Review Roundup: What Did The Critics Make of GIANT's Move to The West End?
Following a sell-out run at the Royal Court, the play everyone is talking about is transferring to the West End.
Aliya Al-Hassan - Page 8
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Review Roundup: What Did The Critics Make of MY MASTER BUILDER, Starring Ewan McGregor?
On the eve of July 4th in the Hamptons, Elena Solness, a publishing magnate, is preparing to throw a party to celebrate her architect husband, Henry Solness, as he unveils his latest masterpiece.
Review: MY MASTER BUILDER, Starring Ewan McGregor and Elizabeth Debicki
Michael Grandage's My Master Builder is billed as a reinvention of Ibsen's play of almost the same name through a modern, female lens.
Review: GLADIATOR IN CONCERT, Royal Albert Hall
It is now a rather incredible twenty five years since Ridley Scott's Gladiator came to our cinema screens, making a star of Russell Crowe and cementing the soundtrack's reputation as one of most captivating of its time.
Review: BEN AND IMO, Orange Tree Theatre
After running at the RSC's Swan Theatre last year, Erica Whyman's quietly captivating production of Mark Ravenhill's play Ben and Imo now makes its way south to the Orange Tree Theatre.
Review: THE GREAT GATSBY, Starring Jamie Muscato and Corbin Bleu
There's a party going on at the London Coliseum this summer.
Review Roundup: GHOSTS, starring Victoria Smurfit and Callum Scott Howells
Gary Owen’s new play, a contemporary reimagining of Ibsen’s classic, is directed by Artistic Director Rachel O’Riordan, reuniting the team behind the critically acclaimed Iphigenia in Splott, Romeo and Julie and Killology.
Review: SPEED, Bush Theatre
With so much potential material to explore, it is incredible that until now, a play has not been written about speed awareness courses.
Review: PLAYHOUSE CREATURES, Orange Tree Theatre
It is said that we stand on the shoulders of those who have come before.
Guest Blog: Writer and Actor Rosie Day on Her New Play (THIS IS NOT A) HAPPY ROOM
Rosie Day is a playwright and actor, starring in the world premiere of (This is not a) Happy Room opening at the King's Head Theatre later this month.
Review Roundup: CLUELESS THE MUSICAL at the Trafalgar Theatre
Clueless is a new musical comedy based on the Paramount Pictures classic film.
Review: WOW AT 15, Royal Albert Hall
The global movement and charity WOW (Women of the World) is now in its 15th year.
Review: THE HOUSE PARTY, Rose Theatre
Sex, power, gender and class: August Strindberg's Miss Julie may have first been performed in 1889, but its themes live on.
Review Roundup: What Did the Critics Think of Cate Blanchett in THE SEAGULL?
Cate Blanchett and Tom Burke make their return to the stage in Thomas Ostermeier's new production of Chekhov’s The Seagull.
Review: PUNCH, Young Vic
Based on the memoir of Jacob Dunne, Punch is the sobering true story of the tragic and rippling consequences of a single punch thrown on a night out.
Interview: Naomi Westerman on Queer Joy, Anthropology and Her Play PUPPY
Naomi Westerman's play Puppy is coming to the King's Head Theatre in April.
Review Roundup: THE SCORE, Directed by Trevor Nunn
Legendary stage and screen actor Brian Cox stars as Johann Sebastian Bach in Oliver Cotton’s new play, The Score, originally presented at the Theatre Royal Bath.
Review: ALTERATIONS, National Theatre
Michael Abbensetts was the first Black writer to have a series commissioned by the BBC: the groundbreaking Empire Road, which had an almost entirely Black cast and crew.
Review Roundup: THE LAST LAUGH at Noël Coward Theatre
Direct from a sell-out run at Edinburgh Fringe Festival, The Last Laugh is a brand-new laugh-a-minute play which re-imagines the lives of three of Britain's all-time greatest comedy heroes – Tommy Cooper, Eric Morecambe and Bob Monkhouse.
Review: PRIDE & PREJUDICE (*SORT OF), Richmond Theatre
How many ways can you re-tell Jane Austen? Isobel McArthur continues to prove it is more than possible to stage a show bursting with silliness, satire and the sharpest wit without losing the essence of Austen's beloved work.
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