one more weekend coming up August 21–23.
Guest Blog: Director Alex Jackson On Why Nurturing New British Musicals Offers a Lifeline For All Theatres
It’s no secret that the British theatre industry has been going through a tough period recently.
Guest Blog: Director Max Harrison on Community, Empathy and Horror in THE PITCHFORK DISNEY
The Pitchfork Disney will mark the fifth collaboration between myself and Philip Ridley, including our production of Leaves of Glass, and Copper Beeches - a world premiere of Phil’s newest play.
Guest Blog: Actor Thomas Aldridge on Celebrating 9 Years of HARRY POTTER AND THE CURSED CHILD
There’s something reassuring about stepping into a show that is already a success.
Guest Blog: Playwright Nick Dawkins on The Long Road of Bringing A MANCHESTER ANTHEM to The Stage
How long does it take to develop a play before it's ready for an audience? At the end of July my first play A Manchester Anthem will begin it's run at The Hope Mill Theatre, finally being performed in the city it's named after, before transferring to London in August.
Review: CIRKUS SUMMARUM at DR Big Band & Muskelsvindfonden
Cirkus Summarum har fået ny cirkusdirektør og Helga vil have Summarum med i Cirkuseliten.
Guest Blog: Hundred Watt Club’s Lena Lenman On The Impact Of BURLESQUE THE MUSICAL
Based on the 2010 movie, Burlesque The Musical makes its London debut this month.
Guest Blog: Co-Founders Michelle Flower and Zena Barrie on 20 Years of the Camden Fringe
August 2025 marks the 20th edition of the Camden Fringe.
Guest Blog: Actor Fifi Garfield on The Challenges of Preparing For THE VAGINA MONOLOGUES in BSL
I’m Fifi Garfield and I’m an actor.
Guest Blog: 'It Might Be The Best Opera Ever Written': Director Mariame Clément on Glyndebourne's New Production of LE NOZZE DI FIGARO
Le Nozze di Figaro is a piece I’ve been living with as long as I can remember.
Guest Blog: Writer and Composer Tim Firth On Creating THIS IS MY FAMILY
Someone once told me writing a musical with an original story would be like climbing Everest.
Guest Blog: 'My Preference Is To Create An Alternative Floating Reality': Artistic Director Henry Maynard On The Flabbergast Process And Why Shakespeare Is Better Weird
It is without doubt that the plays that we attribute to Shakespeare are genius.
Tickets From $73
Tickets From $89
Tickets From $89
Tickets From $65