Review: STOREHOUSE, London
Somewhere in a massive warehouse in Deptford, a collection is being made of every digital artifact since the birth of the internet in 1983.
Franco Milazzo - Page 5
Review: GODZ, Peacock Theatre
Out of the Spiegeltent and into the West End, Head First Acrobats’ GODZ sees an assortment of deities descend on Peacock Theatre with a heavenly blend of adult comedy, scintillating circus and enough raw sex appeal to send Magic Mike back to Hogwarts.
Interview: 'It's Bloody Huge!' : Creative Director Sophie Larsmon On Her Immense Immersive Theatre Show STOREHOUSE
Just what is (and isn't) the truth is an eternally relevant discussion and a subject at the heart of Storehouse, a new immense immersive theatre production set in a 90,000 square metres warehouse in Deptford.
Interview: 'It's The Dream of Being in The Bright Lights': Head First Acrobats' Thomas Gorham On The London Premiere Of GODZ
Down from Mount Olympus, these Greek Gods - sorry GODZ - come to London this week in the form Head First Acrobats (or is Acrobatz?).
Review: ITCH, Opera Holland Park
Opera Holland Park has never shied away from audacious programming, and with Jonathan Dove’s Itch, it plunges boldly into radioactive territory—literally.
Review: PHANTOM PEAK: THE BURNING BLIMP FESTIVAL, Phantom Peak
The finest immersive experiences ask much of their audience.
Review: HOUSE OF LIFE, Soho Theatre
As Forrest Gump wisely said 'Life is like a box of chocolates: you never know what you're gonna get.
Review: IN PURSUIT OF REPETITIVE BEATS, Barbican Centre
Whether you want to relive the second summer of love and the late-Eighties acid house rave scene or just want to feel what it might be like to fly through the cosmos, the updated “Virtual Reality adventure” In Pursuit Of Repetitive Beats is a compelling experience.
Brighton Fringe Review: THE LADYBOYS OF BANGKOK, Sabai Pavilion
If theatre is, at its best, a mirror held up to society then The Ladyboys of Bangkok offers that reflection in rhinestones, feather boas, and a kaleidoscope of pop anthems.
Review: THE COMEDY ABOUT SPIES, Noel Coward Theatre
Has there been a British comedy franchise as successful as Mischief’s since the days of the Carry On films? While The Play That Goes Wrong is still going strong in the West End and New York, their latest The Comedy About Spies rolls off the conveyor belt at the Noël Coward Theatre.
Review: MEOW MEOW: IT'S COME TO THIS, Soho Theatre
Somewhere in a parallel dimension, there’s a version of Melissa Madden Gray that became an internationally renowned singer, as comfortable in French, Italian and German as English.
Review: THE EMPIRE STRIPS BACK: A BURLESQUE PARODY, Riverside Studios
The Empire Strips Back has docked at Hammersmith’s Riverside Studios.
Review: KRAPP'S LAST TAPE, Starring Stephen Rea
In this latest revival of Krapp’s Last Tape at the Barbican Centre, it is the silence that speaks the loudest.
Review: DEALER'S CHOICE, Starring Alfie Allen
'If you're playing a poker game and you look around the table and can't tell who the sucker is, it's you.
Review: DAPHNIS AND CHLOE, Southbank Centre
Swapping out ballet for circus is a bold move but maybe that’s just what the Southbank Centre’s Multitudes festival is all about as it sets off on a mission to present orchestral music in a new light.
Review: BURNT TOAST, Battersea Arts Centre
It’s difficult to say at which exact point during Susie Wang’s Burnt Toast I noticed that my jaw had dropped and stayed dropped.
Review: SOIR NOIR: A NIGHTCLUB CONFIDENTIAL, Crazy Coqs
Walking into the dimly lit room in a black suit and glittery top, David Rhodes somewhat resembles a funereal mirrorball.
Review: SALTY BRINE: THESE ARE THE CONTENTS OF MY HEAD (THE ANNIE LENNOX SHOW), Soho Theatre
“Fasten your seatbelts!” cries Salty Brine at the top of the show, “it’s going to be a bumpy ride!” He’s not wrong: watching him at work is like standing in the middle of a four-way road junction and being smashed over and over by cars from every direction.
Review: ASSES.MASSES, Battersea Arts Centre
Would you spend over seven hours with a hundred other people in the same room playing and watching a video game where donkeys attempt to overthrow their employers? Presented as part of London Games Festival‘s side events programme, asses.
Review: MIDNIGHT COWBOY: A NEW MUSICAL, Southwark Playhouse
And so another stage-to-screen musical rolls into town.
Tickets From $73
Tickets From $89
Tickets From $89
Tickets From $65