BWW Review: SUDDENLY LAST SUMMER at Avant Bard Theatre
Tennessee Williams, in his lifetime, wrote more than 70 one-act plays - some just sketches, many that went unpublished until after his death in 1983 at 71....
BWW Review: Washington National Opera's SAMSON AND DELILAH at the Kennedy Center
Bad haircuts can be tragic, but none more so than for Samson, the Biblical figure whose strength was sapped the moment his mullet was gone. The treacherous shearing by a revenge-seeking Delilah launched centuries of retelling, including Camille Saint-Saëns' opera 'Samson and Delilah' which the Wash...
BWW Review: DEMO: NOW 2O20 at Kennedy Center
It was a misty, later rainy night, but that didn't dampen the enthusiasm of the audience at Kennedy Center's Eisenhower Theater watching DEMO: Now 2020. They greeted the musicians and dancers, directed and curated by Damian Woetzel, with standing ovations and loud, prolonged applause....
BWW Review: EASY WOMEN SMOKING LOOSE CIGARETTES at Signature Theatre
'Easy Women Smoking Loose Cigarettes' is a smart, insightful show with an incredibly talented cast and production team. It's a heartfelt, surprisingly funny, and achingly realistic portrayal of a family struggling with their demons, brought to life by an outstanding team....
BWW Review: DON GIOVANNI at Washington National Opera
Some unclear choices keep a beautifully-designed and often well-sung GIOVANNI from making the impact it intends to....
BWW Review: THIS BITTER EARTH at Theater Alliance
Write what you know, authors are often advised. And 'This Bitter Earth,' a vivid tale from prolific playwright Harrison David Rivers reflects a partnership between a back writer and a white activist in Minnesota that is very similar to his own....
BWW Review: AN EVENING WITH NORM LEWIS at Kennedy Center
Backed by the DC area's own incredible pianist Howard Breitbart on piano, Perry Cavari on drums, and Dylan Shamat on bass, Norm impressed from beginning to end, making the trip to the Kennedy Center's Eisenhower Theater well worth the trip....
BWW Review: TIMON OF ATHENS at Shakespeare Theatre Company
The week the stock market erases its year's gains may be just the right time to open a not-often produced play about swift changes in fortune....
BWW Review: THE WANDERERS at Theater J
Theater J, located in Washington, DC's Jewish Community Center focuses its work on celebrating and bringing light to the Jewish culture and its people. Anna Ziegler's The Wanderers is no exception to this mission. This is the fourth Ziegler play that Theater J has produced and its one that is sure t...
BWW Review: ORDINARY DAYS at NextStop Theatre Company
If you're looking for an easily-digestible theatre experience featuring a charming and watchable cast of characters, ORDINARY DAYS at NextStop Theatre is just the ticket....
BWW Review: WEEP from Nu Sass Productions at Caos On F
Walking into the Nu Sass world premiere 'Weep' is like stepping into the living and work space of its characters....
BWW Review: THUMBELINA at Imagination Stage
We may live in a high-tech age, but little ones still love to draw and make stuff with paper, paste and crayons. And that low-tech delight is exactly what fuels Thumbelina at Imagination Stage, with its interweaving of hand and shadow puppets, paper cut-outs, hand-drawn animation and real actors....
BWW Review: SHIPWRECK at Woolly Mammoth
We never can seem to catch a break from the president, and a night out at Woolly Mammoth's American premiere of Anne Washburn's SHIPWRECK is no exception. A history play about 2017, SHIPWRECK follows a group of liberals who gather at a remodeled farmhouse, a young man adopted from Kenya reckoning wi...
BWW Review: THE SNOWY DAY AND OTHER STORIES at Adventure Theatre
A recent article in The New York Times declared that Ezra Jack Keats's The Snowy Day and Other Stories is the most widely borrowed book in the Big Apple's public library collection. It's popular not only for the way it evokes the wonder and innocence of childhood but for breaking the color barri...
BWW Review: Brave Spirits' HENRY THE FOURTH PART 2 an Impressive Addition to their History Repertory Season
With the mayhem, warfare and epic egos of Henry the Fourth, Part 1 well under their belts, Brave Spirits Theatre now turns its talents towards one of the more challenging history plays in Shakespeare's canon, Henry the Fourth, Part 2. Director Charlene V. Smith continues to find new gems here among...
BWW Review: CROWNS at Creative Cauldron
Regina Taylor's Crowns is the story of a young teen from Brooklyn sent to live with her grandmother after the traumatic death of her brother. The more time she spends in South Carolina, the more she learns about herself, her ancestors, and the beautiful art of hat-wearing. Crowns not only draws from...
BWW Review: MOTHER ROAD at Arena Stage
By 1939. the Depression had begun to wane, but Dorothy still took a road trip to Oz to find out that there's no place like home. John Steinbeck published The Grapes of Wrath that year; the Joad family also had to leave their Oklahoma home and hit the road because the Dust Bowl was no Miss Gulch nor ...
BWW Review: WORLD STAGES: LA CLEMENZA DI TITO at The Kennedy Center
Overall, 'La Clemenza di Tito' is an interesting take on the beloved Mozart piece, though it feels very rough as a production, and the Kennedy Center's Eisenhower Theater may not be the ideal venue for this staging. But with a fabulous cast, team of dancers, and orchestra, it still makes for an enjo...
BWW Review: THE KING'S SPEECH at DC's National Theatre, from the Perspective of Someone Who Stutters
At the end of the evening, sitting in the National Theatre, I was impressed with the care the cast and creative team took to present this story onstage. It's not your standard political drama, and it's not your standard inspirational porn about a person with a disability either. It's a compelling ...
BWW Review: WORLD STAGES: HEROINE at The Kennedy Center
'Heroine' handles a number of deep, complex issues. And yet, it manages to do so with a sensitivity and care that feels respectful and fitting to those it portrays, directly or indirectly. The care and attention put into this production by every member of the team shows in the performance, and beyon...
BWW Review: The Delightful Melodrama of ABT's GISELLE
ABT does the melodrama of 'Giselle' with an acute attention to detail, diversity and dramatic flair....
BWW Review: BOY at Keegan Theatre
Angry irony does not usually get used to describe the lyrics of Oscar Hammerstein. But there isn't always a bright golden haze on the meadow. 'You've got to be taught to be afraid/of people whose eyes are oddly made/and people whose skin is a different shade,' came from his pen as did, 'You've got t...
BWW Review: THE TOXIC AVENGER: THE MUSICAL at Rorschach Theatre
With very few exceptions stage musicals based off of comic books and horror movies are never truly successful. You're a Good Man Charlie Brown and Little Shop of Horrors are two very rare examples where those genres succeeded commercially....
BWW Review: EXQUISITA AGONÍA (EXQUISITE AGONY) at GALA Hispanic Theatre
When her husband suddenly dies in a traffic accident, an opera singer mourns, but also wants to get in touch with the organ recipient. Who received the heart of her husband, and did it carry with it more than just the tissue and muscle?...
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