BWW Review: ZOMO THE RABBIT: A HIP-HOP CREATION MYTH at Imagination Stage
Imagination Stage's Zomo The Rabbit: A Hip-Hop Creation Myth, directed by Raymond O. Caldwell, brings back old school hip-hop for a fun, interactive show for kids and adults....
BWW Review: GUN & POWDER at Signature Theatre
As a reviewer you generally find something wrong with a production no matter how much you enjoy it. Signature Theatre's latest World Premiere Musical Gun & Powder is a rare breed of show because it is literally a perfect theatrical experience. Under the fantastic direction of Robert O'Hara it featur...
BWW Review: PHANTOM OF THE OPERA at Synetic Theater
Synetic Theater is known for bringing their audiences on a journey through creative movement and dancing. Without a word spoken or a note sung, Synetic manages to capture the audience by putting movement in the spotlight while telling familiar tales. The Tsikurishvilis have now coupled a beloved tal...
BWW Review: HUFF at The Kennedy Center
I do not feel qualified to assess the performance of HUFF at the Kennedy Center. Cree actor and playwright Cliff Cardinal's solo show is so graphic and abrasive, I would recommend that rather than read a critique to prepare yourself, work it out with your therapist....
BWW REVIEW: Alvin Ailey Has Something to Say
In its annual Kennedy Center residency, the company tackles gun violence, love, youth and more in a program that includes new works and the seminal classic a?oeRevelations.a??...
BWW Review: THE ROYALE at 1ST STAGE
Playwright Marco Ramirez's The Royale at 1st Stage is a rare and thought-provoking theatre experience....
BWW Review: Brave Spirits' HENRY THE FOURTH PART 1 A Thrilling Second Installment to their History Rep
This is the second installment in Charlene V. Smith's four-play repertory project, and judging from the quality of the work here, Washington theatregoers are in for a truly rewarding experience of the Histories, well into April. Brave Spirits is well on their way to one of the more vital repertory s...
BWW Review: NEXT TO NORMAL at Kennedy Center
Everyone once in a while a project is announced that basically sounds fool proof. The latest entry into Kennedy Center's Broadway Center Stage series Next to Normal is definitely one of those projects....
BWW Review: GREY ROCK at The Kennedy Center
Grey Rock, written and directed by Amir Nizar Zuabi and commissioned and produced by Alexandra Aron from the Remote Theater Project, is a masterful reflection of an ordinary, modern-day man in an dilapidated Palestinian village, who has high ambitions to build a rocket, reach the moon, and more impo...
BWW Review: THE SIMON & GARFUNKEL STORY at The National Theatre
There is certainly a dramatic story to be told behind the highly successful '60s folk-rock duo Simon & Garfunkel, from their brief high school success that got them on 'American Bandstand' to their later 1960s stardom, their love/hate relationship and mutual artistic dependence. All of that is barel...
BWW Review: SILENT SKY at Ford's Theatre is Bursting with Imagination
The city lights of Washington may typically obscure the night sky, but a portal to the cosmos has opened in downtown DC. Playwright Lauren Gunderson has gifted us a corner of the galaxy through the telescopic lens of astronomer Henrietta Leavitt's life and scientific discoveries. Leavitt's work may ...
BWW Review: THE NATIONAL BALLET OF CANADA: FORSYTH, KYLIÁN, RATMANSKY at The Kennedy Center
The traveling ballet works that tend to fill the Kennedy Center Opera House are usually the big, brand name costumed works - 'The Nutcracker,' 'Swan Lake' (a version of which played last week; another is coming in April) and 'The Sleeping Beauty,' which in fact the National Ballet of Canada is doing...
BWW Review: SPRING AWAKENING at Round House Theatre
Spring Awakening is the classic teen coming of age story, plus death, group mastrubation, nudity, and a failed abortion....
BWW Review: BLOOMSDAY at Washington Stage Guild
If there's a D.C. theater company that would approach presenting James Joyce, it'd be the literary-minded Washington Theatre Guild, which has made its mark by presenting everything written by George Bernard Shaw, among other ambitious projects....
BWW Review: Prologue Theatre's RECENT TRAGIC EVENTS a Wild, Thought-Provoking Ride
Recent Tragic Events, now being staged some 18 years after its premiere, is a piece that has matured beyond its original context. And Prologue Theatre's top-notch production argues convincingly for its endurance on the stage for years to come....
BWW Review: A THOUSAND SPLENDID SUNS at Arena Stage
A THOUSAND SPLENDID SUNS at Arena Stage is a breathtaking production that will stay with you long after curtain call. Adapted by Ursula Rani Sarma based on the beloved novel of the same name by Khaled Hosseini, A THOUSAND SPLENDID SUNS tells an unflinching story of the lives of two Aghan women bound...
BWW Review: PILGRIMS MUSA & SHERI IN THE NEW WORLD at Mosaic Theater Company
An emphasis on immigrants and how well they integrate (or not) in this country is nothing new. If anything, the issue has become more heated in the past few years....
BWW Review: MATTHEW BOURNE'S SWAN LAKE at The Kennedy Center
Sir Matthew Bourne's 'Swan Lake' has a reputation as a beloved, fascinating, and powerful ballet. The latest production certainly justifies this reputation....
BWW Review: THE MERRY WIVES OF WINDSOR at Folger Theatre
One of the biggest challenges in producing Shakespeare, is making it appealing and fresh to audiences of all ages. 'How can it feel both accessible and intriguing?' With these thoughts in mind, Aaron Posner and his team must have had some long brainstorming sessions. Luckily, however, they have trul...
BWW Review: PIPELINE at STUDIO THEATRE
In PIPELINE, playwright and educator Dominique Morisseau's refuses to relegate the Black experience to the realm of impersonal statistics....
BWW Review: A MEASURE OF CRUELTY at 4615 Theatre Company
'A Measure of Cruelty' is a deep, intimate portrait of what happens when social norms and expectations drive people to act in ways that are more damaging than fulfilling, more harmful than helpful, and how to break the cycles of violence and anger we think need to define us, especially men....
BWW Review: GLORY DENIED at Urban Arias
Jim Thompson, an Army Ranger and POW of the Viet Namese for 9 years, deserves to have his story widely known. In 2001, Tom Philpott published an oral biography of Thompson; later that year, the next undeclared war was triggered. Glory Denied, a 90 minute opera based on Philpott's book, definitely co...
BWW Review: SHELTERED at Theater J
There are some topics in which you hope plays conquer correctly. Topics that include dark parts of history such as the holocaust sit at the top of that list. Luckily, Alix Sobler's remarkable script and Theater J's impressive production of Sheltered, honors the topic, the people, and the story....
BWW Review: THE MOUNTAINTOP at NextStop Theatre
In NextStop Theatre's production of The Mountaintop, directed by Kevin McAllister, McNeil and Simmons are talented actors, but the play itself still needs to be polished....
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