Before Dorothy, before the flying house, and before the yellow brick road, there was Elphaba and Galinda. Born with emerald-green skin, Elphaba is smart, fiery, misunderstood and possesses extraordinary talent. When circumstances force her to room with the bubbly blonde and exceptionally popular, Galinda, their initial rivalry turns into the unlikeliest of friendships. From the first electrifying note to the final breathtaking moment, Wicked tells the story of Oz that you've never heard.
As a parable of fascism and freedom, 'Wicked' so overplays its hand that it seriously dilutes its power to disturb. Much of the impact of Baum's original novel, like that of so many fantasy stories, came from haunting, symbolic figures that readers interpret on their own terms. Though there have been numerous literary analyses of Baum's 'Oz' as a coded case for populism and agrarian reform, the book never feels like a tract. 'Wicked,' on the other hand, wears its political heart as if it were a slogan button. This is true not only of the dialogue, but also of Mr. Schwartz's generically impassioned songs, which have that to-the-barricades sound of the omninously underscored anthems of 'Les Misérables.' Though the talk is festooned with cutely mangled word ('swankified,' 'thrillified,' 'gratitution') that bring to mind the language of Smurfs, there's a rock-hard lecture beneath the preciousness. Mr. Mantello reconciles the gap between form and content only in Ms. Chenoweth's performance.
Described as a dense epic fantasy, 'Wicked,' based on a novel, is an intricate work. It tells the story of Elphaba, the bright but neglected young girl born with green skin who is good and kind. How she turns into the wicked witch is a long, winding road filled with bizarre characters and strange plot twists. The problem with the show's book, by Winnie Holzman, is that it has to cover so much ground in a connect-the-dots fashion that we're deprived of the necessary depth and character development to make us really care about Elphaba or her unlikely friend Galinda, who later becomes Glinda the good witch. Director Joe Mantello handles the intimate scenes well, but he's not quite as successful moving the traffic on Eugene Lee's dark, mechanical set. The ensemble numbers are indistinguishable. The special effects were impressive but a show of this caliber needed more. Stephen Schwartz, the composer behind 'Godspell' and 'Pippin,' has written some lovely music, particularly his ballads for the witches, but the score is uneven and the beautiful melodies that marked his earlier works are disappointingly absent here.
Digital Lottery
Price: $54.00
Where: https://lottery.broadwaydirect.com/show/wicked
When: For matinee performances, the lottery will open the day before at 10am and close the day before at 4PM. Winners will then be notified and will have 1 hour to purchase the tickets by credit card online. The e-ticket will then be emailed to the winner’s email address. For evening performances, the lottery will open the day before at 8PM and close the day of the performance at 11AM. Winners will then be notified and will have 1 hour to purchase the tickets by credit card online. The e-ticket will then be emailed to the winner’s email address.
Limit: 2 per customer
Information: Seats may be located in any section of the theater. While every effort will be made to seat pairs together with a full view, there is a chance that pairs may be split up and that your seat may have a partial view of the stage.
In-Person Lottery
Price: $30
How: A limited number of tickets will be sold via an in-person lottery.
Where: In the Gershwin Theatre breezeway
Limit: 2 tickets per customer
Information: 26 tickets are available for each performance. Payment must be in cash.
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