Aliya Al-Hassan is UK Managing Editor of BroadwayWorld. A London-based theatre critic and journalist, she has a life-long passion for the arts, with a focus on theatre. She is always keen to promote new work and smaller venues. Follow her on Twitter @aliyajaderosa
What does home mean to you? Is it the place, the people, the bricks and mortar? Liz Richardson's autobiographical one-woman show is a gentle look at what home means to your identity and how the environment of your childhood can influence your later life.
The legendary rock opera by lyricist Tim Rice composer Andrew Lloyd Webber, the premiere of Jesus Christ Superstar redefined the Broadway musical and 40 years later it remains a beloved classic.
Ten years after Tim Sheader's hit version of Jesus Christ Superstar entranced audiences under the stars in Regent's Park, it is back in a much-hyped revival at the London Palladium.
Love, jealousy, arrogance, death and rejection, Tchaikovsky's opera Eugene Onegin has all the trappings of a grand opera, but in essence is a simple story.
It is 75 years since Benjamin Britten's Billy Budd first appeared on stage: a collaboration between himself and novelist EM Forster to adapt Herman Melville’s novella.
Ahead of English National Ballet’s performances of Sir Kenneth MacMillan’s The Sleeping Beauty at the Royal Albert Hall, set designer Charlotte MacMillan discusses drawing on centuries of theatre design, using projection to create a sleeping palace suspended in time, and what it means to help br
Former Prime Minister Jim Hacker and former Cabinet Secretary Sir Humphrey are reunited in poignant and nostalgic fashion in Jonathan Lynn's I'm Sorry, Prime Minister, the final chapter for two characters so beloved from the TV series that made them British institutions.
Il Turco In Italia may not be Rossini's most famous work, but if there is any justice, this wonderful revival of Mariame Clément's 2021 Festival production will bring this opera to much wider attention.
Author John Le Carré famously banned stage versions of his work, and he may well have felt quietly vindicated with his decision having seen David Eldridge's adaptation of his third book, The Spy Who Came In From The Cold.
It's nearly twenty years since Daniel Radcliffe first tried to throw off the Harry Potter shackles in the 2007 version of Peter Shaffer’s 1973 play Equus.