Aliya Al-Hassan - Page 3

It took over twenty years for a revival of Mel Brooks's The Producers to come to London and the diminutive Menier Chocolate Factory more than held its own for a sold-out and universally well-received show. Now it makes a triumphant move to the West End's Garrick Theatre and continues to prove that great comedy is simply timeless. 

Orange Tree artistic director Tom Littler first directed Howard Brenton’s adaptation of August Strindberg’s Creditors at Jermyn Street Theatre in 2019, in rep with Miss Julie. He has secured quite a coup in gathering such a star-studded cast of acting veterans with Geraldine James, Nicholas Farrell and Charles Dance in this wonderfully performed but underwhelming production.

South African soprano Golda Schultz is always a treat to hear; with honeyed tones, rich storytelling and nimble versatility, the programme at Saturday's prom was an excellent vehicle to show off her considerable skills.

Winter 1591. It is a dangerous time for artists: the country is full of conspiracy and paranoia. In the backroom of a pub, writing sensations Kit Marlowe and Will Shakespeare are forced together in a creative union. Alone, with the table as their stage and battlefield, they sharpen their pens – and let their genius fly. Across three secret meetings, the rivals duel and flirt like their lives depend on it – and with spies everywhere, betrayal is so tempting.

Aria Entertainment & KT Producing have today announced the London premiere of major new folk musical Ballad Lines, which will run for eight weeks at Southwark Playhouse Elephant from 23 January - 21 March 2026.

Originally a 2003 film by Dutch filmmaker Theo Van Gogh, Interview was remade into an English-speaking version starring Sienna Miller and Steve Buscemi in 2007 after Van Gogh's death. Now directed and adapted for the stage by Teunkie Van Der Sluijs, Paten Hughes and Robert Sean Leonard star in this tense two-hander which never quite reaches its potential.

Mozart's beloved comedy The Marriage of Figaro opened Glyndebourne's very first Festival in 1934 and is the renowned opera house's most performed work. No sooner has the production closed in Sussex, it reappeared in London at the BBC Proms for a super semi-staged version.

Politics, queer love and identity combine in Josh Maughan's quietly charming play Our 1972.​​​​​​​ Cricket nut Ben and academic Andy meet on the train travelling to start new lives at the London School of Economics. Ben has broken up with his girlfriend, Andy is wary of new relationships, having been stung by a previous queer experience at home. They form an awkward friendship, which quickly becomes a passionate relationship.

As thousands of young people stock up on Ikea frying pans and instant noodles in preparation for their first step away from home, Nick Dawkins's A Manchester Anthem is a poignant, funny and touching portrait of one such young man's last night in his home city of Manchester before he leaves for university.

At The Proms over the weekend, conductor Nicholas Collon and his remarkable Aurora Orchestra collaborated with contemporary theatre company Frantic Assembly to explore the dual meanings and hypocrisies surrounding this seminal piece of music. The result is an inspired and genuinely innovative way of delving into the heart of the piece to educate the audience without ever dipping into condescension.

It's 20 years since Anoushka Shankar made her Proms debut, along with her father Ravi Shakar. Since then she has eclipsed even his enduring reputation as a world-renowned sitarist. Now a multi-Grammy-nominated artist, a sitar virtuoso and prolific composer, Shankar makes a triumphant return to the Royal Albert Hall for her fifth Prom: the world-premiere performance of her deeply personal ‘Chapters’ trilogy of albums.

Last seen in London over 35 years ago, Drew McOnie's inaugural season as Artistic Director of Regent's Park Open Air Theatre ends with him directing and choreographing a new production of Lerner & Loewe’s Scottish fantasy musical Brigadoon.

Emmy and Tony Award-winner Sean Hayes (Will & Grace) brings his acclaimed, Tony Award-winning performance to the Barbican this Summer in Good Night, Oscar – direct from a critically acclaimed Broadway season. What did the critics think?

Whether you are a fan of the franchise or not, the next actor to play James Bond is always headline news. Jordan Waller's frothy comedy A Role To Die For makes its London transfer from Cirencester's Barn Theatre, following a frantic search for the next Bond.

Fresh from a sold-out Melbourne season, the Australian Shakespeare Company serve up a solid, but slightly staid production of the Bard's Macbeth in the beautiful setting of London's Kew Gardens.

The Australian Shakespeare Company returns to the Royal Botanic Gardens at Kew for a charming take on Lewis Carroll's beloved Alice in Wonderland.

Rosamund Pike (Saltburn) makes her National Theatre debut as Jessica. Writer Suzie Miller and director Justin Martin reunite following their global phenomenon Prima Facie with this searing examination of modern masculinity and motherhood.

How do you follow up a blistering international success such as Prima Facie? Former lawyer-turned-playwright Suzie Miller now reunites with director Justin Martin for Inter Alia, which will surely create just as much impact. 

Burlesque the Musical has finally arrived in London. Loosely based on the 2010 film starring Cher and Christina Aguilera, Burlesque moves from LA to New York, as small-town girl Ali comes to the big city to search for her birth mother. On the way she starts working in a burlesque club as a waitress, only to become (spoiler alert) the main act. So far, so predictable.

Now on its third revival, Rodula Gaitanou's heart-stopping version of Verdi's tragic La Traviata is as affecting as ever. Opening with courtesan Violetta gasping for air, it never lets up its hold on the senses.