Franco Milazzo - Page 4

A pitch-black comedy thriller which gives Franz Kafka a run for his money, Don’t.Make.Tea doesn’t hold back in its excoriating view of modern Britain.

There are few things more life-affirming than christenings, orgies and operas. And few works are more life-affirming and cathartic than Giacomo Puccini’s Madama Butterfly.

A spin off from Mischief Theatre’s Magic Goes Wrong,  Mind Mangler: Member Of The Tragic Circle makes its official London debut.

Sister Act The Musical’s tagline is “A Divine Musical Comedy” but whether the gods were for or against the film or this later version is debatable.

Frank Hardy has a problem. He’s an Irish faith healer without faith in his power to heal. It comes, it goes and he only knows for sure when it is not going to happen. With his wife Grace and manager Teddy, their tour of Wales and Scotland in a battered van has seen his abilities steadily failing him. A last throw of the die sees him return to his homeland. What could go wrong?

Absurdist quintet Figs In Wigs return to preach an apocalyptic gospel - but is this the beginning of the end or the end of the beginning?

Getting to grips with what a mute medium like dance is trying to convey is never easy even when there is a recognisable concept like Jim Henson’s The Dark Crystal.

In the week when an Arts Council England report lambasted the current state of opera and questioned its relevance to wider society, Charles Court Opera’s The Barber Of Seville stands as a stern rebuff to those who consider this art form to be dated and irrelevant.

With a live rendition of the Oscar-winning score by the Royal Philharmonic Concert Orchestra and the Philharmonia Chorus, the latest in the Royal Albert Hall’s “films in concert” series brings the The Lord of the Rings epic fantasy saga to a majestic conclusion.

Like some latter day Phileas Fogg, immersive dining specialists Gingerline’s revival of The Grand Expedition leads us on a merry virtual journey around the world all while sat in a hot air balloon gondola.

Opera is not short of stories where women are violated and abandoned by the men in their lives but Leoš Janáček’s Jenůfa is an especially cruel tale.

Puddles Pity Party returns to Soho Theatre after almost a decade away.

Operating from the former Café de Paris, dinner-cabaret experience Lio London is coming up to its first anniversary and is celebrating with its latest show Besos, Beats and Beauties.

With an eclectic programme including an immersive dreamscape, an intense two-hander and a revolutionary footstomper, the Ballet national de Marseille present a six-pack of impressive dance pieces.

Through the lens of three households living in Sheffield’s Park Hill housing estate, Chris Bush examines family and politics in modern Britain.

Looking at their impressive longevity and sheer depravity, Lessons In Nihilism’s combination of musical trio The Tiger Lillies and drag’s philosopher king David Hoyle is an almost inevitable team up, the only surprise being that it hasn’t happened before.

The cruel world of drama schools is examined at close range in Spider, written and directed by Jude Benning and currently playing at Riverside Studios as part of their Bitesize Festival.

Appearing down in the Barbican’s Pit theatre as the final part of this year’s MimeLondon, This & That from Phil Soltanoff and Steven Wendt is an oblique and often frustrating hour of shadow puppetry and animation.

Flying in from the States for her eighth time at Soho Theatre, Seattle-based performer Dina Martin debuts her new show Sub-Standards. It takes some skill to straddle performance art, clowning, drag and stand-up with skill and wit but she never looks uncomfortable. And nor should she with her considerable pedigree and following.

On its West End debut, The Addams Family musical makes the most of its graveyard humour and kooky characters, even if the star casting is questionable.