Review: CINDERELLA, Rose Theatre
The Rose Theatre's Cinderella is definitely not a pantomime, but nor is it a straightforward re-telling of the story.
Aliya Al-Hassan - Page 5
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Review: THE GREAT CHRISTMAS FEAST, The Lost Estate
At this time of year, theatregoers are tripping over versions of Charles Dickens's A Christmas Carol.
Review: A CHRISTMAS CAROL, Starring Paul Hilton
For many, Christmas cannot begin until The Old Vic is staging Jack Thorne's A Christmas Carol.
Festive Choirs For THE GRAND CHRISTMAS CONCERT Are Announced
Community choirs and performers from all around the Liverpool city region and Halton have been working hard with Jay McWinen over the past few months for a collaborative festive concert which celebrates diversity, culture, age, ethnicity, ability or disability coming together as one to show how our
ANCIENT GREASE To Open At The Vaults In March 2026
The Vaults will launch the new immersive parody musical Ancient Grease on March 4, 2026, expanding the venue’s repertoire into original musical theatre.
Review Roundup: What Did the Critics Think of THE HUNGER GAMES: ON STAGE?
Based on the original Hunger Games story, this gripping tale of courage, defiance and unbreakable human spirit, follows the fearless heroine Katniss Everdeen on her journey of self-discovery, as she emerges as a beacon of rebellion and hope.
Review: THE TALENTED MR RIPLEY, Richmond Theatre
Patricia Highsmith's psychological thriller The Talented Mr Ripley was published 70 years ago, but remains fascinating due to her brilliant writing, but also movie and Netflix versions that have kept the story alive.
Review Roundup: David Harewood and Toby Jones in OTHELLO
'O, beware, my lord, of jealousy' Tom Morris’s new West End production of William Shakespeare’s Othello is now open, starring David Harewood as Othello, Toby Jones as Iago and Caitlin Fitzgerald as Desdemona.
Review: OTHELLO, Starring David Harewood and Toby Jones
Director Tom Morris has been busy running the Bristol Old Vic, but now returns to the capital to start a five year partnership with Chris Harper Productions to direct Shakespeare plays for the West End.
Review: THE RAILWAY CHILDREN, Glyndebourne
Composer Mark-Anthony Turnage and his partner Rachael Hewer eschewed making banana bread during the Covid lockdown and decided to write an opera.
Review: HEDDA, Orange Tree Theatre
There can be a tendancy to eye-roll at the prospect of a new interpretation of a classic play.
Review Roundup: MACBETH, starring Sam Heughan and Lia Williams
Directed by Daniel Raggett, the Royal Shakespeare Company’s brings a new version of Macbeth to the small studio space in Stratford-upon-Avon.
Review: BACK TO THE FUTURE IN CONCERT, Royal Albert Hall
Just missing 'Back to the Future Day' on 21 October (the date Marty McFly and Doc Brown travel to in the sequel), the iconic film Back to the Future film is celebrating its 40th anniversary this year.
Interview: 'It Has To Be Fresh”: Director and Choreographer Lynne Hockney on Reviving Sir Peter Hall's Iconic A MIDSUMMER NIGHT'S DREAM at Glyndebourne
Celebrated choreographer and director Lynne Hockney has been involved in Sir Peter Hall’s iconic version of Benjamin Britten’s A Midsummer Night’s Dream at Glyndebourne since 2001.
Review: A MIDSUMMER NIGHT'S DREAM, Glyndebourne
Sir Peter Hall's iconic production of Benjamin Britten's A Midsummer Night's Dream has achieved legendary status since its premiere in 1981.
Review: LA BOHÈME, Glyndebourne
PucciniAs the nights draw in, it seems highly appropriate to return to Glyndebourne for the start of its Autumn season and the chilly streets of Puccini’s La bohème.
Review Roundup: What Did the Critics Think of Susan Surandon's London Debut in MARY PAGE MARLOWE?
Mary Page Marlowe is an accountant from Ohio.
Review: BLESSINGS, Riverside Studios
1969 was a time of seismic social change.
Review: THE IMPORTANCE OF BEING EARNEST, Starring Olly Alexander & Stephen Fry
No one could accuse Max Webster's flamboyant production of Oscar Wilde's The Importance of Being Earnest of being subtle.
Review: CINDERELLA, London Coliseum
It’s over 40 years since English National Opera staged Rossini's Cinderella (La Cenerentola) and they open their 2025-26 season with a vibrant new production of the sparkling comedy.
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