Unlike what seems like the entire population of the UK, I didn’t know anything about Abigail’s Party when I began working on it with Jack Bradfield in May this year.
Described as 'a raw, euphoric choreography between 3 figures and 75 litres of fake blood' and 'a cyclical feat of endurance and precision', Ocean Hester Stefan Chillingworth's Blood Show is coming to the Battersea Arts Centre from 12-23 November.
Pentabus Artistic Director Elle While and book writer Jeanie O’Hare discuss the creation of Make Good: The Post Office Scandal, a new musical that is currently on a 25-venue tour of the UK, produced by Pentabus and New Perspectives.
Over the years, Parabolic Theatre has prided itself on making highly immersive and interactive work, where the audience contributions are not only meaningful, but critical to the experience – and genuinely different every night.
From the beginning, Dizzy has been more than just a show—it’s a reflection of the conversations, emotions, and experiences that have shaped the lives of young people today.
John Galsworthy’s classic story The Forsyte Saga has been newly dramatised for the stage in two parts for the Park Theatre, bringing the unheard female voices to the fore for the first time.
As we head into the final rehearsal week of our new production The Mystery of Little Angel Theatre, I find myself reflecting on how much I’m enjoying the thrill and challenge of devising a new show, how much I love the collaborative process of theatre making.
Kim's Convenience centers around a Korean Canadian immigrant family who owns a convenience store in Toronto and has captivated audiences far beyond its original setting.
As a director, I've had the unique experience of working on two powerful plays by Carey Crim that explore the aftermath of sexual abuse from starkly different angles.