Review: TURANDOT, Royal Ballet And Opera
The Royal Opera House’s Turandot has now been running so long it feels less like a revival and more like a listed structure.
Franco Milazzo - Page 3
Review: PHANTOM PEAK: WINTERMAS, London
And now, the end is near and Phantom Peak will soon face its final curtain at their Canada Water site.
Review: PARANORMAL ACTIVITY, Ambassadors Theatre
London is a city built on ghosts.
Review: MUSEUM OF AUSTERITY, Young Vic
There are many museums dedicated to disaster, but only Britain could create one in which the exhibits are victims of its own fiscal policies.
Review: BENGAL TIGER AT THE BAGHDAD ZOO, Young Vic
Bengal Tiger At The Baghdad Zoo, arriving now at the Young Vic for its long-overdue European premiere, is ostensibly about the American occupation of Iraq.
Review: LETTERS LIVE, starring Benedict Cumberbatch, Royal Albert Hall
The eighth edition of Letters Live once again proved that in an age dominated by instantaneous digital communication, nothing quite matches the resonant power of a well-preserved, handwritten letter.
Review: THE MAGIC OF CHRISTMAS, Brick Lane Music Hall
Here is something no other theatre critic will tell you: music halls are possibly the greatest secret treats in London.
Review: NUTCRACKER NOIR, Protein Studios
Yes, it’s less than a month until Christmas so time to get stuck into a yuletide favourite – albeit with an immersive theatre/cabaret twist.
Review: THE HITCHHIKER'S GUIDE TO THE GALAXY, Riverside Studios
Arvind Ethan David’s new spin on The Hitchhiker’s Guide to the Galaxy has finally beamed itself aboard Riverside Studios, trailing a marketing comet tail long enough to blot out a falling whale.
Review: THE ENIGMATIST, Wilton's Music Hall
David Kwong loves words the way chefs love food: obsessively, indulgently and with a eagerness to serve ever more and more of their treasured discoveries.
Review: SOPHIE'S SURPRISE PARTY, Underbelly Boulevard
If you only see one circus show this year, you should try and get out more but Sophie's Surprise Party at Underbelly Boulevard is an excellent choice for people who don't mind having their jaws occasionally scrape the ground.
Review: THE FORCE AWAKENS IN CONCERT, Royal Albert Hall
The stories about the latest entry in the Royal Albert Hall’s Film In Concert series are insane.
Review: HANDLE WITH CARE, Battersea Arts Centre
A poetic response to a remarkable work of anti-theatre.
Review: PORN PLAY, Royal Court
Ani has a problem.
Review: POOR SHIRLEY MUST MAKE HER ESCAPE, Union Theatre
They may be strangers on a train but, in Tom George Hammond’s two-and-a-bit-hander, Shirley and Kieran are not here to swap murders but to discover what real happiness looks like.
Review: GARRY STARR: CLASSIC PENGUINS, Arts Theatre
There’s a fine line between genius and idiocy, and, in his determined effort to “save literature”, Garry Starr doesn’t so much walk it as perform the can-can on it wearing black tails, orange flippers and nothing else.
Review: THE BANG GANG, Riverside Studios
In Tinned Laughter’s The Bang Gang, Don Lambrini is in trouble.
Review: COLOSSEUM: THE LEGENDARY ARENA, Eclipso
Ever wondered what it would be like to walk off a high street and into Ancient Rome? Eclipso’s latest VR adventure plunges its audience into the roaring atmosphere of Rome’s Colosseum and explores a world of gladiators and gods.
Review: BLACK SABBATH - THE BALLET, Sadler's Wells
Despite the enticing cultural dissonance of its title, Black Sabbath – The Ballet is, by definition, a terrible idea.
Review: EVERY BRILLIANT THING, starring Minnie Driver, @sohoplace
If you’re anything like me — a man of taste, decency, and a healthy suspicion of anything that smells of group therapy — you approach a one-person play about depression with the same enthusiasm you’d reserve for an unexpected colonoscopy.
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