Review: LA TRAVIATA, Opera Holland Park
Now on its third revival, Rodula Gaitanou's heart-stopping version of Verdi's tragic La Traviata is as affecting as ever.
Aliya Al-Hassan - Page 7
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Review: FALSTAFF, Glyndebourne Festival
Adapted from Shakespeare’s The Merry Wives of Windsor, director Richard Jones’s glorious Falstaff makes a welcome return to Glyndebourne, losing none of its charm or deft comedy.
Review: 'TILL THE STARS COME DOWN, Theatre Royal Haymarket
There are productions that herald huge amounts of fanfare and and others that creep up and surprise you.
OUR 1972 Returns This Summer at Riverside Studios
After a sell-out premiere at the start of 2024, Our 1972 - the acclaimed queer rom-com by Josh Maughan - returns to the London stage this summer in a reimagined revival at Riverside Studios.
Review Roundup: STEREOPHONIC in the West End
Stereophonic mines the agony and the ecstasy of creation as it zooms in on a music studio in 1976.
Review: MAZEPPA, Grange Park Opera
Even ardent opera fans may struggle to recall the story or the score for Mazeppa.
Review: ...EARNEST?, Richmond Theatre
A play within a play is not a new concept, but Say It Again, Sorry’s .
Review: SAUL, Glyndebourne Festival
Just how much fun can you have at an oratorio about a Old Testament tale of jealousy, madness and death? Well, quite a lot as it happens at the return of Barry Kosky's remarkable production of Handel's Saul.
Review: MADAMA BUTTERFLY, Grange Park Opera
Grange Park Opera has opened its new season with a crowd-pleaser.
Review Roundup: Nicholas Hytner's A MIDSUMMER NIGHT'S DREAM at Bridge Theatre
Return to the forest this summer – a dream world of flying fairies, contagious fogs and moonlight revels.
2025 Critics' Awards for Theatre in Scotland Announced
Confessions of a Shinagawa Monkey, an international collaboration between Glasgow-based Vanishing Point and Kanagawa Arts Theatre of Yokohama, Japan (in association with Tramway) picked up four awards at the 2025 CATS, which were presented at Edinburgh’s Traverse Theatre today, Sunday June 8, 2025
Review: IN PRAISE OF LOVE, Orange Tree Theatre
Terence Rattigan's work remains a stalwart of the British stage.
Review: ELEPHANT, Menier Chocolate Factory
After two highly successful runs at the Bush theatre, Anoushka Lucas's beautifully pitched and intensely captivating solo piece now arrives at the Menier Chocolate Factory in a slightly extended form.
Review Roundup: What Did Critics Think of MRS WARREN'S PROFESSION?
Vivie Warren is a woman ahead of her time.
Review Roundup: SHUCKED at Regent's Park Open Air Theatre
Marking the start of Drew McOnie’s inaugural season, the award-winning corny musical Shucked has now opened at Regent's Park Open Air Theatre.
Review Roundup: David Ireland's THE FIFTH STEP @sohoplace
After many years in the 12-step programme of Alcoholics Anonymous, James agrees to become the sponsor of newcomer Luka.
Review: IL BARBIÈRE DI SIVIGLIA, Glyndebourne Festival
Opera buffa is an ever-popular genre of the art, and more than two centuries after its composition, Rossini's Il barbière di Siviglia remains one this genre's most often staged operas.
Review Roundup: THE COMEDY ABOUT SPIES from Mischief Theatre
Mischief’s new action-packed thriller The Comedy About Spies is gripping audiences with laughter at the Noël Coward Theatre.
Review: MARIE & ROSETTA, Starring Beverley Knight
Beverley Knight starsBefore Elvis, Johnny Cash and Jimi Hendrix came Sister Rosetta Tharpe, the so-called 'godmother of rock ‘n’ roll’ who you have probably never heard of.
Review Roundup: What Did the Critics Think of Sondheim's Final Work, HERE WE ARE?
Stephen Sondheim’s final work, Here We Are, is directed by two-time Tony Award-winner Joe Mantello with book by Tony Award-nominee David Ives.
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