Current star of Masquerade Telly Leung discusses with Jennifer Ashley Tepper playing the Phantom in the immersive production, the full circle from Rent fan to Rent actor, Gavin Creel’s leadership during a production that never was, and much more. 

For the past two seasons, 14 or 15 new musicals have opened on Broadway. Even in the challenging first two seasons coming out of the pandemic, Broadway saw 8 or 9 new musicals opening. And in the last four full seasons prior to the pandemic, Broadway saw an average of 11 new musicals per season. What gives?

During and prior to the Golden Age of Broadway, songs regularly premiered on stage and then charted, spending time on the radio and becoming popular worldwide. In the 1960s, Broadway songs and popular music diverged, and work from musicals was no longer synonymous with chart hits. There have certainly been a good share of exceptions since that decade, as Broadway has evolved to mirror popular, current music genres. Several of the songs that have broken through to the Billboard charts can be heard on Broadway! 

The history of shows that have transferred from off-Broadway to Broadway is well documented. Hundreds of Broadway plays and musicals started out off-Broadway before making the leap to a Broadway house. But much more rare is the circumstance of a show starting out off-off-Broadway (that’s right, two ‘off’s!) and traveling all the way to the main stem. One of these shows is playing right now, and is a major theatre success story with off-off-Broadway roots!

The Broadway production of Ragtime was a glorious accomplishment, a riveting testament to the original American musical and to all that America itself could be. The show ran for 834 performances at the Ford Center, closing in the final year of the 20th century. It was nominated for 13 Tony Awards, taking home four.

It wasn’t until later on in theatre history that revivals began including shows that weren’t initially well received or financially successful in their initial engagements. As musical theatre continued to evolve, and more shows entered the canon, a consensus began to grow about shows being worthy of additional exploration even if they hadn’t been hits the first time around. What about musicals that had been ahead of their time, musicals that had fallen prey to circumstances, early works by writers who became successful later on, and of course, shows that found an audience after closing via their cast recordings?

The idea of the concept album took flight at the same time as the idea of the rock musical. A concept album introduces audiences to the score of a musical by deliberately releasing an album of the songs before any live production exists at all. The concept album ostensibly stands on its own terms.

This season, three plays are receiving Broadway debuts which already made significant noise off-Broadway in their original productions, years ago. Becky Shaw, Bug, and Marjorie Prime will all be opening on Broadway in early 2026 in brand new productions. The first and last are spending time on Broadway at the Hayes under the auspices of Second Stage while Bug is being presented by Manhattan Theatre Club at their home, the Friedman. 

One of the best parts of seeing a show in New York City is how there is often a relevant historic spot to visit, just steps away from the show you’re seeing. Here's just a few examples...

Prince Faggot and Slam Frank are two of the most talked-about productions of the season so far—and both were initially inspired by tweets on the platform now known as X. 

During his prolific and storied career, Sondheim collaborated with many other artists, from book writers to directors, from actors to musicians. Seeing Sondheim’s regular collaborators, close friends, one-time associates, mentors, and rare connections make appearances in his collection was both moving and illuminating.

While the large majority of plays that make it to Broadway were written in English, a small fraction of plays were originally penned in a different language and translated. 

The collection documents songs that made it into Sondheim’s musicals, and it also documents cut or unused songs that were edited out of shows before they opened. Rarest of all, it documents songs that were never finished. These are not the rarities that made it into Marry Me a Little or a Sondheim compilation album. Rather, they are sketches of songs that provide a window into Sondheim’s process while creating a score and show him developing characters and determining the details of what are now iconic musicals.

While different tryout theaters have different relationships to the development of new shows, it’s worth looking at both which commercial rental theaters and which non-profit theaters have had the most Best Musical Tony Award winners come from their stages.

Earlier this year, it was announced that the Library of Congress had acquired the Stephen Sondheim collection. The legendary composer and lyricist passed away in 2021 at the age of 91 after a long and extraordinary career. His collection at the Library of Congress is in the midst of being catalogued, and this piece shares several highlights from the boxes of Sondheim’s lyric drafts, music manuscripts, rewrite notes, brainstorm pages, song list outlines, and more.

Diane Keaton made her Broadway debut in the original Broadway production of Hair at the age of 22. The landmark musical started out at the Public Theater off-Broadway in 1967 before transferring to the Biltmore Theatre on Broadway in 1968. Keaton joined the cast for the Broadway run, originating her track in the show.

Only two new musicals are opening on Broadway in the first half of the 2025-2026 season: The Queen of Versailles and Two Strangers (Carry a Cake Across New York). There has been much discourse on the topic of whether rising capitalization costs and the rareness of full recoupment is impacting the number of new musicals being produced on Broadway. 

Taylor Swift’s new album The Life of a Showgirl dropped on October 3rd, and it includes plenty of references—some explicit and some ambiguous—to real showgirls throughout history. Many of these women have a Broadway past worth exploring that adds new context to Swift’s songs.

As the fight for women to have equal rights and opportunities has evolved, so has the presence of plays telling these stories. When I wrote my book, Women Writing Musicals: The Legacy that the History Books Left Out, the first-ever book about female musical theatre writers, I researched many musicals that are in this genre as well.

While a lot has been written about two handers, a term for two-person shows, less has been penned about three-handers. Yet, three-person plays are just as common a genre on Broadway as pieces with only two players. Currently, Art, by Yasmina Reza, is receiving an all-star revival at the Music Box.

Technology plays an ever-present role in the life of every human on earth. As computer technology and social media have begun to heavily impact everyday life, this has gradually been reflected in modern musicals on Broadway.

The Late Show with Stephen Colbert has been taped at the Ed Sullivan Theatre located on Broadway between 53rd and 54th Streets since it began in 2015. Before the Broadway-loving Colbert took over The Late Show, the host was David Letterman, who ruled late night from 1993 onward via his perch at 1697 Broadway.

Heathers is currently playing to sold out crowds at New World Stages, the off-Broadway complex on 50th Street between 8th and 9th Avenues. It’s a New York City return for the teen musical with a relatively short turn-around time since the original off-Broadway premiere of Heathers opened in 2014.

June Squibb is a beloved actor with an incredibly long career—but does 96 make her the oldest actor to play Broadway in a regular production with 8 performances a week? According to our research, that is indeed the case! 

The Gilded Age recently wrapped up its third season on HBO, to record-setting viewership. Much to the delight of theatre fans, the cast of the show includes a wealth of actors who are beloved for their work in theatre. Cast by Adam Caldwell and Bernie Telsey, The Gilded Age shoots in the New York area, which gave the team the ability to cast many actors who regularly work in theatre.