The Daily Beast were kind enough to call me "a man with an encyclopedic knowledge of the city’s underground culture" and I have been editing/reviewing stage productions since 2010 for some of London's biggest websites covering theatre, opera, dance, cabaret, immersive and everything in between.
Featuring a work which doesn’t even last an hour, this was never going to be an ordinary evening for the English National Opera but, even from the off, history was being written.
Nederland Dans Theater, one of the premiere dance venues in Europe, makes its first return to Sadler's Wells since 2018 bringing together three very different pieces which go from the dream-like to the very real and heart-rending.
Midnight Circle Theatre finally gets an opening night.
What’s in a name? That which we call William, Hamlet or Anne still smells as sweet when we see their historical origins in this adaptation by Lolita Chakrabarti of Maggie O’Farrell’s 2020 novel.
The title of Circa’s Humans 2.0 has a double meaning: as well as being a new iteration of their 2017 show Humans, it explores on what could be the saving future graces for our benighted species: trust, community and incredibly fit bodies.
In this contemporary dance version of the Rudyard Kipling classic, a grim future is played out against the backdrop of a climate crisis and mass human migration.
Can the best get better? In my 2022 year-end roundup, I ranked Phantom Peak as my favourite immersive show of 2022, ahead of bigger shows like Punchdrunk’s The Burnt City and TV show-based drama Peaky Blinders: The Rise. The latest iteration has a new platypus theme and even more mysteries to solve but will it be enough to retain top spot?
Who’s up for a three-hour long opera about the relatively unknown pharaoh Akhnaten? With the singing in Egyptian, Hebrew and Akkadian? With no surtitles? Based on the music of minimalist composer Phillip Glass? And with an entire troupe of jugglers? Us, that's who.
With references ripped from the headlines, this rocket-paced update of Dario Fo and Franca Rame’s Accidental Death Of An Anarchist is at once both deeply political and utterly hilarious.
If John Steinbeck had been asked to create a musical, it may have looked something like this. Soundtracked by the songs of Bob Dylan, Girl From The North Country is, at heart, a bleak meditation on untimely death; not just physically due to illness, murder and suicide (though that’s here too) but also spiritually due to the death of ambition, the death of hope and, most cruelly, the death of love.
Punchdrunk’s The Burnt City is undoubtably one of the biggest and most impressive shows in London, if only by sheer physical scale. Is it worth upgrading to their VIP experience?
When Coppelius asks Swanhilda “do you derive more pleasure from running your finger along your lover’s skin or across the glass surface of your phone?”, Coppélia holds a brutal mirror up to modern society in a way no ballet has for quite some time.
Featuring its ex-Principal Dancer Alessandra Ferri, the Royal Ballet revives its epic Woolf Works.
A year ago today, Russia began their full-scale invasion of Ukraine. Bunker Cabaret by Ukrainian theatre company Hooligan Art Community (HAC) will mark this sombre anniversary at Somerset House with shows tonight and tomorrow.
Despite the recent focus on metaverses and 3D gaming, digitally-rendered worlds – and the hype around them - have been in the public consciousness for decades.
Diana Nneka Atuona’s Liberian Girl was a hit at the Royal Court in 2015. In her second play, she shifts away from the African continent to 1940s Cardiff for her second play Trouble In Butetown.
Say what you like but little beats the thrill of live circus. Featuring motorcycles speeding around a Globe Of Death and incredible displays of acrobatics, balancing and knife-throwing plus one of the loveliest clowns in the business, Cirque Berserk returns to London for another run.
Jim Steinman's Bat Out Of Hell roars back into town so, over the sound of screeching motorcycles and teenage screams, we speak to star Sharon Sexton
That Leonard Cohen, one of the greatest modern troubadours, inspired such a disconnected dance show is possibly a testament to just how elusive his songs are.
Belgian dance company Peeping Tom verily put the 'trip' into Triptych, a brilliantly bizarre neo-noir dance trilogy full of deliciously dark delights.
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