The RSC and Factory International production blending Shakespeare's Hamlet with Radiohead's album, co-created by Thom Yorke, Steven Hoggett, and Christine Jones, will run at the Barbican Theatre following sold-out runs.
BWW Scotland editor Natalie O'Donoghue selects her top picks of children's shows from the 2026 Edfringe programme.
Bradley Hawkins has been appointed Principal of Italia Conti as Hayley Newton-Jarvis shifts to a focused CEO role, marking a leadership evolution at the UK performing arts institution during its 115th anniversary year.
Freckle Productions, in association with Rose Theatre, announced a partnership with The Rubens at the Palace for ZOG's return to Cadogan Hall, offering ticket holders a discounted Royal Afternoon Tea during Kids Week 2026.
The Roundhouse Comedy Festival returns to Camden with its largest programme to date, featuring Joe Lycett, Katherine Ryan, Dropout, Adam Buxton, and more across 18 days of stand-up, live podcasts, and theatrical comedy.
In 2014, the National Theatre presented Euripides' Greek tragedy MEDEA, in a new version by Ben Power, now streaming on National Theatre at Home.
Khalil Madovi, a BAFTA-winning performer and composer, has been revealed as the final cast member in the world premiere of Hit Machine at Soho Theatre, joining Josh Radnor and Noah Galvin.
English Heritage has commemorated Sir Laurence Olivier with a blue plaque at his childhood home in Pimlico, where he first began acting.
Phil&Ben Productions and PW Productions announced a UK tour of Frederick Knott's classic thriller DIAL M FOR MURDER, premiering in Eastbourne before visiting multiple cities as part of a collaboration to revitalise mid-scale touring drama.
The full cast and creative team have been announced for the WhatsOnStage Award-winning concert production of Andrew Lloyd Webber's LOVE NEVER DIES at the London Palladium, directed by Shaun Kerrison.
All new photos have been released of the West End premiere of Sinatra The Musical, based on the life and career of the legendary artist and cultural icon.
EggGen returns with RAT RAT RAT, a site-specific movement and puppetry work staged inside the Old Operating Theatre Museum in London, drawing from histories of animal experimentation and WWII-era Unit 731.
“It’s like vultures circling a carcass,” one character in Driftwood says of the uneasy situation in Trinidad a few years shy of independence.
Headlong announced the cast for its UK tour of August Wilson's FENCES, directed by Daniel Bailey.
Jim Henson's LABYRINTH: IN CONCERT announced a one-night show at London's Eventim Apollo, featuring David Bowie's isolated vocals and a live band performing Trevor Jones' score alongside the 1986 cult classic film.
SPACE DOGS: THE MUSICAL, written and performed by Nick Blaemire and Van Hughes, will play a limited run at The Other Palace Studio in London, telling the true story of Soviet space dog Laika during the Cold War Space Race.
Cameron Mackintosh announced a new cast for LES MISÉRABLES at London's Sondheim Theatre, including Ian McIntosh as Jean Valjean and Stefanie Jones making her West End debut as Fantine.
National Theatre Live announced the cinema release of THE MISANTHROPE, starring Sandra Oh in her National Theatre debut.
THE PRODUCERS at London's Garrick Theatre will offer 100 tickets at £19.
English Touring Theatre announced a season of five plays, including world premieres of APPLICATION 39, LANNY, and PERICLES, alongside a new production of ROMEO AND JULIET, touring venues across the UK.
Dance Umbrella and the Barbican announced the London premiere of DANCE IS NOT FOR US, a solo work by Lebanese-French choreographer Omar Rajeh of Cie Omar Rajeh & Maqamat, performed at The Pit, Barbican.
The Barbican announced its autumn/winter Theatre & Dance programme, featuring the European premiere of Haruki Murakami's END OF THE WORLD AND HARD-BOILED WONDERLAND, the UK premiere of PAM TANOWITZ DANCE'S PASTORAL, and London premieres of TOM AT THE FARM and DANCE IS NOT FOR US.
BWW Scotland editor Natalie O'Donoghue selects her top picks from the 2026 Edfringe cabaret programme.
On her deathbed, US playwright Joshua Harmon’s grandmother granted him permission to write a play about their family, on the condition that it be as “brutal and vitriolic” as possible.
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