Out of the Spiegeltent and into the West End, Head First Acrobats’ GODZ sees an assortment of deities descend on Peacock Theatre with a heavenly blend of adult comedy, scintillating circus and enough raw sex appeal to send Magic Mike back to Hogwarts.
Just what is (and isn't) the truth is an eternally relevant discussion and a subject at the heart of Storehouse, a new immense immersive theatre production set in a 90,000 square metres warehouse in Deptford.
Down from Mount Olympus, these Greek Gods - sorry GODZ - come to London this week in the form Head First Acrobats (or is Acrobatz?).
Opera Holland Park has never shied away from audacious programming, and with Jonathan Dove’s Itch, it plunges boldly into radioactive territory—literally.
The finest immersive experiences ask much of their audience.
As Forrest Gump wisely said 'Life is like a box of chocolates: you never know what you're gonna get.
Whether you want to relive the second summer of love and the late-Eighties acid house rave scene or just want to feel what it might be like to fly through the cosmos, the updated “Virtual Reality adventure” In Pursuit Of Repetitive Beats is a compelling experience.
If theatre is, at its best, a mirror held up to society then The Ladyboys of Bangkok offers that reflection in rhinestones, feather boas, and a kaleidoscope of pop anthems.
Has there been a British comedy franchise as successful as Mischief’s since the days of the Carry On films? While The Play That Goes Wrong is still going strong in the West End and New York, their latest The Comedy About Spies rolls off the conveyor belt at the Noël Coward Theatre.
Somewhere in a parallel dimension, there’s a version of Melissa Madden Gray that became an internationally renowned singer, as comfortable in French, Italian and German as English.
The Empire Strips Back has docked at Hammersmith’s Riverside Studios.
In this latest revival of Krapp’s Last Tape at the Barbican Centre, it is the silence that speaks the loudest.
'If you're playing a poker game and you look around the table and can't tell who the sucker is, it's you.
Swapping out ballet for circus is a bold move but maybe that’s just what the Southbank Centre’s Multitudes festival is all about as it sets off on a mission to present orchestral music in a new light.
It’s difficult to say at which exact point during Susie Wang’s Burnt Toast I noticed that my jaw had dropped and stayed dropped.
There's no doubt that 2025 will another fascinating year for immersive theatre, the fastest-growing art form around.
A self-described 'independent space warrior' from Sigma IX, Count Binface is becoming something of a political institution.
.gif?width=300)
