Aliya Al-Hassan - Page 7

Stephen Sondheim’s final work, Here We Are, is directed by two-time Tony Award-winner Joe Mantello with book by Tony Award-nominee David Ives. It is now open at the National Theatre with an all-star cast including Jane Krakowski and Jesse Tyler Ferguson. So what did the critics think?

Following a sell-out run at the Royal Court, the play everyone is talking about is transferring to the West End. John Lithgow reprises his role as Roald Dahl in the West End transfer of Mark Rosenblatt's critically acclaimed play. Directed by Nicholas Hytner, The Royal Court's production of Giant is now open at the West End's Harold Pinter Theatre.

On the eve of July 4th in the Hamptons, Elena Solness, a publishing magnate, is preparing to throw a party to celebrate her architect husband, Henry Solness, as he unveils his latest masterpiece. Their already vulnerable union is shattered by the unexpected arrival of Mathilde, a former student of Henry’s, with whom he previously shared an intimate connection. As the evening unfolds, each find themselves face to face with a reckoning that indelibly tilts the axis of their lives.

Michael Grandage's My Master Builder is billed as a reinvention of Ibsen's play of almost the same name through a modern, female lens. A rich story with themes of control, power, and the search for validation, featuring a host of stars of stage and screen. What could go wrong? Quite a lot as it happens.

It is now a rather incredible twenty five years since Ridley Scott's Gladiator came to our cinema screens, making a star of Russell Crowe and cementing the soundtrack's reputation as one of most captivating of its time. As such, it seems fitting that the Royal Albert Hall has included it in its wonderful Films in Concert series and what a treat it is to hear that remarkable soundtrack live.

After running at the RSC's Swan Theatre last year, Erica Whyman's quietly captivating production of Mark Ravenhill's play Ben and Imo now makes its way south to the Orange Tree Theatre.

There's a party going on at the London Coliseum this summer. Unfortunately, it's one of those parties that you eagerly look forward to, only to wish you had stayed at home and read an improving book instead.

Gary Owen’s new play, a contemporary reimagining of Ibsen’s classic, is directed by Artistic Director Rachel O’Riordan, reuniting the team behind the critically acclaimed Iphigenia in Splott, Romeo and Julie and Killology.

With so much potential material to explore, it is incredible that until now, a play has not been written about speed awareness courses. Following the success of the Olivier-nominated Blue Mist, writer Mohamed-Zain Dada and director Milli Bhatia come to the Bush Theatre with their darkly amusing new production Speed.

It is said that we stand on the shoulders of those who have come before. In April De Angelis's Playhouse Creatures, she celebrates five women who were clever innovators and brave pioneers of the stage at a time when female actors were openly objectified, judged and derided.

Rosie Day is a playwright and actor, starring in the world premiere of (This is not a) Happy Room opening at the King's Head Theatre later this month. In this Guest Blog for BroadwayWorld, Rosie talks about the ever-increasing challenges to those working in the entertainment industry, isolation and the need for connection among young actors.

Clueless is a new musical comedy based on the Paramount Pictures classic film. The modern spin on Jane Austen’s Emma gets another timeless makeover from the original film’s writer-director alongside a majorly acclaimed creative team.

The global movement and charity WOW (Women of the World) is now in its 15th year. To mark the occasion, WOW held a special evening to celebrate International Women's Day on Saturday 8 March.

Sex, power, gender and class: August Strindberg's Miss Julie may have first been performed in 1889, but its themes live on. In Laura Lomas's vivid reimagining of the play, The House Party, a seemingly happy event becomes the chaotic centre for a night where misogyny and the insidious creep of social media has a devastating impact upon the lives of the teenagers involved.

Cate Blanchett and Tom Burke make their return to the stage in Thomas Ostermeier's new production of Chekhov’s The Seagull. What did the critics think?

Based on the memoir of Jacob Dunne, Punch is the sobering true story of the tragic and rippling consequences of a single punch thrown on a night out. 

Naomi Westerman's play Puppy is coming to the King's Head Theatre in April. Billed as  an outrageous, sex-positive, female-centric comedy about dogging, queerness, feminist porn, protest, the patriarchy, and Nick Clegg.