Triumphant Mikado Returns to Adelaide after National Tour
After a hugely successful whirlwind tour of country regions in South Australia, Victoria, Queensland and New South Wales, the 2016 Mikado troupe, comprising performers from both Co-Opera and the G&S Society, return to Adelaide for a short season of six performances only at the Adelaide Showground. Bookings are now open for this joyful G&S romp. Seating is cabaret style and byo refreshments and food.
7.30 pm May 6 - 7 and May 13 - 14 2016 and 3pm 8 and 15 May 2016 at Thomas Edmonds Opera Theatre, Adelaide Showground, Wayville.
Tickets: $49, Concession $39, Students under 26 years of age $16.20% Discount on Group bookings of 10 or more full price tickets.
To Book: Manual ticketing: Paula Tel: 8447 7239 email: tickets@gandssa.com.au
Book online https://co-opera.yapsody.com/ This is a Mikado not to be missed by Gilbert and Sullivan admirers. It's amongst the most popular of their repertoire; funny, witty, caustic, satirical and elegant especially with designer David Lampard's vibrant costumes.
From left to right: Bethany Hill, Daniel Smerdon, Monique Watson and Sidonie Henbest.
(Photograph: Paul Butler)
The orchestra is drawn from the ranks of the Royal Commonwealth Society Ensemble, directed by Brian Chatterton. The cast, features many well-known names in South Australian music theatre, joined by some very promising rising talent, ably directed by Richard Trevaskis of G&S fame.
Daniel Smerdon: The Mikado
James Nicholson: Nanki-Poo
Zachery McCulloch: Nanki-Poo
Rod Schultz: Ko-Ko
Eddie Muliau: Pooh-Bah
James Moffat: Pish-Tush
McIntyre Howie Reeves: Pish-Tush
Grace Bawden: Yum-Yum
Sarah Jane Pattichis: Yum-Yum
Bethany Hill: Pitti-Sing
Karina Jay - Peep Bo
Monique Watson - Peep Bo
Sidonie Henbest - Katisha
Jodie O'Regan: Katisha The Orchestra:
Anna Coleman Clarinet
Johanna Ng Violin 2
Rita Reichbart Viola
Joseph Freer Cello
Linda Pirie Flute
Amanda Home Clarinet
Matthew Holzinger Bassoon
Lester Wong Violin
Andrew Wiering Percussion Of The Mikado Director Richard Trevaskis has said: "W S Gilbert's satire in this best known and loved of his collaborations with Arthur Sullivan, was, as always, about British society - in particular government, the monarchy and social class in general.

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