Norma's home at last! West End and Broadway director Jamie Lloyd (Cyrano de Bergerac, A Doll's House) reimagines one of Andrew Lloyd Webber’s best-loved musicals – based on the Billy Wilder film - for a whole new generation.
Famed movie star Norma Desmond has been cast out of the Hollywood limelight. Living in a suffocating world of dreams, memories and regrets, a chance encounter with screenwriter Joe Gillis may be her only hope — unless their volatile affair destroys them both
Before it was a musical, Sunset Boulevard was a 1950 film noir directed and co-written by Billy Wilder. The film is led by Gloria Swanson as Norma Desmond, a former silent-film star who draws him into her deranged fantasy world, where she dreams of making a triumphant return to the screen.
The movie was nominated for eleven Academy Awards and won three. In 1989 it was selected for preservation in the National Film Registry and in 1998, it was ranked number 12 on the American Film Institute's list of the 100 best American films of the 20th century.
A musical version of the beloved story was written by Andrew Lloyd Webber, Don Black and Christopher Hampton. The original 1993 West End production, directed by Trevor Nunn and choreographed by Bob Avian, featured Patti LuPone as Norma Desmond, Kevin Anderson as Joe Gillis, Meredith Braun as Betty Schaefer, and Daniel Benzali as Norma's ex-husband, Max.
Soon after, it had its American premiere in Los Angeles, this time starring Glenn Close as Norma, Alan Campbell as Joe, George Hearn as Max, and Judy Kuhn as Betty. In 1994 it moved to Broadway, where it opened at the Minskoff Theatre on November 17. It was nominated for 11 Tony Awards and won in seven categories, including Best Musical and Best Performance by a Leading Actress in a musical for Close.
Since then, the musical has toured extensively, and enjoyed international productions in Canada, Germany, Australia, Sweden, the Netherlands, South Africa and many more countries across the world.
In 2017, Glenn Close reprised her performance as Norma Desmond in a revival on Broadway at the Palace Theatre. Featuring a 40-piece onstage orchestra and a relatively minimalist set, it was directed by Lonny Price.
In early 2023, it was announced that Nicole Scherzinger would lead an all-new production at London's Savoy Theatre, directed by Lloyd. When it began performances in September, it immediately grabbed the attention of theatergoers worldwide as an extraordinary reimagination of Lloyd Webber’s iconic musical.
The Broadway cast is led again by Scherzinger, with her acclaimed London co-stars: Tom Francis as ‘Joe Gillis’, Grace Hodgett-Young as ‘Betty Schaefer,’ and Olivier Award winner David Thaxton as ‘Max Von Mayerling.’ Mandy Gonzalez is the Norma Alternate at certain performances.
Drenched in champagne and cynicism, Sunset Boulevard scrutinizes the ambitions and frustrations of its characters and their intoxicating need for fame and adoration.
All that madness in Gloria Swanson’s eyes at the end of Billy Wilder’s 1950 masterpiece Sunset Boulevard is amplified to breathtaking lengths in Jamie Lloyd‘s commanding and gorgeous renovation of Andrew Lloyd Webber’s 1993 musical Sunset Blvd. With a career-expanding performance that redefines the one-time Dancing With The Stars competitor Nicole Scherzinger as thoroughly as Lloyd’s staging does Lloyd Webber’s musical, the revival opening tonight at Broadway‘s St. James Theatre is a stunner, stark always, funny sometimes and ultimately terrifying.
Scherzinger’s ravenous performance provides a great part of the adrenaline, but the show is also jolted into new life by the collision of the spartan Lloydiverse with all the plush and purple of Lloyd Webber’s score. Chu described the composer as, in the ’80s, mounting a kind of maximalist coup on musical theater in the name of the operatic notion of primo la musica: “Nothing—neither plot nor character, not social issues, not even good taste—would be more important,” she wrote about his shows, “than what happened when that invisible beam of music shot across the darkened theater into their souls.” Productions of Lloyd Webber’s aspirations to Puccini have long tended to put a hat on a hat. The music throbs and flourishes; so does the stage, loaded up with gondolas and chandeliers, fog and fashion and fur and roller-skates. Lloyd, true to form, runs the other way. He and his collaborators, the set and costumes designer Soutra Gilmour, and the lighting designer Jack Knowles and video designers Nathan Amzi and Joe Ransom, craft a spare, echoing dungeon, girded by towers of LEDs. (This kind of seeming minimalism is its own circus trick, costing as it does millions of dollars.) Inside Gilmour’s vast, deceptively empty box, Knowles, Amzi, and Ransom’s incredible work is, in and of itself, a liquid, high-octane form of scenery. They’ve kept little but the fog.
| 1993 | West End |
Original London Production West End |
| 1993 | Regional (US) |
Los Angeles Production Regional (US) |
| 1994 | Broadway |
Original Broadway Production Broadway |
| 1995 | Canada |
Toronto Production Canada |
| 1996 | US Tour |
1st National Tour US Tour |
| 1998 | US Tour |
2nd National Tour US Tour |
| 2004 | London Fringe |
London Concert Revival London Fringe |
| 2016 | West End |
English National Opera West End Revival West End |
| 2017 | Broadway |
Broadway Revival Production Broadway |
| 2023 | West End |
West End |
| 2024 | Broadway |
Broadway Revival Production Broadway |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2025 | Drama Desk Awards | Outstanding Direction of a Musical | Jamie Lloyd |
| 2025 | Drama Desk Awards | Outstanding Lead Performance in a Musical | Tom Francis |
| 2025 | Drama Desk Awards | Outstanding Lead Performance in a Musical | Nicole Scherzinger |
| 2025 | Drama Desk Awards | Outstanding Lighting Design of a Musical | Jack Knowles |
| 2025 | Drama Desk Awards | Outstanding Projection and Video Design | Joe Ransom |
| 2025 | Drama Desk Awards | Outstanding Projection and Video Design | Nathan Amzi |
| 2025 | Drama Desk Awards | Outstanding Sound Design of a Musical | Adam Fisher |
| 2025 | Drama League Awards | DISTINGUISHED PERFORMANCE | Nicole Scherzinger |
| 2025 | Drama League Awards | DISTINGUISHED PERFORMANCE | Tom Francis |
| 2025 | Drama League Awards | OUTSTANDING DIRECTION OF A MUSICAL | Jamie Lloyd |
| 2025 | Outer Critics Circle Awards | Outstanding Lead Performer in a Broadway Musical | Nicole Scherzinger |
| 2025 | Outer Critics Circle Awards | Outstanding Revival of a Musical | Sunset Boulevard |
| 2025 | Outer Critics Circle Awards | Outstanding Sound Design | Adam Fisher |
| 2025 | Outer Critics Circle Awards | Outstanding Video/Projections | Joe Ransom |
| 2025 | Outer Critics Circle Awards | Outstanding Video/Projections | Nathan Amzi |
| 2025 | Tony Awards | Best Direction of a Musical | Jamie Lloyd |
| 2025 | Tony Awards | Best Lighting Design of a Musical | Jack Knowles |
| 2025 | Tony Awards | Best Orchestrations | David Cullen |
| 2025 | Tony Awards | Best Orchestrations | Andrew Lloyd Webber |
| 2025 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Tom Francis |
| 2025 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Nicole Scherzinger |
| 2025 | Tony Awards | Best Sound Design of a Musical | Adam Fisher |
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